{"id":1035,"date":"2011-09-06T09:49:47","date_gmt":"2011-09-06T13:49:47","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/tatar\/?p=1035"},"modified":"2011-09-06T14:43:29","modified_gmt":"2011-09-06T18:43:29","slug":"jack-zipes-talks-about-fairy-tale-films","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/tatar\/2011\/09\/06\/jack-zipes-talks-about-fairy-tale-films\/","title":{"rendered":"Fairy-Tale Films and the Dark Side"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.law.harvard.edu\/tatar\/files\/2011\/09\/pan-22.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-1042\" src=\"http:\/\/blogs.law.harvard.edu\/tatar\/files\/2011\/09\/pan-22-300x201.jpg\" alt=\"\" width=\"300\" height=\"201\" srcset=\"https:\/\/archive.blogs.harvard.edu\/tatar\/files\/2011\/09\/pan-22-300x201.jpg 300w, https:\/\/archive.blogs.harvard.edu\/tatar\/files\/2011\/09\/pan-22.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>Emma Mustich interviews Jack Zipes on the recent turn to the dark side of fairy tales.\u00a0 I&#8217;m not so sure that Disney film lack the dark side to which she refers, although the Disney <em>Cinderella<\/em> is no match for the Grimms&#8217; version, with blood dripping from the stepsisters&#8217; shoes and eyes pecked out by doves.\u00a0 Remember Ursula, the Sea Witch, and her battle with Eric?\u00a0 And the transformation scene in <em>Snow White<\/em>, down in the cellar with the skulls and ravens?\u00a0 Emma Mustich writes:<\/p>\n<p><em>These stories have entertained and comforted, spooked and delighted audiences for countless generations. Many who are alive today find Disney&#8217;s adaptations of these tales &#8212; from &#8220;Cinderella&#8221; to &#8220;The Little Mermaid&#8221; &#8212; familiar; children reared on the animation giant&#8217;s brightly-colored, upbeat and music-saturated films may view the glut of live-action fairy tale film adaptations headed our way &#8212; <a href=\"http:\/\/nymag.com\/daily\/entertainment\/2011\/08\/a_third_snow_white_movie_is_ha.html\" target=\"_blank\">three new &#8220;Snow Whites,&#8221;<\/a> two <a href=\"http:\/\/www.deadline.com\/2011\/03\/true-grit-teen-hailee-steinfeld-attached-to-star-in-sleeping-beauty-spec\/\" target=\"_blank\">&#8220;Sleeping Beauties,&#8221;<\/a> a <a href=\"http:\/\/www.comingsoon.net\/news\/movienews.php?id=79906\" target=\"_blank\">&#8220;Beauty and the Beast&#8221;<\/a> and a <a href=\"http:\/\/www.hollywoodreporter.com\/heat-vision\/sony-picks-up-dark-retelling-191130?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+thr%2Fnews+%28The+Hollywood+Reporter+-+Top+Stories%29&amp;utm_content=Google+Reader\" target=\"_blank\">&#8220;Little Mermaid,&#8221;<\/a> among others &#8212; with a curious sort of caution.<\/em><\/p>\n<p><em>A number of these films (which are in various stages of planning and production) have been pitched as &#8220;dark&#8221; retellings of familiar tales. At this year&#8217;s Comic-Con, Charlize Theron <a href=\"http:\/\/insidemovies.ew.com\/2011\/07\/23\/comic-con-2011-first-look-at-snow-white-and-the-huntsman-breaking\/\" target=\"_blank\">likened<\/a> her &#8220;Evil Queen&#8221; character in &#8220;Snow White and the Huntsman&#8221; to a &#8220;serial killer&#8221; (<a href=\"http:\/\/www.imdb.com\/title\/tt0340855\/\" target=\"_blank\">not a total departure for Theron<\/a>); the new &#8220;Little Mermaid&#8221; is based on Carolyn Turgeon&#8217;s novel <a href=\"http:\/\/click.linksynergy.com\/deeplink?mid=36889&amp;id=FYUtulI7nw4&amp;murl=http%3A%2F%2Fsearch.barnesandnoble.com%2Fbooksearch%2FISBNInquiry.asp%3FEAN%3D%209780307589972%26\" target=\"_blank\">&#8220;Mermaid,&#8221;<\/a> which Booklist <a href=\"http:\/\/www.amazon.com\/Mermaid-Twist-Classic-Carolyn-Turgeon\/dp\/0307589978?tag=saloncom08-20\" target=\"_blank\">reviewed<\/a> using words and phrases like &#8220;dark,&#8221; &#8220;foreboding,&#8221; &#8220;heartache,&#8221; &#8220;misery,&#8221; &#8220;constant pain,&#8221; &#8220;catastrophic consequences,&#8221; &#8220;brooding,&#8221; &#8220;tragic&#8221; and &#8220;not exactly a cozy bedtime story.&#8221;<\/em><\/p>\n<p><em>Does this &#8220;dark turn&#8221; in fairy-tale filmmaking represent a return to older, more forbidding versions of stories Disney gussied up for 20th-century kids? Or are these new movies simply cogs in the wheel of folk tale re-telling?<\/em><\/p>\n<p>Here&#8217;s the link to the interview, and you will discover that Jack Zipes is no fan of Disney.<\/p>\n<p>http:\/\/www.salon.com\/entertainment\/movies\/feature\/2011\/08\/20\/fairy_tale_movies<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Emma Mustich interviews Jack Zipes on the recent turn to the dark side of fairy tales.\u00a0 I&#8217;m not so sure that Disney film lack the dark side to which she refers, although the Disney Cinderella is no match for the Grimms&#8217; version, with blood dripping from the stepsisters&#8217; shoes and eyes pecked out by doves.\u00a0 [&hellip;]<\/p>\n","protected":false},"author":2125,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1035","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts\/1035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/users\/2125"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/comments?post=1035"}],"version-history":[{"count":4,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts\/1035\/revisions"}],"predecessor-version":[{"id":1046,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/posts\/1035\/revisions\/1046"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/media?parent=1035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/categories?post=1035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/tatar\/wp-json\/wp\/v2\/tags?post=1035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}