Your face like the moon

Translation:

May your charming face ever shine like the full moon;
May you hold eternal sway over the domains of beauty.
By your amorous glance you have killed a poor man like me;
How magnanimous of you? May God give you a long life.
Pray do not be cruel lest you should feel ashamed of yourself
Before your lovers on the day of judgment.
I shall be set free from the bonds of the two worlds
If you become my companion for a while.
By your wanton playfulness you must have destroyed
Thousands of hearts of lovers like that of Khusrau.

mughalminiaturelover

Transliteration:

Bakhubi hamcho mah tabindah baashi;
Bamulk-e dilbari paayindah baashi.
Man-e darvish ra kushti baghamzah;
Karam kardi Ilahi zindah baashi.
Jafaa kam kun ki farda roz-e mehshar;
Baru-e aashiqan sharmindah baashi.
Ze qaid-e dojahan azad baasham;
Agar tu hum-nashin-e bandah baashi.
Barindi-o bashokhi hamcho Khusrau;
Hazaran khanuman barkandah baashi.

 

Sadi_in_a_Rose_garden

What is brighter than the moon?

This lovely performance begins with a verse by the celebrated Persian poet Sa’adi (d. 1292), then another verse by Fakhr ad-din ‘Iraqi (d. 1289), and finally a poem by Amir Khusro (d. 1325)

 

Translation:
Grant me a warm new life or grant me a hot death
I bow my head to your rule, and take You as my king.

-Sa ‘adī

 

Why should our enemies be so fortunate to die by your hands?
The heads of living friends are  waiting for your dagger.
-‘Iraqi

 

I asked: “What is brighter than the moon?” She said: “It is my face.”
I asked: “What is sweeter than sugar?” She said: “It is my speech.”
I asked about the death of lovers; She said; “The pain of being separated from me.”
I asked about the cure of life; She said: “It is the sight of my face.”
I asked about the way of lovers; She said: “Fidelity.”
I said: “Then do not be cruel and wicked.” She said: “That is my task.”
I said: “Are you a houri or a fairy?” She said: “I am the King of idols”
I said: “Khusrau is helpless.” She said: “Worship me.”

 

persianminiaturebeaut

Original:

اگرم حیات بخشی و گرم هلاک خواهی
سر بندگی به حکمت بنهم که پادشاهی

سعدی-

نہ شود نصب دشمن، کہ شود ہلاک تیغت
سر دوستاں سلامت، کہ تو خنجر آزمائی
عراقي-

گفتم که روشن از قمر گفتا که رخسار منست
گفتم که شیرین از شکر گفتا که گفتار منست
گفتم طریق عاشقان گفتا وفاداری بود
گفتم مکن جور و جفا، گفتا کہ این کار منست
گفتم کہ مرگِ ناگہاں، گفتا که درد هجر من
گفتم علاج زندگی ،گفتا که دیدار منست
گفتم که حوری یا پری ، گفتا که من شاه ِ بتاں
گفتم که خسرو ناتوان گفتا پرستار منست

امير خسرو-

I stole a glance from Niẓam

 

saadilovers

 

Translation:

Let the housewife say what she will,
I stole a glance from the eyes of Nizam.

His darling face and his charming form I have hidden in the depths of my heart.
Let Khusrao perish at the feet of Nizam, I have just sold him a priceless maid [Khusrau himself]

Khusrau! It is the blissful wedding night; I awake with my love.
The body mine, the heart my lover’s— both coloured in the same hue.

Transliteration:

Ghar nari gawari chaahe jo kahe
Main Nijam se naina laga aaii re

Aisa sundar, aisa chhabeela, duja koi nahin
Jaisa Baba Farid ka pyara Khwaja Nijamuddin

Sohani soorat, mohani moorat,
mein to hirday beech samaa, aaii re
Khusrao Nijam ke bal bal jaaie,
mein to anmol cheri bita, aaii re

Khusrau rain suhag ki, so jagi pii ke sang
Tan mora, man piihuu kaa, so dono aik hi rang

Bulleh Shah-My Beloved Reveals Untold Secrets

 

 

 

Behad Ramzan Dasda Mera Dholan Mahi
(My beloved reveals untold secrets)

 

Transliteration
and
Translation

 

Ve Di??? Bhena Dus Mullah
Ouh Alif Seedha Kam Khat Aaya
O Yaar ???
Hun Des Vataa Hun Ik Wat Aaya
Sohna Meem Da Ghunghat Pa Ke Dekh…
Ali Haidera Pehle Ahad Si Hun Ahmad Bun Ke Vad Aaya

 

Speak not of the chaos of the “be”, O Mullah!
The straight “alif” has no twists1.
The lover of that single night has given up his land and come again wearing the veil of the beautiful “mim”.
He has come with locks of hair.
Ali Haider was first Ahad, now he comes again as Ahmad.

