Here you see the wide range in tonality and richness in colors. Indeed, monochrome can be very colorful. We are so glad that many of these salt prints have remained in good condition, such that the facial expressions and details of clothing and accessories for each sitter are still astonishingly clear.
In collaboration with the American Institute for Conservation of Historic and Artistic Works, and Houghton Library, Harvard Library’s Weissman Preservation Center (WPC) is hosting a symposium on the Salted Paper Prints from the Harvard Fine Arts Library’s historic photographs collection on September 14th and 15th. During the two-day symposium, a hands-on workshop hosted by the Northeast Document Conservation Center will allow participants to explore the chemistry and artistic nuance of creating salted paper prints. A brief lecture will acquaint the participants with the basic chemistry and variations of the process and discuss preservation concerns.
The salted paper print was an early negative/positive printing process developed by William Henry Fox Talbot in England in the 1830s. Many beautiful examples of this process were created in the 19th century and can be found in a variety of photograph collections.
Read more about the symposium and how to register.
Read the previous post about the Salted Paper Prints Symposium.
Salted paper print at the Fine Arts Library
Salted Paper Prints: Process and Purpose
A Collaborative Workshop in Photograph Conservation
In collaboration with the Foundation for the American Institute for Conservation of Historic and Artistic Works, Harvard Art Museums, and Houghton Library, Harvard Weissman Preservation Center (WPC) is hosting a symposium on salted paper prints on September 14th and 15th. Registered participants will be able to attend a special viewing of salted paper prints from the Harvard Fine Arts Library‘s historic photographs collection on September 13th.
A salted paper print, or simply salt print, is a photographic printing process whereby paper is coated with salt solution and then a silver nitrate solution to capture images. It was a popular photographic printing technique between 1839 and approximately 1860.
WPC has undertaken a university-wide project, the Salt Print Initiative, to preserve and enhance access to salt prints across campus, including inventorying the salt prints held by individual repositories, including the Fine Arts Library.
This symposium will present a multi-disciplinary, two-day program that focuses on the preservation, characterization, use, and interpretation of the salt print process, now over 175 years old. Read more about the symposium and how to register.
Staff from Harvard Weissman Preservation Center selected some salted paper prints from our collection for the initial presentation at the Fine Arts Library in December, 2016.
Stay tuned for more images from the historic photographs collection.