{"id":2776,"date":"2012-09-16T21:51:32","date_gmt":"2012-09-17T01:51:32","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/sj\/?p=2776"},"modified":"2012-09-16T19:45:01","modified_gmt":"2012-09-16T23:45:01","slug":"amanda-palmer-on-the-subtleties-of-pride-for-working-artists","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/sj\/2012\/09\/16\/amanda-palmer-on-the-subtleties-of-pride-for-working-artists\/","title":{"rendered":"Amanda Palmer on the subtleties of pride for working artists"},"content":{"rendered":"<p>A great <a href=\"http:\/\/www.amandapalmer.net\/blog\/20120913\/\">multi-sided discussion<\/a> from the AFP blog, with at least three incompatible views worth considering (and unifying in one moral code, if you&#8217;re looking for a challenge). \u00a0<\/p>\n<p>How should artists set expectations for how large popular shows and venues play out, when they each draw on dozens of performers, from pick-up &#8211;&gt; auditioned one-night &#8211;&gt; well-known drop-ins from past collabs &#8211;&gt; long-term tour staff?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A great multi-sided discussion from the AFP blog, with at least three incompatible views worth considering (and unifying in one moral code, if you&#8217;re looking for a challenge). \u00a0 How should artists set expectations for how large popular shows and venues play out, when they each draw on dozens of performers, from pick-up &#8211;&gt; auditioned [&hellip;]<\/p>\n","protected":false},"author":1202,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[60576,6034,214,209],"tags":[39,14627,78787],"class_list":["post-2776","post","type-post","status-publish","format-standard","hentry","category-gustatory","category-meta","category-poetic-justice","category-popular-demand","tag-music","tag-performance","tag-scaling-collaboration"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7iVvB-IM","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts\/2776","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/users\/1202"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/comments?post=2776"}],"version-history":[{"count":7,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts\/2776\/revisions"}],"predecessor-version":[{"id":2855,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts\/2776\/revisions\/2855"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/media?parent=2776"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/categories?post=2776"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/tags?post=2776"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}