{"id":3481,"date":"2021-10-24T15:03:05","date_gmt":"2021-10-24T19:03:05","guid":{"rendered":"http:\/\/blogs.harvard.edu\/tatar\/?p=3481"},"modified":"2021-10-24T15:24:34","modified_gmt":"2021-10-24T19:24:34","slug":"3481","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/tatar\/2021\/10\/24\/3481\/","title":{"rendered":"Double Trouble: Medusa and Embodied Paradoxes"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.greekmyths-greekmythology.com\/wp-content\/uploads\/2009\/08\/perseus-medusa.jpg.webp\" alt=\"perseus-medusa\" \/><\/p>\n<p>Medusa\u2019s name derives from the Ancient Greek \u039c\u03ad\u03b4\u03bf\u03c5\u03c3\u03b1, which means \u201cguardian\u201d or \u201cprotector,\u201d and yet, in a stroke of tragic irony, Medusa was unable to shield herself from harm. She ended up first as a <em>literal<\/em> shield for Perseus, who used her decapitated head to petrify adversaries, then on the shield of Athena, the goddess who had betrayed her. Ovid tells us in the <em>Metamorphoses<\/em> that Medusa was once a beautiful young woman with stunning tresses. She had the misfortune of catching the eye of Poseidon, who raped her in sacred precincts, desecrating a temple built to honor Athena. The enraged goddess took out her anger, not on Poseidon but on the victim, turning Medusa into a monster with the power to petrify anyone who beholds her face and venomous locks.<\/p>\n<p>It is worth going back to Ovid as a stark reminder of just how blind we have been to the facts of Medusa\u2019s origin story (or at least in the canonical version told by the Roman poet):<\/p>\n<p>She was very lovely once, the hope of many<\/p>\n<p>An envious suitor, and of all her beauties<\/p>\n<p>Her hair most beautiful \u2013 at least I heard so<\/p>\n<p>From one who claimed he had seen her. One day Neptune<\/p>\n<p>Found her and raped her, in Minerva\u02bcs temple,<\/p>\n<p>And the goddess turned away, and hid her eyes<\/p>\n<p>Behind her shield, and, punishing the outrage<\/p>\n<p>As it deserved, she changed her hair to serpents,<\/p>\n<p>And even now, to frighten evil doers,<\/p>\n<p>She carries on her breastplate metal vipers<\/p>\n<p>To serve as awful warning of her vengeance. (IV, lines 774-803)<\/p>\n<p>The backstory of a woman who is raped and demonized resonates powerfully with what we see in the headlines today. As Christobel Hastings writes in <em>Vice<\/em>, Ovid\u2019s account reads less like an \u201cancient myth\u201d than a \u201cmodern reality.\u201d<\/p>\n<p>How has Medusa resurfaced today? Not so much as a shining example of victim-blaming and punishment (no one bothers with her backstory, in part because they are so rivetted by her face), but as a monster who threatens to undermine the political and social order. Hillary Clinton, whose severed head was brandished as a trophy by a triumphant Trump in several campaign memes, was just one of many women politicians to get the Medusa treatment. Angela Merkel, Theresa May, and Margaret Thatcher (\u201cWe\u2019ve got to shoot her down,\u201d the British pop band UB40 sang in \u201cMadam Medusa\u201d): their features have all been superimposed on Caravaggio\u2019s snake-headed Medusa.<\/p>\n<p>Why are we still talking about Medusa? Classics professors remind us that the most enduring legacy of Ancient Greece does not take the form of their democracy but of their belief system or mythology, which often guides our thinking in ways more powerful than biblical wisdom. Many children today grow up with <em>D\u2019Aulaires\u2019 Book of Greek Myths<\/em> and graduate to Edith Hamilton\u2019s <em>Mythology <\/em>in high school. Like the familiar fairy tales from times past, Greek myths have migrated into the literary culture of childhood. Yet they also haunt the adult cultural imagination, and, as Mary Beard tells us: \u201cMore often than we may realize, and in sometimes shocking ways, we are still using Greek idioms to represent the idea of women.\u201d<\/p>\n<p>How do we account for the staying power of gods and goddesses, mortals and monsters, and all the other fantastic creatures of Ancient Greece? Athena, Zeus, Odysseus, Achilles, Circe, Arachne, and Medusa are as familiar to many of us as Little Red Riding Hood, Sleeping Beauty, and Cinderella. Part of the answer turns on how Greek myths take up what the French anthropologist Claude-L\u00e9vi Strauss referred to as cultural contradictions\u2014conflicting binary terms such as life\/death, compassion\/hostility, nature\/civilization. Myth processes these contradictions in symbolic form, through metaphorical substitutions and forms of mediation that \u201cresolve\u201d the conflict, at least provisionally. Cooks, for example, operate as mediators between the \u201craw\u201d (shorthand for nature) and the \u201ccooked\u201d (products of culture), transforming what is found in its natural state into something consumed by humans<\/p>\n<p>Medusa, like many of her mythical cousins from the Minotaur to Medea, is an embodied paradox, with the name already controverting her fate. In this instance, <em>nomen <\/em>is not <em>omen<\/em>, but rather a retraction or negation of what has been enunciated in it. Medusa cannot protect herself and is instead weaponized by Perseus, who then passes on her gory head to serve as an emblem on Athena\u2019s shield. It was Athena who transformed Medusa from a beauty into a monster, once again underlining that mortal woman\u2019s status as a living paradox. In addition, Medusa herself is a grotesque hybrid of human\/animal, tressed to kill, as it were.<\/p>\n<p>Beyond the paradoxes of Medusa\u2019s name and embodiment are the contradictory ways of reading her story. A victim of Poseidon\u2019s assault, she becomes the target of a goddess\u2019s wrath, while the sea-god remains free to engage in one dalliance after another. Is it perverse to think of her snaky appearance as a way of punishing the gaze of male predators, disabling them with her own deadly gaze? But then again, it is Perseus the man who immobilizes his enemies with the severed head of Medusa. This is a story that challenges us to enter a dizzying funhouse that is also a hall of mirrors, one that exaggerates and distorts and gives us endlessly new perspectives on a seemingly simple story that is in fact the expression of complex thought.<\/p>\n<p>Is it any wonder that Einstein told us to read fairy tales to children\u2014that is, if we wanted to raise them to become intelligent. Like fairy tales, myths draw us into a universe that challenges us to make sense of what is nonsense and make-believe, yet always also deeply fundamental and foundational in the making of beliefs.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Medusa\u2019s name derives from the Ancient Greek \u039c\u03ad\u03b4\u03bf\u03c5\u03c3\u03b1, which means \u201cguardian\u201d or \u201cprotector,\u201d and yet, in a stroke of tragic irony, Medusa was unable to shield herself from harm. She ended up first as a literal shield for Perseus, who used her decapitated head to petrify adversaries, then on the shield of Athena, the goddess [&hellip;]<\/p>\n","protected":false},"author":2125,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3481","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts\/3481","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/users\/2125"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/comments?post=3481"}],"version-history":[{"count":4,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts\/3481\/revisions"}],"predecessor-version":[{"id":3496,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts\/3481\/revisions\/3496"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/media?parent=3481"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/categories?post=3481"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/tags?post=3481"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}