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Mystical Meditations and Other Miscellaneous Musings

Month: April 2018

Week 12: Persepolis

Inspired by this week’s reading of Persepolis, I decided to reflect on my own childhood and transition into adolescence to depict the evolution of my conception of God, and how it was shaped by my surroundings. Much like Marjane, I grew up a bright-eyed, zealous child, eager to lay down my life for God. Whenever I am unsure of the plans for my future, my father always reminds me about the times I would run around the house announcing that I wanted to marry God. Also like Marjane however, my upbringing and my exposure to the world outside of my home unveiled some layers of illusion around which my faith was enveloped.

 

In the first frame, I depict my spiritual education that began at home. For as long as I can remember, my parents have been devout practitioners of their faith. My mother in particular, took her role as our spiritual teacher very seriously. While I appreciate her efforts immensely, and openly acknowledge that my faith would not be what it is today without her help, looking back, it does slightly resemble indoctrination. Maybe that is just a consequence of having to teach a child through the most simplistic and elementary levels, but the memories I have of faith-building within my family, paired with the teaching I received both at Church, and throughout twelve years of Catholic schooling (as pictured in frames 2-4), seem some degree short of forced.

 

In the fifth frame, I depict the middle stages of my life where I begin to explore my spirituality in solitude. Curious to discover whether or not the religion of my parents held any truths for my life, I delved into a quest for knowledge that I am still very much on today. In my short, fortunate life, I have been able to get a decent amount of traveling in. My parents, big proponents of paying for experiences and not material things, afforded us some of the most rewarding trips imaginable. Italy, Spain, Yellowstone National Park, Tucson, Mount Rushmore, Niagara Falls, Paraguay, New York, Peru, Mexico. Through all of these travels, I have been able to see a few different sides of this wonderful world, although not nearly enough. If I have learned one thing it is that God is most certainly real.

 

The last four frames represent an encounter with God through other people. In the sixth, I have encountered God through the suffering of others, and also at times, through my own suffering. Suffering is a fact of life that nobody can escape, but with faith, it becomes clear that pain and suffering will eventually lead to joy, and if that mentality is not the healthiest way to get through this life, I don’t know what is. Frames seven and eight show the inherently good, altruistic nature of humanity. I’ve heard the argument time and time again that people are not inclined to be good; being good is an evolutionary advantage because group cooperation is beneficial for survival. But this is nothing more than a cynical mindset in my view. Too many times have I seen people make sacrifices that could in no way be rewarded, and they do this willingly. I refuse to believe that kindness is a decoy. Finally, in my last frame, I have depicted the encounter of God through love. Although this implies a romantic love, one can meet God wherever love lives. Because unlike the first frame in which the mother has stated “God is God because we are telling you He is,” I now know that God is God because God is love, and love is the realest thing in this world.

Week 10: The Conference of the Birds

“Now I am made one with You and from that Union my heart is consumed with rapture and my tongue is bewildered. By union, I have been merged in the Unity, I am become altogether apart from all else. I am You and You are I – nay, not I, all is altogether You. I have passed away, ‘I’ and ‘You’ no more exist. We have become one and I have become altogether You” -Farid ud-Din Attar

 

In this blog post, I have chosen to combine drawing and graphic design to produce this image of 7 birds, all containing a different word for God in 7 distinct languages: Greek, Russian, Arabic, Chinese, Yiddish, Urdu and Hebrew. This idea was inspired by week ten’s reading of Conference of the Birds. The journey taken by the birds in Attar’s celebrated poem leads them through seven valleys that each carve out a different moral lesson. In the valley of search, the birds undergo a hundred different trials, ultimately learning that they mustn’t always take the path laid before them, but rather, must seek their own path through patience and determination. Then follow the valleys of love, knowledge, unity, poverty and nothingness.

 

Following all of these trials, only thirty of the thousand birds remain. It is only after they have cleansed their spirits and endured these hardships that they are able to arrive at enlightenment. Having passed all of the tests that the valleys presented them with, the birds finally reach “The Simurgh” who they had been traveling so long to find, only to discover that the Simurgh is them. They had reached the state of enlightenment and realized that God was within them, and they were God altogether. This unity of things is what The Conference of the Birds essentially teaches.