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

kite shia ey kite sunni ey
kitne jada dhar
kite munni he
kitte pataka beda dasda
bukhabe vich kidre vasda

Sometimes he is a Shia, sometimes a Sunni
Sometimes with long matted hair,
Sometimes shorn bald
Sometimes he talks of the Ka’ba
Sometimes he lives in the idol house.

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

aape zahir, aape baatin, aape luk luk pehnda hai
aape mullah, aape qaazi, aape ilm parhenda hai
khat zulnar kufar da gal vich butkhane vich behnda hai
zaaton ashraf yaar ranjhe da layan di laj rakhenda hai
aape lukda, aape dhadsa, aape dhun machenda hai
bullah shah, inaayat menu bal bal darshan denda hai

He is visible, he is unseen, he hides himself
He is the mullah, the qazi, he teaches knowledge
Wearing the infidel amulet he sits in the idol house
Of noble birth, my friend Ranjha keeps the honor of theafflicted
He hides, he tells, he spreads rumors
O Bullah, Shah Inayat shows himself to me again and again

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

lung karani dus ke jaani hun kiyoon mukh chupaya hai
mein dholan vich faraq na kayi inna-ma farmaya hai
tan sawan de keere paaye jo jharya so paya hai
mansoor ko lo kuch zahir hoya soli pakar charhaya hai
dasso nuqta zaat ilahi sajda kis karwaya hai
bulleh shah da hukum na manya shaitan khuwar karaya hai

After showing yourself my love, why have you hidden your face?
There is no difference between me and the beloved, theQuran says inama
You infested Sabir’s body with worms and each that fellwas replaced
Mansur showed a little and you had him executed
Tell me, oh God, who had the angels bow to us?
You did not listen to Bulleh Shah’s command and made thedevil unhappy

 

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

ik laazim baat adab di hai
sanu baat maloomi sub di hai
her her vich surat rubb di hai
kitte zahir kitte chupdi hai o sohna

There is one essence of knowledge
We know everything about all
The face of God is in everyone
Sometimes visible, sometimes hidden

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

asi vekh ke surat dilbar di aj besurat nu jaan gaye
bina Ayn arab bina meem Ahmad
assan yaar nu khoob puchan gaye
kitte Toor de purdeh chukda hai
kitte nawa de vich lukda hai
jad ramz puchandi yaaran ne
o sub sadqe qurban gaye

Seeing the face of the beloved, we understand thefaceless
An Arab without the “ain “, Ahmad without the”mim” 12
We have recognized our friend
He lifts curtains of light
He hides behind names
When the friends discovered his secret
They sacrificed everything they had

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

ouh besurat vich surat de bun aap Muhammad aaya hai
rakh saamne sheesha wahdat da
aj Rubb ne yaar sajaya hai
bin surat de Rubb nahi labda
ohdi shakal noorani mukh Rubb da
je ohna hunda na Rubb hunda
Laulakh khuda farmaya hai
eh gal koi yaar khatawi nahi
je khuda ou nahi je juda vi nahi
aape ahmad bun ke hamd karay
te Muhammad naam rakhaya hai

From facelessness, he has come with the face of Muhammad
With the mirror of unity in front of him
God has decorated the friend
God cannot be found without a face
His face is light, the face of God
If he was not there, God would not be
God from heaven has said this
Oh friend, this is not a complaint
If he is not God, he is not separate from him
He becomes Ahmad to praise himself
And names himself Muhammad

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi 10:20

aape taalib te matloob aape
aape aap apna mehboob aape
aape apne aap de milne di
tadbeer banayi chaandi ey
jad shor muhabbat ne paya
be-surat surat bun aaya
aape apne hijar vichore di taqreer sunyai jandi ey
aape mud qadeema kalla ey
koi ghair nahi Allah he Allah ey

He is the wanter and the wanted
He is his own lover
He makes plans to meet himself
When love raised a tumult
The faceless one came with a face
He tells us about his own separation
He has been alone since eternity
He is not a stranger. He is Allah

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

zara bekhud hoke dekh miyaan
jehde basti ey ouh wasda ey
bina gurr kamil nae peth khule
ey kalma koi na dasda ey
besurat surat bun aaya
khud aap muhafiz surat da
khud rooh misaal te jism hoya
aape har har de vich wasda ey
aape qasrat de vich banda ey
ate aahdiyat vich Maula hai
ilm apne da aap aalim hai
kitte aazadi kitte phasda ey
jadu akhiyan dittian musharad ne
her dekheiya her her shaan andar
kitte momin hoke manda hai
kitte kair hoke nasda hai

Lose yourself for a moment and consider
One lives where one has a home
This mystery cannot be solved without perfect learning
No one tells us of this
The faceless becomes one with a face
The guardian of the face
The spirit, the example and the body
He lives in each one
He is humanity in its countless numbers
He is the God in his unity
He is the scholar of his own knowledge
He is free. He is captive
When the teacher gave us eyes
We saw him in everyone in all his glory.
Sometimes he believes as a Muslim
Sometimes he runs away as an unbeliever

