{"id":80,"date":"2019-04-09T17:46:25","date_gmt":"2019-04-09T17:46:25","guid":{"rendered":"http:\/\/blogs.harvard.edu\/poetrymachines\/?p=80"},"modified":"2019-06-18T15:45:49","modified_gmt":"2019-06-18T15:45:49","slug":"twitter-bots","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/2019\/04\/09\/twitter-bots\/","title":{"rendered":"Twitter Bots (poetic lab)"},"content":{"rendered":"

Based off of A House of Dust<\/em>, students used constants and variables to create twitter bots using cheapbotsdonequick.com.<\/p>\n

—-<\/p>\n

\n
\n

Mary Neguse: https:\/\/twitter.com\/seaglassstories <\/a><\/p>\n

{
\n“first”: [“seaglass”, “writers”, “colors”, “mother”, “nuance”],
\n“second”: [“city”, “castle”, “house”, “sunset”],
\n“third”: [“you”, “the tide”, “lovers”, “poetry”, “him”, “her”],
\n“origin”: [“I smile at #first# in the watery #second# before I watch #third# leave”]
\n}
\n\"\"<\/p>\n

—-<\/p>\n

Milo Davidson: https:\/\/twitter.com\/MyLife84887093<\/a><\/p>\n

{<\/div>\n
“name”: [“Jess”, “Milo”, “Kelsey”, “Mary”, “Asma”, “Chen”, “Mindy”, “Professor Rhee”],<\/div>\n
“verb”: [“live”, “eat”, “breathe”, “die”, “paint”, “write”, “chew”, “begin”, “build”, “burn”, “choose”, “drink”, “feel”, “fight”, “fly”, “forget”, “forgive”, “sell”, “send”, “show”, “take”, “teach”],<\/div>\n
“noun”: [“government”, “love”, “glass”, “friction”, “suggestion”, “need”, “hope”, “things”, “business”, “justice”, “talk”, “powder”, “scent”, “rabbits”, “reason”, “action”, “payment”, “marble”, “corn”, “needles”, “summer”, “spoons”],<\/div>\n
“origin”: [“My name is #name# and I #verb# a life of #noun#.”]<\/div>\n
}<\/div>\n

\"\"<\/p>\n

—-<\/p>\n

Xiaocheng Chen https:\/\/twitter.com\/SundayM72094065<\/p>\n

{
\n<\/span>“first”: [“you,”, “I,”, “We,”, “they,”],
\n<\/span>“action”: [“sit”, “love”,”run” ,”drink”,”remember”],
\n<\/span>“location”: [“in France”, “in Nanjing”, “at school”, “at home”, “near the sea”],
\n<\/span>“time”: [“a thousand years ago”, “yesterday”,”the next month”,”this morning”],
\n<\/span>“logic”: [“by the way”, “and then”, “surprisingly”],
\n<\/span>“object”:[“a boilded egg”, “my mom” ,”a bottle of milk”, “apple cider”],
\n<\/span>“origin”: [“#first# #action# #location#\\n #time#\\n #logic# #object#=^-^=”]
\n<\/span>}<\/span><\/p>\n

\"\"<\/p>\n

—-<\/p>\n

\n
\n

Asma Khoshmehr https:\/\/twitter.com\/theleastsong<\/a><\/p>\n

{
\n“verb”: [“kiss”, “die”, “dance”, “laugh”, “cry”, “shout”, “”, “fear”, “”, “regret”, “”, “tear”, “mock”, “sigh”],
\n“noun”: [“brother”, “sister”, “mother”, “father”, “wife”, “husband”, “spouse”, “child”, “friend”, “enemy”, “invader”],
\n“origin”: [“That day, the least song will be a #verb# and every human being be #noun# to every other human being. “]
\n}<\/p>\n<\/div>\n<\/div>\n

\"\"<\/p>\n

—-<\/p>\n

Kelsey Chen https:\/\/twitter.com\/asensationof<\/a><\/p>\n

{
\n“feeling”: [“dysphoria”, “melancholia”, “euphoria”, “sadness”, “nostalgia”, “dislocation”, “disorientation”, “softness”],
\n“verb”: [“permeating”, “seeking”, “looking for”, “passing”, “taking”, “wobbling”, “quivering”, “stealing”, “fixing”, “capturing”, “making”, “interrogating”, “losing”],
\n“location”: [“downtown”, “the city”, “a rock on the moon”, “some dust in a corner of your room or mine”, “stones by the riverbend”, “morning grass”],
\n“person”: [“she”, “he”, “it”, “her friend”, “the woman”, “Donald Trump”, “Bart Simpson”, “Childish Gambino”, “noone”, “nobody”, “that man”],
\n“material”: [“cotton”, “plastic”, “a sunflower seed”, “a pretzel”, “ice cream”],
\n“noun”: [“your mom”, “a figurine”, “a keyboard”, “grass”, “dirt”],
\n“origin”: [“a sensation of #feeling# #verb# #location#\\n #person# does not know that #material#\\n is more than just\\n #verb#\\n or\\n #noun#”]
\n}<\/p>\n

\"\"<\/p>\n

—-<\/p>\n

Jess Erion https:\/\/twitter.com\/arcadeofdust<\/a><\/p>\n

{
\n“people”:[“people”, “children”, “brothers”, “sisters”, “siblings”, “plumbers”, “robots”, “students”, “poets”, “authors”, “murderers”, “thieves”, “kids”, “elders”, “workers”, “electricians”, “programmers”, “strangers”, “singers”, “professors”, “women”, “men”],
\n“material”:[“blood”, “tin”, “cheese”, “dust”, “gossamer”, “chrome”, “gold”, “silver”, “glass”, “wax”, “bronze”, “clouds”, “dreams”],
\n“action”:[“kill”, “fight”, “battle”, “question”, “contemplate”, “reject”, “eat”, “consume”, “burn”, “embrace”, “belittle”],
\n“object”:[“god”, “fatherhood”, “motherhood”, “religion”, “knowledge”, “masculinity”, “femininity”, “progress”, “time”, “property”, “dysphoria”],
\n“origin”: [“The #people# enter an arcade of #material#\\n to #action# #object#”]
\n}<\/p>\n

\"\"<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Based off of A House of Dust, students used constants and variables to create twitter bots using cheapbotsdonequick.com. —- Mary Neguse: https:\/\/twitter.com\/seaglassstories { “first”: [“seaglass”, “writers”, “colors”, “mother”, “nuance”], “second”: [“city”, “castle”, “house”, “sunset”], “third”: [“you”, “the tide”, “lovers”, “poetry”, “him”, “her”], “origin”: [“I smile at #first# in the watery #second# before I watch #third# … Continue reading Twitter Bots (poetic lab)<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":9703,"featured_media":92,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-80","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"jetpack_featured_media_url":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/files\/2019\/04\/a-house-of-dust.jpg","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/posts\/80","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/users\/9703"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/comments?post=80"}],"version-history":[{"count":4,"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/posts\/80\/revisions"}],"predecessor-version":[{"id":236,"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/posts\/80\/revisions\/236"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/media\/92"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/media?parent=80"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/categories?post=80"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/poetrymachines\/wp-json\/wp\/v2\/tags?post=80"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}