{"id":1226,"date":"2010-03-03T03:06:55","date_gmt":"2010-03-03T07:06:55","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/sj\/2010\/03\/03\/chilean-quakes-and-turmoil\/"},"modified":"2010-03-03T03:06:55","modified_gmt":"2010-03-03T07:06:55","slug":"chilean-quakes-and-turmoil","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/sj\/2010\/03\/03\/chilean-quakes-and-turmoil\/","title":{"rendered":"Chilean quakes and turmoil"},"content":{"rendered":"<p>My brother is in Santiago at the moment, where he teaches architecture.  The city has been shaken by the recent disastrous earthquake, but survived.   <\/p>\n<p>My brother just finished a survey of how to preserve important structures in Valparaiso, a city more damaged by the disaster.  Of course the sorts of preservation that keep urban development from destroying important landmarks rarely covers protection from acts of God&#8230; which made me think about how we are preserving our major cultural artefacts in digital form, and through subtle synthesis of the elements that make them so inspiring and memorable.<\/p>\n<p>I can think of few cases in which the exact original of a physical object is needed for most inspiration and transmission of culture and heritage&#8230; in an era of 3d printing, cheap fabrication materials, lifelike capture of image and acoustics, and lifelike digital rendering, what does this mean for curation of physical objects and spaces?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>My brother is in Santiago at the moment, where he teaches architecture. The city has been shaken by the recent disastrous earthquake, but survived. My brother just finished a survey of how to preserve important structures in Valparaiso, a city more damaged by the disaster. Of course the sorts of preservation that keep urban development [&hellip;]<\/p>\n","protected":false},"author":1202,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[1],"tags":[],"class_list":["post-1226","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p7iVvB-jM","jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts\/1226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/users\/1202"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/comments?post=1226"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/posts\/1226\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/media?parent=1226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/categories?post=1226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/sj\/wp-json\/wp\/v2\/tags?post=1226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}