{"id":4989,"date":"2011-11-13T14:13:16","date_gmt":"2011-11-13T22:13:16","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/yulelog\/?p=4989"},"modified":"2011-11-13T14:11:41","modified_gmt":"2011-11-13T22:11:41","slug":"the-sunday-diigo-links-post-weekly-148","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/yulelog\/2011\/11\/13\/the-sunday-diigo-links-post-weekly-148\/","title":{"rendered":"The Sunday Diigo Links Post (weekly)"},"content":{"rendered":"<ul class=\"diigo-linkroll\">\n<li>\n<p class=\"diigo-link\"><a href=\"http:\/\/www.guardian.co.uk\/commentisfree\/2011\/sep\/02\/911-photo-thomas-hoepker-meaning\">The meaning of 9\/11&#8217;s most controversial photo | Jonathan Jones | Comment is free | guardian.co.uk<\/a><\/p>\n<p class=\"diigo-description\">What a huge load of baloney. Iconology at its WORST.<br \/>\nQUOTE<br \/>\nThe critic and columnist Frank Rich wrote about [THIS PHOTO] in the New York Times. He saw in this undeniably troubling picture an allegory of America&#8217;s failure to learn any deep lessons from that tragic day, to change or reform as a nation: &#8220;The young people in Mr Hoepker&#8217;s photo aren&#8217;t necessarily callous. They&#8217;re just American.&#8221;<\/p>\n<p>In other words, a country that believes in moving on they have already moved on, enjoying the sun in spite of the scene of mass carnage that scars the fine day.<br \/>\nUNQUOTE<br \/>\nYou&#8217;d get an F in my class for this.<\/p>\n<p class=\"diigo-tags\"><span>tags:<\/span> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/9_11\">9_11<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/the_guardian\">the_guardian<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/photography\">photography<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/iconology\">iconology<\/a><\/p>\n<\/li>\n<li>\n<p class=\"diigo-link\"><a href=\"http:\/\/www.theatlanticcities.com\/design\/2011\/11\/communicating-city-shirt\/455\">Communicating the City With a Shirt &#8211; Design &#8211; The Atlantic Cities<\/a><\/p>\n<p class=\"diigo-description\">Great idea.<br \/>\nQUOTE<br \/>\nThough he\u2019s less than a year away from holding two master\u2019s degrees, Tomasulo is planning to stick with CityFabric. He says the t-shirt business is good, but also that he hopes to expand its reach in other ways to help communicate about cities and development.<\/p>\n<p>\u201cIt\u2019s not necessarily just for people who are urban planners or designers or people who live in downtowns,\u201d he says. \u201cThe core focus is to engage people in conversation about their place.\u201d<br \/>\nUNQUOTE<\/p>\n<p class=\"diigo-tags\"><span>tags:<\/span> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/atlantic_cities\">atlantic_cities<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/t_shirts\">t_shirts<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/design\">design<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/cities\">cities<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/matt_tomasulo\">matt_tomasulo<\/a><\/p>\n<\/li>\n<li>\n<p class=\"diigo-link\"><a href=\"http:\/\/citylines.wordpress.com\/2011\/11\/08\/the-history-of-the-dutch-bicycle-success\">THE HISTORY OF THE DUTCH BICYCLE SUCCESS \u00ab City Lines<\/a><\/p>\n<p class=\"diigo-description\">Fascinating documentary video (just 6 1\/2 minutes long) on the rise of cycling infrastructure in Holland.<br \/>\nQUOTE<br \/>\nBesides of the historical resume of the process, it is really important to see that there are critical situations in which we have to change our ways of doing. The key for the Dutch bicycles were the amount of car deaths, the first oil crisis and a past history of bicycle use.<br \/>\nUNQUOTE<\/p>\n<p><iframe loading=\"lazy\" title=\"How the Dutch got their cycle paths\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/XuBdf9jYj7o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p class=\"diigo-tags\"><span>tags:<\/span> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/history\">history<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/cycling\">cycling<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/infrastructure\">infrastructure<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/urbanism\">urbanism<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/cities\">cities<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/holland\">holland<\/a><\/p>\n<\/li>\n<li>\n<p class=\"diigo-link\"><a href=\"http:\/\/www.theatlanticcities.com\/commute\/2011\/11\/death-row-urban-highways\/411\">The Death Row of Urban Highways &#8211; Commute &#8211; The Atlantic Cities<\/a><\/p>\n<p class=\"diigo-description\">Amen.