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

Raag 13:50

ki karda ni ki karda dilbar ki karda
ikke ghar vich wasdeah rasdeah
nai hunda vich purdah
dilbar ki karda ki karda ni ki karda dilbar ki karda
vich maseet namaaz guzare
butkhane ja warda
dilbar ki karda ki karda ni ki karda dilbar ki karda
aap ikko kayi lakh gharan de
malik sub ghar ghar da
dilbar ki karda ki karda ni ki karda dilbar ki karda
jit wal dekha ut wal ouh ho
her di sangat karda
dilbar ki karda ki karda ni ki karda dilbar ki karda
Musa te Pheron bana ke
do ho ke kiyoon larda
dilbar ki karda ki karda ni ki karda dilbar ki karda
hazir nazir hertha ouh ho
kehra kis nu kharda
dilbar ki karda ki karda ni ki karda dilbar ki karda
kitte Rumi ey kitte Shani ey
kitte sahib kitte ghulami ey
kitte khasan vich kitte aami ey
ouh aape aap tamami ey ouh sohna

What is my beloved doing, what is he doing?
Living together in one house
There should be no secrets between us
He prays in the mosque
He enters the idol house
What is my beloved doing, what is he doing?
He himself is one and has a hundred thousand houses
The master of every house
What is my beloved doing, what is he doing?
Whomever I look to, he is there
He accompanies everyone
What is my beloved doing?
Whomever I look to, he is there
He accompanies everyone
What is my beloved doing, what is he doing?
Creating Moses and the Pharaoh
Why does he become two and fight?
What is my beloved doing, what is he doing?
He is present, he is visible, he is everywhere
Who is taking whom along?
What is my beloved doing, what is he doing?
Sometimes he is Rumi, sometimes Shams
Sometimes he is a master, sometimes a slave
Sometimes he is the nobility, sometimes the common folk
He is complete in himself

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

Meem Day Ohlay Wasda Ne Dholan Mahi

Beh Haadh Ramza Dhasdha Mera Dholan Mahi
Beh Haadh Ramza Dhasdha Mera Dholan Mahi

kun keha fayakum kahaya
bechooni se choon banaya
aahad de vich meem ralaya
hun mei lakhya sohna yaar
jisde husn da garam bazaar
meem de ohle wasda mera dholan mahi

He said “kun” and “fayakun”
From nothingness he created existence
Now I see the beautiful friend
Whose beauty has excited the bazaar
He lives under the “mim,” my beloved.

wasda meem de ohle mera dholan mahi
wasda meem de ohle mera dholan mahi

 

He lives under the “mim,” my beloved.
He lives under the “mim,” my beloved.

 

pyara pehn pushaka aaya
aadam apna naam daraya
ahad to bun ahmad aaya
nabiyan da sardar

 

The beloved has come wearing raiments
He calls himself Adam
From Ahad [The One] he has become Ahmad [The name of the Prophet]
The king of the prophets

wasda meem de ohle mera dholan mahi
wasda meem de ohle mera dholan mahi

He lives under the “mim,” my beloved.
He lives under the “mim,” my beloved.

 

kaaran preet neet bun aaya
meem da ghunghat mukh te paya
ahad ou ahmad naam dhayara
mera dholan mahi wasda meem de ohle

 

He has come as the deed, love and desire
Wearing the veil of the “mim” over his face
From Ahad he calls himself Ahmad
He lives under the “mim” my beloved.

mera dholan mahi wasda meem de ohle
mera dholan mahi wasda meem de ohle

He lives under the “mim,” my beloved.
He lives under the “mim,” my beloved.

 

aap ahdiyat de vich ahad
aape vich wahdat roop yaar da ey
aape noor wadood shahood aape
aape aap sare roop dhar da eh
oh mehboob aape aape ho aashiq
aape apne touh jind varda eh
o dewaniya meem Muhammadi cho
piya alif aape chamka maarda eh

In unity he became one
In unity is the manifestation of the friend
He is the light, existence and witness
He is all the manifestations
He is the beloved, he is the lover
He gives himself life
Oh, madman from the “mim” of Muhammad
The “Alif” flashes forth.

mera dholan mahi wasda meem de ohle
mera dholan mahi wasda meem de ohle

He lives under the “mim,” my beloved.
He lives under the “mim,” my beloved.

raag 25:50

karan ki behad tareef usdi
ohta lung behad cho had aaya
hoya bari behad di qaid vicho
aj had de vich behad aaya
bibi aaminah de ghar houn ehda
dekho kufr te shirk da radd aaya

 

