{"id":920,"date":"2008-02-08T17:40:27","date_gmt":"2008-02-09T00:40:27","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/yulelog\/2008\/02\/08\/daily-diigo-public-link-02092008\/"},"modified":"2008-02-08T23:28:27","modified_gmt":"2008-02-09T06:28:27","slug":"daily-diigo-public-link-02092008","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/yulelog\/2008\/02\/08\/daily-diigo-public-link-02092008\/","title":{"rendered":"Daily Diigo Public Link 02\/09\/2008"},"content":{"rendered":"<p class=\"title\"><strong><a href=\"http:\/\/www.artsjournal.com\/artfulmanager\/main\/079959.php\">The Artful Manager: What&#8217;s &#8221;authentic&#8221;?<\/a><\/strong>  <a href=\"http:\/\/www.diigo.com\/forward_proxy?_ff=lampertina&amp;_fk=fe0c268f3b65b52369b9709377160ab0&amp;url_id=bc1558cb3f4392aa57ec9ed25a39edaf&amp;url=http%3A%2F%2Fwww.artsjournal.com%2Fartfulmanager%2Fmain%2F079959.php\" target=\"_blank\" class=\"LinkItem\">Annotated<\/a><\/p>\n<p>tags: <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/authenticity\">authenticity<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/branding\">branding<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/culture\">culture<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/culture_industry\">culture_industry<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/folklore\">folklore<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/ideas\">ideas<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/ideology\">ideology<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/marketing\">marketing<\/a><\/p>\n<p class=\"description\">Read the entry, &#8220;What&#8217;s &#8216;authentic&#8217;?,&#8221; by Andrew Taylor, but then read the first comment that follows, by Bill Ivey.  Taylor, writing from an arts manager perspective, observes: &#8220;Since arts organizations are often perceived (or perceive themselves) as havens of authentic expression, it might be worth a moment to define, exactly, what that means.&#8221;  Ivey, donning his &#8220;folklorist&#8221; hat, contrasts the &#8220;authentic&#8221; barn-raising, say, with the construction of a pre-fab barn &#8212; or &#8220;authentic&#8221; blue jeans and their history of being workwear, with the &#8220;brand&#8221; of &#8220;authentic&#8221; designer jeans.  Apples &amp; oranges, and the oranges, it seems, are watery &#8212; or &#8220;thin,&#8221; as Ivey puts it: they offer &#8220;the illusion of purchasable membership in networks defined by exactly the history and shared values that in modern society are available to very, very few.&#8221;<\/p>\n<p class=\"title\"><strong><a href=\"http:\/\/archinect.com\/features\/article.php?id=70773_0_23_0_C\">Willem-Jan Neutelings: &#8220;how to Design an Icon&#8221; (Archinect : Features)<\/a><\/strong>  <a href=\"http:\/\/www.diigo.com\/forward_proxy?_ff=lampertina&amp;_fk=fe0c268f3b65b52369b9709377160ab0&amp;url_id=4971a542d0ec29afa2e149ed57fa93ad&amp;url=http%3A%2F%2Farchinect.com%2Ffeatures%2Farticle.php%3Fid%3D70773_0_23_0_C\" target=\"_blank\" class=\"LinkItem\">Annotated<\/a><\/p>\n<p>tags: <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/archinect\">archinect<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/architecture\">architecture<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/icon\">icon<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/interview\">interview<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/theory\">theory<\/a>, <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/willem_jan_neutelings\">willem_jan_neutelings<\/a><\/p>\n<p class=\"description\">I found this via http:\/\/www.ceosforcities.org\/conversations\/blog\/, and have had it open in a tab for DAYS now, wondering how to annotate\/ sum it up, and I can&#8217;t seem to do it justice.  Here&#8217;s Archinect&#8217;s introduction: A conversation with Willem-Jan Neutelings about the tradition of architecture and the way iconography should be applied in architecture.&#8221;  Just that bit: how &#8220;iconography should be applied in architecture&#8221; is amazing.  Who speaks of such things cogently these days?  Dares to?  At the same time, I find myself in agreement with commentator Ivo, at the end of this blog entry, who writes: &#8220;I don&#8217;t know about Neutelings-Riedijk. It&#8217;s too simple for me, almost cartoonish. A harbour college that looks like stacked shipping containers, an earth-sciences building that looks like covered in dirt, a TV and media centre is clad in blurred tv images. No offence they make nice sculptures, but I expect my architects to come up with something more than the first (obvious) idea that springs to mind while being faced with a client\/project.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Artful Manager: What&#8217;s &#8221;authentic&#8221;? Annotated tags: authenticity, branding, culture, culture_industry, folklore, ideas, ideology, marketing Read the entry, &#8220;What&#8217;s &#8216;authentic&#8217;?,&#8221; by Andrew Taylor, but then read the first comment that follows, by Bill Ivey. Taylor, writing from an arts manager perspective, observes: &#8220;Since arts organizations are often perceived (or perceive themselves) as havens of authentic [&hellip;]<\/p>\n","protected":false},"author":311,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1652,290],"tags":[],"class_list":["post-920","post","type-post","status-publish","format-standard","hentry","category-authenticity","category-links"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/posts\/920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/users\/311"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/comments?post=920"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/posts\/920\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/media?parent=920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/categories?post=920"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/tags?post=920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}