{"id":1880,"date":"2012-10-21T07:39:25","date_gmt":"2012-10-21T11:39:25","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/tatar\/?p=1880"},"modified":"2012-10-21T07:39:25","modified_gmt":"2012-10-21T11:39:25","slug":"another-beauty-and-the-beast-film","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/tatar\/2012\/10\/21\/another-beauty-and-the-beast-film\/","title":{"rendered":"Another Beauty and the Beast Film"},"content":{"rendered":"

\"\"<\/a><\/p>\n

http:\/\/www.movieweb.com\/news\/beauty-and-the-beast-lands-vincent-cassel-and-lea-seydoux<\/p>\n

Actors Vincent Cassel<\/a> (A Dangerous Method<\/a>) and L\u00e9a Seydoux<\/a> (Mission: Impossible Ghost Protocol<\/a>) have signed on to star in Beauty and the Beast<\/a>, a live-action retelling of the classic fairy tale from director Christophe Gans<\/a>.<\/p>\n

No story details were given for this new production, which will be Christophe Gans<\/a>‘ first movie since 2006’s Silent Hill<\/a>. Here’s what the filmmaker had to say about this project.<\/p>\n

“Although I will keep to a form of storytelling of this timeless fairy tale that is in keeping with the same pace and characters as the original, I will surprise the audience by creating a completely new visual universe never experienced before and produce images of an unparalleled quality. Every single one of my movies has presented me with a challenge but this one is, by far, the most exciting and rewarding.”<\/div>\n","protected":false},"excerpt":{"rendered":"

http:\/\/www.movieweb.com\/news\/beauty-and-the-beast-lands-vincent-cassel-and-lea-seydoux Actors Vincent Cassel (A Dangerous Method) and L\u00e9a Seydoux (Mission: Impossible Ghost Protocol) have signed on to star in Beauty and the Beast, a live-action retelling of the classic fairy tale from director Christophe Gans. No story details were given for this new production, which will be Christophe Gans‘ first movie since 2006’s Silent […]<\/p>\n","protected":false},"author":2125,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1880","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts\/1880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/users\/2125"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/comments?post=1880"}],"version-history":[{"count":1,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts\/1880\/revisions"}],"predecessor-version":[{"id":1883,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts\/1880\/revisions\/1883"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/media?parent=1880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/categories?post=1880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/tags?post=1880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}