How can I praise him limitlessly?
From infinity he has become finite
Freed from the prison of limits
He has become limitless
There are celebrations in the house of Bibi Aminah
See, the negation of unbelief and association has come

o deewaniya meem da kund pa ke
surat vich allah hus samad aaya

Oh, madman wearing the veil of “mim”
Allah has shown himself in his face

mera dholan mahi wasda meem de ohle
mera dholan mahi wasda meem de ohle

ahay meem de ohle wasda mera dholan mahi
behad ramza dhasda mera dholan mahi

He lives under the “mim,” my beloved
My beloved reveals untold secrets

auliyah shah mansur kahave
ramz anal haqq aap sunave
aape aap nu sooli charhave
kol khaloke hass da mera dholan mahi
behad ramza dhasda mera dholan mahi

He called Mansur the king of Theologians
He made him tell the secret of “I am the Truth”
He had himself executed
And laughed standing by
My beloved reveals untold secrets.

behad ramza dhasda mera dholan mahi
behad ramza dhasda mera dholan mahi…

 

 

lyrics and translation from : https://vimeo.com/25239636

 

bullehshahpoem

Amir Khusro in Love

Main To Piya Se Naina Laga Aayi Re

 

Translation:

Hey, I’ve just had an affair with my darling,
Don’t care what the neighbourhood girls say;
Just had an affair with my darling.
Oh, his beautiful face, charming like an idol,
I’ve just made a place in the bottom of his heart.
I, Khusrau, give my life to Nizamuddin in sacrifice,
I’ve just heard him call me his most favourite disciple;
Don’t care what the neighbourhood girls say,
I’ve just had an affair with my darling.

indiansunhug

Transliteration:

Main to piya say naina lada aayi ray,
Ghar naari kanwari kahay so karay,
Main to piya say naina lada aayi ray.
Sohni suratiya, mohni muratiya,
Main to hriday kay peechay samaa aayi ray;
Khusrau Nijaam kay bal bal jayyiye
Main to anmol cheli kaha aayi ray,
Ghar naari kanwari kahay so karay,
Main to piya say naina lada aayi ray.

(from : http://www.angelfire.com/sd/urdumedia/lyrics.html)

 

 

Mora jobana navelara 

Translation:

My youth is budding, full of passion;
How can I spend this time without my beloved?
Would someone please tell Nizamuddin for me,
The more I appease him, the more annoyed he gets;
My youth is budding……
I want to break these bangles in the bed,
And throw my blouse into the fire,
The empty bed scares me,
The fire of separation keeps burning me.
Oh, beloved. My youth is budding.

 

lovers ona pyrre persianmin

 

Original:

 

Transliteration:

Mora jobana navelara, bhayo hai gulaal,
Kaisi dhar dini bikas mori maal.
Mora jobana navelara…….
Nijamudin aulia ko koyi samajhaaye,
Jyon jyon manaon, wo to rootha hi jaaye.
Mora jobana navelara……
Chudiyan phod palang pe daaron,
Is cholee ko doon main aag lagaai.
Sooni saij darawan laagay, virah agni mohay dus dus jaaye
Mora jobana navelara…

(From : http://www.angelfire.com/sd/urdumedia/lyrics2.html)

indian couple

 

It’s Spring Again!

Amir Khusro wrote several poems about Basant, a pre-Islamic Panjabi/South Asian/Hindu festival celebrating the arrival of spring by flying kites, wearing yellow, carrying yellow flowers. A legend goes that Amir Khusro’s shaykh, Nizamuddin, was mourning the death of his nephew when Amir Khusro came with a whole Basant procession to cheer him up. Chisti Sufis have celebrated Basant ever since.

basant

Translation:

Rejoice in the spring, beautiful bride,
Rejoice in the spring today.
Put make-up on your face and lashes
And comb your long hair.
You’re still dead sleep,
Get up, beautiful bride.
Destiny is knocking on your door,
Enjoy this spring, O bride.

A snobbish lady with arrogant looks,
That’s what you are.
The king of Amir, on seeing you,
Will cast glances of love towards you.

The spring is here again,
Rejoice in the spring today.

dancingindiandeer

Transliteration:

Aaj basant manaalay suhaagun,
Aaj basant manaalay;
Anjan manjan kar piya mori,
Lambay neher lagaaye;
Tu kya sovay neend ki maasi,
So jaagay teray bhaag, suhaagun,
Aaj basant manalay…..;
Oonchi naar kay oonchay chitvan,
Ayso diyo hai banaaye;
Shaah-e Amir tohay dekhan ko,
Nainon say naina milaaye,
Suhaagun, aaj basant manaalay.

 

Aaj Rang hai

 

Translation (of chorus and final section of the qawwal)

What a colour, oh what a colour
Oh beloved, please dye me in yourself;
Dye me in the colour of the spring, beloved;
What a glow, Oh, what a glow.