<br \/>\nQUOTE<br \/>\nWe now know what they didn&#8217;t in Eisenhower&#8217;s day: it&#8217;s possible to remove highways from city centers without ruining either the city or the highway. In fact, both can emerge stronger than before, as they did when Embarcadero Freeway in San Francisco was replaced with an inviting waterfront boulevard. Many other cities now hope to duplicate that success. Earlier this fall the Urban Land Institute released a list of ten urban highways whose days are numbered. Many of these usual suspects have appeared on similar lists released by the Congress for the New Urbanism over the past few years. Moving east to west across the country, here&#8217;s a look at ten roads that may not be cutting through cities much longer, as well as some of the plans that might replace them.<br \/>\nUNQUOTE<\/p>\n<p class=\"diigo-tags\"><span>tags:<\/span> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/highway_system\">highway_system<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/cities\">cities<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/urban_renewal\">urban_renewal<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/infrastructure\">infrastructure<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/traffic\">traffic<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/atlantic_cities\">atlantic_cities<\/a><\/p>\n<\/li>\n<li>\n<p class=\"diigo-link\"><a href=\"http:\/\/www.theatlanticcities.com\/neighborhoods\/2011\/11\/could-building-thousands-of-parks-fix-the-real-estate-market\/397\">Could Building Thousands of Parks Fix the Real Estate Market? &#8211; Neighborhoods &#8211; The Atlantic Cities<\/a><\/p>\n<p class=\"diigo-description\">I don&#8217;t know about this. Seems too one-sided&#8230;<br \/>\nQUOTE<br \/>\n\u201cParks,\u201d she says, \u201ccan solve the urban real estate crisis.\u201d<br \/>\nUNQUOTE<\/p>\n<p class=\"diigo-tags\"><span>tags:<\/span> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/atlantic_cities\">atlantic_cities<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/urban_renewal\">urban_renewal<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/parks\">parks<\/a><\/p>\n<\/li>\n<li>\n<p class=\"diigo-link\"><a href=\"http:\/\/www.nytimes.com\/2011\/11\/06\/magazine\/running-christopher-mcdougall.html?_r=4&amp;pagewanted=all\">The Once and Future Way to Run &#8211; NYTimes.com<\/a><\/p>\n<p class=\"diigo-description\">How to run:<br \/>\nQUOTE<br \/>\nThe 100-Up consists of two parts. For the \u201cMinor,\u201d you stand with both feet on the targets and your arms cocked in running position. \u201cNow raise one knee to the height of the hip,\u201d George writes, \u201cbring the foot back and down again to its original position, touching the line lightly with the ball of the foot, and repeat with the other leg.\u201d<\/p>\n<p>That\u2019s all there is to it. But it\u2019s not so easy to hit your marks 100 times in a row while maintaining balance and proper knee height. Once you can, it\u2019s on to the Major: \u201cThe body must be balanced on the ball of the foot, the heels being clear of the ground and the head and body being tilted very slightly forward. . . . Now, spring from the toe, bringing the knee to the level of the hip. . . . Repeat with the other leg and continue raising and lowering the legs alternately. This action is exactly that of running.\u201d<br \/>\nUNQUOTE<\/p>\n<p class=\"diigo-tags\"><span>tags:<\/span> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/running\">running<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/jogging\">jogging<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/health\">health<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/nyt\">nyt<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/video\">video<\/a><\/p>\n<\/li>\n<li>\n<p class=\"diigo-link\"><a href=\"http:\/\/highrise.nfb.ca\/tag\/one-millionth-tower\">\u00bb One Millionth Tower | Highrise<\/a><\/p>\n<p class=\"diigo-description\">QUOTE<br \/>\nOne Millionth Tower is the result of unique collaboration between apartment residents, architects, animators, filmmakers and web developers to re-envision what a declining highrise neighbourhood could be. Through a close collaboration with the Mozilla Foundation \u2013 Mozilla, developer of the open source Firefox browser and a pioneer in promoting openness, innovation and opportunity on the web, the HIGHRISE team has created a lush visual story unfolding in a 3D virtual environment. Visitors to the online documentary can explore how participatory urban design can transform spaces, places and minds.