{"id":2366,"date":"2011-03-22T14:30:40","date_gmt":"2011-03-22T18:30:40","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/mediaberkman\/?p=2366"},"modified":"2011-03-31T11:37:08","modified_gmt":"2011-03-31T15:37:08","slug":"larisa-mann-on-decolonizing-copyright-jamaican-street-dances-and-globally-networked-technology-audio","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/2011\/03\/22\/larisa-mann-on-decolonizing-copyright-jamaican-street-dances-and-globally-networked-technology-audio\/","title":{"rendered":"Larisa Mann on Decolonizing Copyright: Jamaican Street Dances and Globally Networked Technology [AUDIO]"},"content":{"rendered":"<p>Jamaican music-making practices present an interesting case study in the relationship between culture, copyright law, technology and power. In this talk Larisa Mann \u2014 a DJ, journalist, and student of Berkeley Law School&#8217;s Jurisprudence and Social Policy Program \u2014 shows how the street dance, the explosively creative heart of Jamaican musical practice, suggests several ways that technology can help or hinder people currently excluded from formal systems of power.<\/p>\n<p align=\"left\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/media-cyber.law.harvard.edu\/Internet%20and%20Society%202007\/tiny_thumbs\/45px-Sound-icon.svg.png\" alt=\"\" width=\"45\" height=\"34\" \/> Download the <a href=\"http:\/\/wilkins.law.harvard.edu\/events\/luncheons\/2011-03-22_mann\/2011-03-22_mann.mp3\">MP3<\/a><\/p>\n<p>&#8230;or download the <a href=\"http:\/\/wilkins.law.harvard.edu\/events\/luncheons\/2011-03-22_mann\/2011-03-22_mann.ogg\">OGG audio format!<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jamaican music-making practices present an interesting case study in the relationship between culture, copyright law, technology and power. In this talk Larisa Mann \u2014 a DJ, journalist, and student of Berkeley Law School&#8217;s Jurisprudence and Social Policy Program \u2014 shows how the street dance, the explosively creative heart of Jamaican musical practice, suggests several ways [&hellip;]<\/p>\n","protected":false},"author":1977,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[956,695],"tags":[],"class_list":["post-2366","post","type-post","status-publish","format-standard","hentry","category-audio","category-berkman-luncheon-series"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/posts\/2366","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/users\/1977"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/comments?post=2366"}],"version-history":[{"count":1,"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/posts\/2366\/revisions"}],"predecessor-version":[{"id":2369,"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/posts\/2366\/revisions\/2369"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/media?parent=2366"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/categories?post=2366"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/mediaberkman\/wp-json\/wp\/v2\/tags?post=2366"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}