 

Transliteration:

Main to aiso rang aur nahin dekhi ray
Main to jab dekhun moray sung hai,
Aaj rung hai hey maan rung hai ri.

 

Mohe apne hi rang mein

 

Translation:

Colourful, come dye me in your own hue
You are my lord, Beloved of God
Dye me in your hue.
My scarf, and my love’s turban,
Both need to be dyed in the hue of spring;
Whatever be the price for dyeing, ask for it,
You can have my blossoming youth as payment;
Dye me in your hue.
I have come and fallen at your door step,
For you to protect my honor
You are my Lord, Oh beloved of God,
Dye me in your hue.

 

A-lady-bends-to-pick-up-a-kite

 

Transliteration:

Mohay apnay hi rung mein rung lay,
Tu to saaheb mera Mehboob-e-Ilaahi;
Mohay apnay hi rung mein……
Humri chundariya, piyaa ki pagariya,
Woh to donon basanti rung day;
Tu to saaheb mera …….
Jo kuch mangay rung ki rungaai,
Mora joban girvi rakhlay;
Tu to saaheb mera…….
Aan pari darbaar tehaaray,
Mori laaj saram sab rakh lay;
Tu to saaheb mera Mehboob-e-Ilaahi,
Mohay apnay hi rung mein rung lay.

 

secret-rendezvous-of-radha-krishna-AE88_l

 

Sakal Bhun (The Yellow Flower)

 

Translation:

The yellow flower is blooming in every field,
Mango buds are clicking open, other flowers too;
The koyal chirps from branch to branch,
And the maiden tries on her make-up,
The gardener-girls have brought bouquets.
Colourful flowers of all kinds,
In hands everyone’s bringing;
But the colour-lover, who had promised to come
To Nizamuddin’s house in spring,
Hasn’t turned up – its been years.
The yellow flower is blooming in every field.

Transliteration:

Sakal bun phool rahi sarson,
Sakal bun phool rahi…..
Umbva phutay, tesu phulay, koyal bolay daar daar,
Aur gori karat singaar,
Malaniyan gadhwa lay aayin karson,
Sakal bun phool rahi…..
Tarah tarah kay phool lagaaye,
Lay gadhwa haathan mein aaye.
Nijamudin kay darwazay par,
Aawan keh gaye aashaq rung,
Aur beet gaye barson.
Sakal bun phool rahi sarson.

 

Original:

sarson

(from: http://www.angelfire.com/sd/urdumedia/lyrics2.html)

Persian-Music-2greenroom

another beautiful song by Amir Khusro in the same Raag Bahar (springtime mode):

Hazrat Khwaja sung khayliye Dhamal

 

Translation:

Let us play Dhamal with Hazrat Khwaja,
Everyone dresses up, the twenty two saints have come,
So let us play Dhamal;
Give respect to our exalted Messenger.
We celebrate spring for you, Oh Arab friend.
Keep the colourful spirit alive for ever.
Let us play Dhamal with Hazrat Khwaja.

(Dhamal could be a song or a musical genre that aroused ecstasy amongst the Sufis. It was usually performed at special occasions such as Basant.)

mughalwoman

 

Transliteration:

Hajrat khaja sung khailiye dhamal,
Hajrat khaja sung…….
Baais khaja mil bun bun aaye,
Taamay hajrat Rasool saheb-e jamaal
Hajrat khaja sung khailiye…….
Arab yaar tori basant manaayo,
Sadaa rakhiyo laal gulaal…..
Hajrat khaja sung khailiye dhamal.

 

Original:

dhamal

From: http://www.angelfire.com/sd/urdumedia/lyrics2.html

 


Mughal Floral Miniature mughal_flower_aa63

Hazrat ‘Alī in Nusrat’s Qawwals



alisquare

Many of Nusrat Fateh Ali Khan’s greatest qawwal performances feature lyrics about ‘Ali ibn Abi Talib, probably originally deriving from the song, “Man Kuntu Mawla,” attributed to Amir Khusrow (d. 1325). Bulleh Shah (d. 1757) is said to have modified this song to create the popular qawwal “Mast Qalandar” in honor of the Sufi saint Lal Shahbaz Qalandar (d. 1274) whose tomb in Sindh (pictured below) attracts thousands of pilgrims every year.

‘Ali plays an important role in virtually all Sufi orders as the first link in the initiatic chain from the Prophet, and whether Sunni or Shi’a, Sufi poets around the world have praised ‘Ali for his sanctity, knowledge, and spiritual perfection. Like the Prophet, ‘Ali remains a living presence in Sufism, especially in Qawwali music.

TomB_LAL_SHAHBAZ_QALANDER_YBOUCP

Dam Mast Qalandar

 

Partial Translation:

“Intoxicated, intoxicated
Upon My breath and in my intoxication is the great Qalander.
My worship and upon my breath is the name of Ali.
I am intoxicated with the beloved Qalander
I am intoxicated with Jhoole Laal who is intoxicated with Qalander
Keep repeating his name you follower of Ali
You Ali !!! Keep saying his name.”