 

I chose to depict seven different birds to symbolize the seven different valleys that the characters had to brave before reaching their destination. I also wanted to include different writings of the word “God” to symbolize the universality of this message and the diversity of communities that are united through this theme. Finally, I added a layer of water onto the drawing, just to artistically depict the final scene where the birds recognize their reflections in the water.

 

I found this theme fascinating, because so many times, people exhaust their energy trying to find another person or religion or philosophy to give them the answers to life. Instead of paying money to have your palms read or investing hours into reading self-help articles, sometimes, the key lies in clearing your mind, cleansing your spirit, and just looking within yourself to find those answers.

Week 9: The Ghazal

In my mind I paint a picture

of myself: the perfect mixture,

Invent a me that’s in control,

sophisticated fixture

Have all these thoughts colliding

in my head, feelings dividing

Should’ve payed closer attention to

Those supposed holy scriptures

 

If I really trusted angels and prophets and mystic teachings,

I wouldn’t waste my time searching for different meaning

I hope it’s not my fault that I’m troubled with all these demons

I think it’s just this world, too many changes of season

Cause if I really had some faith, I’d live what I was preaching

 

I struggle with this mental image

Tossing and turning

Am I even that special

Is my life that deserving?

My faith tells me to leave this world aside,

that’s too obscure for me

Else why am I still fighting

Through all this insecurity?

 

But somehow life always brings me back

Kneeling in your presence here,

I let you gaze upon me while I

simply exist, no fear

See right and wrong before me,

still somehow always run

I rarely choose you, yet you call me Chosen One

Suddenly, I see the answer so clear

Everything I’ve been searching for,

in front of me, draws near

I’ve nothing to prove, I’ve nothing to earn

Yet the one who made the stars,

For my heart freely yearns

If this abounding love is promised to me,

Why waste my time aspiring to be

A person I’m not for somebody else’s pleasure?

An imitation for them, while I’m another One’s treasure?

 

I trust angels and prophets and even most mystic teachings,

I don’t waste my time searching for different meaning

I know it’s not my fault that I struggle with all these demons

It’s just this world we live in, I know this is the reason

But this faith that I’ve grown helps me live what I’m preaching

And now I’m quite certain I’ll keep on believing

 

Explanation:

For this week’s blog, I have decided to take my own shot at poetry. I’ve never been a poet, a lyricist, or anything creative, but faith is something that I think is universally understood by those who’ve experienced it. Something that struck me from week nine’s lecture was the phenomenon faced by these poets in attempting to express this suprarational and supernatural experience of spirituality that is experienced outside of time and space. I have witnessed first-hand how difficult it can be to verbalize or quantify faith, because it does very much exist on an other-worldly plane.

Something I loved about the ghazals was that they expressed divine love by drawing analogies to an experience that would resonate with most readers: carnal, romantic love. Although my poem veers off the traditional ghazal form and doesn’t revolve around the human love experience, it does center in around another experience that I believe is a tangible point of relatability amongst other people my age. The use of symbols and analogies is in fact, intended for this purpose—to find a common ground that the audience can read or listen from.

The issue of self-image is one that I believe affects all young people at one point or another. For me, it is definitely something that was heavily felt throughout high school and through my transition into college. Finding an identity worth embracing and becoming vulnerable enough to share it with the world is a challenge. Through this poem, I try to show that my faith played a big part in solidifying that confidence and authenticity of self. In writing this poem, I kept Mirza Ghalib’s quote pulled up on my computer, “Heaven inspired are my poetic thoughts, the scratching of the pen is the voice of a heavenly angel.”

I don’t mean to say that these thoughts are angelic, or that I am closer to God than any other spiritually inclined person, I’ve only tried to convey a personal struggle and in it, show that this is where God met me. In the deepest recesses of my insecurity, God showed me who I was in Him, and this is something I’ve never forgotten.