<\/p>\n<p>One Millionth Tower re-imagines a universal thread of our global urban fabric \u2014 the dilapidated highrise neighbourhood. More than one billion of us live in vertical homes, most of which are falling into disrepair. Highrise residents, together with architects, re-envision their vertical neighbourhood, and animators and web programmers bring their sketches to life in this documentary for the contemporary web browser \u2014 one of the world\u2019s first HTML5\/webGL documentaries. And it\u2019s got music by Jim Guthrie and Owen Pallett.<br \/>\nUNQUOTE<\/p>\n<p class=\"diigo-tags\"><span>tags:<\/span> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/highrise_movie\">highrise_movie<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/high_rise\">high_rise<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/movie\">movie<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/video\">video<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/documentary\">documentary<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/architecture\">architecture<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/katerina_cizek\">katerina_cizek<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/urbanism\">urbanism<\/a><\/p>\n<\/li>\n<li>\n<p class=\"diigo-link\"><a href=\"http:\/\/www.wired.com\/underwire\/2011\/11\/one-millionth-tower\">Premiere: One Millionth Tower High-Rise Documentary Takes Format to New Heights | Underwire\u00a0| Wired.com<\/a><\/p>\n<p class=\"diigo-description\">QUOTE<br \/>\nan interactive documentary experiment<br \/>\nby Katerina Cizek, Mike Robbins + friends<br \/>\nmusic by Jim Guthrie, Owen Pallet<\/p>\n<p>You see them all over the world. More than a billion of us live in highrises. But most of these low- and middle-income buildings are now aging and falling into disrepair.<\/p>\n<p>Could life in the global highrise be different?<\/p>\n<p>Take an interactive journey through a virtual landscape, where the power of imagination transforms spaces &#8211; and lives.<br \/>\nUNQUOTE<\/p>\n<p class=\"diigo-tags\"><span>tags:<\/span> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/high_rise\">high_rise<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/highrise_movie\">highrise_movie<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/urbanism\">urbanism<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/wired_magazine\">wired_magazine<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/nfb\">nfb<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/katerina_cizek\">katerina_cizek<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/video\">video<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/documentary\">documentary<\/a> <a href=\"http:\/\/www.diigo.com\/user\/lampertina\/architecture\">architecture<\/a><\/p>\n<\/li>\n<\/ul>\n<p class=\"diigo-ps\">Posted from <a href=\"http:\/\/www.diigo.com\">Diigo<\/a>. The rest of my favorite links are <a href=\"http:\/\/www.diigo.com\/user\/lampertina\">here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The meaning of 9\/11&#8217;s most controversial photo | Jonathan Jones | Comment is free | guardian.co.uk What a huge load of baloney. Iconology at its WORST. QUOTE The critic and columnist Frank Rich wrote about [THIS PHOTO] in the New York Times. He saw in this undeniably troubling picture an allegory of America&#8217;s failure to [&hellip;]<\/p>\n","protected":false},"author":311,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[290],"tags":[],"class_list":["post-4989","post","type-post","status-publish","format-standard","hentry","category-links"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/posts\/4989","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/users\/311"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/comments?post=4989"}],"version-history":[{"count":5,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/posts\/4989\/revisions"}],"predecessor-version":[{"id":4994,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/posts\/4989\/revisions\/4994"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/media?parent=4989"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/categories?post=4989"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/yulelog\/wp-json\/wp\/v2\/tags?post=4989"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}