 

alimuhammad

 

Ali Maula Ali Dam Dam

Man Kunto Maula

 

Shah e Mardan / Haqq Ali Ali Ali Maula Ali Ali

Lyrics and Translation of Haq Ali Ali 

Ali imaam-e-manasto manam Ghulaam-e-Ali
hazaar jaan-e-giraamii fidaa-e-naam-e-Ali

Ali is the master of all, I am the slave of Ali
a thousand lives are to be sacrificed for Ali

Haidariam qalandaram mastam
bandaa-e-Murtaza Ali hastam
peshvaa-e-tamaam virdaaram
ke sage kuu-e-sher-e-yazdaanam

I belong to the Lion of God
I am an intoxicated ecstatic wandering dervish
I am a slave of Ali the Chosen One
I am the leader of all the drunkards
As I am a dog in the street of the Lion of God 

kabhii diivaar hiltii hai, kabhii dar kaaNp jaataa hai
Ali kaa naam sun kar ab bhii Khaibar kaaNp jaataa hai

Sometimes the wall shakes, sometimes the door trembles
upon hearing the name of Ali, the fort of Khaibar trembles even now.

(During the battle of Khaybar, Ali rooted out the heavy door of the fort and used it as his shield.)

shaah-e-mardaaN Ali
Ali Ali Ali
Ali Maula Ali

King of the brave men, Ali
Ali Ali Ali
Ali, [my] master Ali.

patthar pe alam deen ka gaaRaa jisne
lalkaar kar Marhab ko pichaaRaa jisne

[One] who planted the flag of faith on the rocks
[One] who challenged Marhab and defeated him.
Haq

Ali Ali Ali
Ali Maula Ali

[The] truth!
Ali Ali Ali
Ali, [my] master Ali

jap le jap le mere manvaa
yahii naam sacchaa hai pyaare
yahii naam tere sab dukh haare
isii naam kii barkat ne diye raaz-e-haqiiqat khol

my heart! chant this
[as] this is the name that is true.
This is the name that removes suffering
[and] the auspiciousness of this name opened the secrets of being.

shaah-e-mardaaN Ali
la fataa illah Ali
sher-e-yazdaaN Ali

King of the brave, Ali.
There is no hero except Ali
[and] the lion of God is Ali.

tan par Ali, Ali ho zubaaN par Al Ali
mar jauuN to kafan par bhii likhna Ali Ali

My body chants Ali, so does my tongue
[and] when I die, then write Ali on my shroud.

baGhair hubb-e-Ali mudd’aa nahiiN miltaa
ibaadatoN kaa bhii hargiz silaa nahiiN miltaa
Khudaa ke bandoN suno Ghaur se Khudaa kii qasam
jise Ali nahiiN milte use Khudaa nahiiN miltaa

Without the love of Ali, desire is not fulfilled
not even the prayers are answered.
O! slaves of God listen carefully, by God!
One who does not realizes Ali does not realize God.

basad talaash na ab kuch vus’at-e-nazar se milaa
nishaan-e-manzil-e-maqsuud raahbar se milaa
Ali mile to mile Khaana-e-Khudaa saa hameN
Khudaa ko dhuuNdha to vo bhi Ali ke ghar se milaa

Don’t search for anything now, match the eternal search
match the footprints of the desired destination with guide
to get Ali is like getting a house of God
searching for God too, we found Him in Ali’s house.

diid Haider kii ibaadat, hai ye farmaan-e-nabii
hai Ali ruuh-e-nabii, jism-e-nabii, jaan-e-nabii
gul-e-tathiir Ali
haq kii shamshiir Ali
piiroN ke piir Ali

The sight of Ali in itself is prayer, so said the Prophet
Ali is the soul, body and life of the Prophet
Ali is the purified flower
Ali is the sword of the truth
Ali is the saint of the saints.

dast-e-ilaa kyuuN na ho sher-e-Khudaa Ali
maqsuud har ataa hai shah-e-laa-fataa Ali
jis tarah ek zaat-e-Muhammad hai be-misaal
paidaa hu’aa na hogaa ko’ii duusraa Ali
“Bedam” yahii to paaNch haiN maqsuud-e-qaaynaat
Khairunnisaa, Hasan, Hussain, Mustafaa, Ali

At the door of God why not be like the Lion of God.
Every intention has a reward, the King of the Victorious is Ali
Like the progeny of Muhammad is unique and unmatchable
There is none born nor ever will be, like Ali
These five are indeed the reason of creation;
the best of women (Fatima, the prophet’s daughter), Hasan, Hussain (Ali’s sons), Mustafa (Prophet Muhammad), Ali

