{"id":57,"date":"2005-02-18T12:04:59","date_gmt":"2005-02-18T16:04:59","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/metasj\/2005\/02\/18\/central-parks-glory-days\/"},"modified":"2005-02-18T12:04:59","modified_gmt":"2005-02-18T16:04:59","slug":"central-parks-glory-days","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/sj\/2005\/02\/18\/central-parks-glory-days\/","title":{"rendered":"Central Park&#8217;s glory days"},"content":{"rendered":"<p><a name='a800'><\/a><\/p>\n<p>Go see the latest <a href=\"http:\/\/www.nytimes.com\/ref\/arts\/design\/GATES-REF.html\">park-dressing<\/a> for yourself.<\/p>\n<blockquote><p>One of Albert Maysles&#8217;s favourite moments with Christo occurred during one of 17 hearings the artist had to attend to obtain permission for Running Fence. &#8220;Some of the ranchers were complaining that it wasn&#8217;t art,&#8221; he remembered. &#8220;Then one farmer&#8217;s wife stood up and said, &#8216;<i>Sometimes I cook a meal for three hours, and it&#8217;s a work of art. But then it&#8217;s eaten, and it&#8217;s gone.<\/i>&#8216; Ah! That was so great! She got it.&#8221;\n<\/p><\/blockquote>\n<p>   &#8211; from the <a href=\"http:\/\/www.theglobeandmail.com\/servlet\/ArticleNews\/TPStory\/LAC\/20050218\/SCHNEL18\/TPEntertainment\/Art\">Globe and Mail<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Go see the latest park-dressing for yourself. One of Albert Maysles&#8217;s favourite moments with Christo occurred during one of 17 hearings the artist had to attend to obtain permission for Running Fence. &#8220;Some of the ranchers were complaining that it wasn&#8217;t art,&#8221; he remembered. &#8220;Then one farmer&#8217;s wife stood up and said, &#8216;Sometimes I cook [&hellip;]<\/p>\n","protected":false},"author":135,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[205],"tags":[],"class_list":["post-57","post","type-post","status-publish","format-standard","hentry","category-glory-glory-glory"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7iVvB-V","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts\/57","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/users\/135"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/comments?post=57"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts\/57\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/media?parent=57"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/categories?post=57"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/tags?post=57"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}