Haq
Ali Ali Ali
Ali Maula Ali

[The] truth!
Ali Ali Ali
Ali, [my] master Ali

Ali-in-Squared-Kufic-Calligraphy-600x574

 

The path to the well is rough…

 

-village-belle-with-water-pitcher

 

Two more gems from Amir Khusrau, Bahut kathin and Tori Surat:



Bahut kathin

Translation:

The path to the well is too rough
How can I fill my pitcher?
When I went to fill my pitcher with water
In my rush, I broke my pot.
Khusro has given his whole life to you, O Nizam.
Would you please protect the honor of my veil
The path to the well is too rough

 

village-women-GB41_l

village-girls-DJ22_l

 

Transliteration:

Bahut Kathin hai dagar panghat ki,
Kaisay main bhar laaun madhva say matki?
Paniya bharan ko main jo gayi thi,
Daud jhapat mori matki patki.
Bahut kathin hai dagar panghat ki.
Khusro Nizam kay bal bal jayyiye
Laaj rakho moray ghoonghat pat ki.
Bahut kathin hai dagar panghat ki.

 

 

village-women-DJ21_l

 

village-women-GB46_l

 

princewell

 

 

Tori Surat

 

 

 

 

Translation:

 

Seeing your face, Oh Nijaam
I am ready to die for you
Amongst all the girls, my scarf is the most soiled,
Look, the girls are laughing at me.
This spring, please dye my scarf for me,
Oh Nijaam, protect my honour.
In the name of Ganj-e Shakar (Nizamuddin Aulia’s pir),
Protect my honour, Oh beloved Nijaam.
Qutb and Farid have come in the wedding procession,
And Khusrau is the loving bride, Oh Nijaam.
Some have to fight with their mother-in-law,
others fight with their sisters-in-law,
But I have you for support, Oh Nijaam.
and everyone knows this
Seeing your face, Oh Nijaam
I am ready to die for you

STC140549
village-women-FU01_l

Transliteration:

 

Tori surat ke balihari, Nijaam
Sab sakhiyan mein chundar mori mailee,
Dekh hansain nar naari,
Ab ke bahar chundar mori rang de,
Piya rakh lay laaj hamari, Nijaam.
Sadqa baba Ganj-e-Shakar ka,
Rakh lay laaj hamari, Nijaam.
Qutab, Farid mil aaye barati,
‘Khusrau’ raajdulaari, Nijaam.
Kouo saas kouo nanad say jhagday,
Hamko aas tihaari, Nijaam.
Tori surat ke balihari, Nijaam.

 

 

panihari

Or. 14290, f.1v

Every night, every day

Lyrics and
Translation

 

Har shab manam futada, Ba girde sarai e tou
Har roz ah o nala kunam az barai e tou

 

Every night have I fallen, around the circle of Thy tavern
every day, do I wail and cry, in yearning of Thee 

 Jana ba iin shakista dil-bewafa ma shou
Umre guzasht ta shuda am aashina e tou

 

O Love, turn not thy gaze from this broken hearted one
for a lifetime has been spent, in getting to know Thee 

Rozay ke zarra zarra shavad, ustakhan-e-man
Ba shad hanoz dar dil-e-veesham hava e tou

 

when my bones are nothing but shattered bits
may my heart carry on its quest of Thee

 Bar hal-e-zar-e-man nazar-e-kun ze raahay lutf
Tu Badshah-e-husni o Khusrau gada e tou

 

 Let thy Grace fall on my blighted self
Thou art the Lord of Grace, and Khusrau but a beggar of Thee 

 

Recital: Taj Muhammad Shad Muhammad Nasir Niazi Qawwal
Video credit: Mahera Omar, Karachi
English translation ~ Farrokh Namazi

From: http://qawwal.blogspot.com/2012/04/har-shab-manam-futada-amir-khusrau.html

 

Mir_Sayyid_Ali_Ilia_prorok

 

Envy of the ancient idols…

 

 

Translation: 

O you whose beautiful face is the envy of the idols of Azar
(Abraham’s father and famous idol maker);
However I describe you, your beauty is still lovelier.
All over the world have I traveled;
many a maiden’s love have I tasted;
Many a beauty have I seen; but you are something unique.
I have become you, and you me; I have become the body,
you the soul; So that none hereafter may say
that “I am someone and you are someone else.”
Khusro, a stranger, has come to your town as a wandering beggar
For God’s sake, have pity on this beggar
and do not turn him away from your door.

Transliteration:
Ay chehra-e zeba-e tu rashk-e butan-e azari;
Har chand wasfat mikunam dar husn-az-aan zebatari.
Aafaq ra gar deedah am mehr-e butan warzeedah am;
Bisyar khuban deedah am lekin tu cheez-e degari.
Man tu shudam, tu man shudi, man tan shudam, tu jan shudi;
Taakas nagoyad baad azeen man deegaram tu deegari.
Khusrau ghareeb ast-o gada uftadah dar shehr-e shuma;
Baashad ki az behr-e khuda, su-e ghareeban bangari.

 Mir_Sayyid_Ali_-_Portrait_of_a_Young_Indian_Scholar

Original:

ای چہرہ زیبای تو رشک بتان آزری
ہر چند وصف می کنم در حسن زاں بالا تری

تو از پری چا بک تری ، و ز برگ گل نازک تری
و ز ہر چہ گوئم بہتری ، حقا عجائب دلبری

تا نقش می بندد فلک ، ہر گز ندادہ ایں نمک
حوری ندانم یا ملک، فرزند آدم یا پری

عالم ہمہ یغمای تو ، خلقی ہمہ شیدای تو
آں نرگس شہلای تو آوردہ رسم کافری

آفاقہا گردیدہ ام مہر بتاں ورزیدہ ام
بسیار خوباں دیدہ ام لیکن تو چیزی دیگری

ای راحت و آرام جان با قد چوںسرورواں
زینساں مرو دامن کشاں کا رام جانم می پری

من تو شدم تو من شدی، من تن شدم تو جان شدی
تا کس نہ گوید بعد ازیں من دیگرم تو دیگری

خسرو غریب است و گدا افتادہ در شہر شما
با شد کہ از بہر خدا سوی غریباں بنگری
امیر خسرو
Amir Khusro

 

You make me forget myself…

Amir Khusro

Translation:
I dressed myself up to go see my Love
but when I saw him, I forgot myself
you robbed me of everything
when our eyes met

 

You made me drink love’s elixir
and I got drunk
when our eyes met

 

My fair arms with green bangles
you took by the wrist
when our eyes met

 

Again and again I bow to you
my cloth-dyer whose dye colours everyhting
you dyed me in yourself
when our eyes met

 

You became the charming lover—
you left me breathless
when our eyes met

 

Khusro gives his life to you, Nizam
you made me a bride
when our eyes met

 

Transliteration:

Chhap tilak sab cheeni ray mosay naina milaikay
Chhap tilak sab cheeni ray mosay naina milaikay
Prem bhatee ka madhva pilaikay
Matvali kar leeni ray mosay naina milaikay
Gori gori bayyan, hari hari churiyan
Bayyan pakar dhar leeni ray mosay naina milaikay
Bal bal jaaon mein toray rang rajwa
Apni see kar leeni ray mosay naina milaikay
Khusrau Nijaam kay bal bal jayyiye
Mohay Suhaagan keeni ray mosay naina milaikay
Chhap tilak sab cheeni ray mosay naina milaikay

iranciel

 

Original:

iranwalls
With my beautiful face all adorned, when I went to the beloved,
I saw his face, and forgot all about my own beauty.
Transliteration:
Apni chhab banaikay, jo main pi kay paas gayi
Chhab dekhi jab piyu ki so apni bhool gayi.

ek9975

Hafez

 

Translation:
Show me your face and make me forget I exist
         Let the wind take the harvest of burned ones
Since I let the storm of calamity take my heart and sight
         Let the flood of grief take my house from its foundation
Who smells his tress which is like raw ambergris
         O naive heart, take this question out of your mind
Tell the chest: burn hotter than the flames of the fire-temple of Fars
          Tell the eye: overflow, put the Tigris of Baghdad to shame
On this path, no place can be reached without effort
            If you seek reward, then obey the master
Long live the Magian Pir, the rest is trivial
           Let the others go away and forget my name
Promise to visit me for a moment on the day of my death
            and then carry me to the grave, unbound and free
Last night he said he would kill me with his long eyelashes
          O Lord, take the thought of cruelty from his mind
Hafez, consider the beloved’s sensitive nature
           Leave his doorstep, and take this weeping and wailing with you

 


tandome

Original:

روی بنمای و وجود خودم از یاد ببر
خرمن سوختگان را همه گو باد ببر
ما چو دادیم دل و دیده به طوفان بلا
گو بیا سیل غم و خانه ز بنیاد ببر
زلف چون عنبر خامش که ببوید هیهات
ای دل خام طمع این سخن از یاد ببر
سینه گو شعله آتشکده فارس بکش
دیده گو آب رخ دجله بغداد ببر
دولت پیر مغان باد که باقی سهل است
دیگری گو برو و نام من از یاد ببر
سعی نابرده در این راه به جایی نرسی
مزد اگر می‌طلبی طاعت استاد ببر
روز مرگم نفسی وعده دیدار بده
وان گهم تا به لحد فارغ و آزاد ببر
دوش می‌گفت به مژگان درازت بکشم
یا رب از خاطرش اندیشه بیداد ببر
حافظ اندیشه کن از نازکی خاطر یار
برو از درگهش این ناله و فریاد ببر

irantandoor