{"id":104,"date":"2003-10-12T16:44:18","date_gmt":"2003-10-12T20:44:18","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/lydondev\/2003\/10\/12\/the-robert-lowell-revival-peter-davi"},"modified":"2012-05-04T00:06:23","modified_gmt":"2012-05-04T04:06:23","slug":"the-robert-lowell-revival-peter-davison","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/lydondev\/2003\/10\/12\/the-robert-lowell-revival-peter-davison\/","title":{"rendered":"The Robert Lowell Revival: Peter Davison"},"content":{"rendered":"<p><a name='a380'><\/a><\/p>\n<p><P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\">&nbsp;&nbsp;&nbsp;&nbsp; Robert Lowell (1917-1977) is back, in spirit and in a massive new edition of <A href=\"http:\/\/slate.msn.com\/id\/2084651\/\">Collected Poems<\/A>.&nbsp; I feel him hovering again over a surreal presidential campaign.&nbsp; <IMG hspace=\"10\" src=\"http:\/\/media.skybuilders.com\/lydon\/images\/lowell.sm.jpg\" align=\"left\" vspace=\"10\"> In Eugene McCarthy&#8217;s anti-Vietnam insurrection of 1967 and 1968, Lowell was the spooky presence often in the car with the candidate, or at his side, bearing witness as only a certifiably mad poet could (a &#8220;throughbred mental case,&#8221; in his phrase) that the times were out of joint.&nbsp; The autobiographical, oft narcissistic Lowell can be&nbsp;classified as a father of &#8220;confessional&#8221; poetry, though he rejected the label.&nbsp; Just as clearly he was a poet of public life in a line going back to the Romans.&nbsp; Lowell rose to the occasion of the 1960s as something of a Boston Brahmin version of Norman Mailer, a celebrity rebel, historian and aphorist for all time.<\/FONT><\/P><br \/>\n<BLOCKQUOTE><br \/>\n<P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\"><EM>Only man thinning out his kind<\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\"><EM>sounds through the Sabbath noon, the blind<\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\"><EM>swipe of the pruner and his knife<\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\"><EM>busy about the tree of life&#8230;<\/EM><\/FONT><\/P><br \/>\n<P>&nbsp;<\/P><br \/>\n<P><FONT face=\"Times New Roman\" size=\"4\"><EM>Pity the planet, all joy gone<\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman\" size=\"4\"><EM>from this sweet volcanic cone;<\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman\" size=\"4\"><EM>peace to our children when they fall <\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman\" size=\"4\"><EM>in small war on the heels of small<\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman\" size=\"4\"><EM>war&#8211;until the end of time<\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman\" size=\"4\"><EM>to police the earth, a ghost<\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman\" size=\"4\"><EM>orbiting forever lost<\/EM><\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman\" size=\"4\"><EM>in our monotonous sublime.<\/EM><\/FONT><\/P><\/BLOCKQUOTE><br \/>\n<P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; from &#8220;Waking Early Sunday Morning&#8221;<\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\">&nbsp;&nbsp;&nbsp;&nbsp; Politics may be the least of the reasons to rediscover Robert Lowell.&nbsp; His <A href=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/0374126178\/002-9255900-7323206?v=glance\">Collected Poems<\/A>, edited and annotated by Frank Bidart and David Gewanter, <IMG hspace=\"3\" src=\"http:\/\/www.theatlantic.com\/about\/people\/images\/davisonpic.gif\" align=\"right\" vspace=\"3\">is being <A href=\"http:\/\/www.poetry-reviews.com\/Collected_Poems_Edited_by_Frank_Bidart_and_David_Gewanter_Introduction_by_Frank_Bidart_0374126178.html\">read<\/A> and <A href=\"http:\/\/www.nybooks.com\/articles\/article-preview?article_id=16527\">reargued<\/A> all over the place&#8211;in <A href=\"http:\/\/www.arras.net\/weblog\/000779.html\">blogs<\/A>, too, of course.&nbsp; In poetry publishing, some say, this is the biggest event since Wallace Stevens&#8217; <A href=\"http:\/\/www.poetry-reviews.com\/The_Collected_Poems_of_Wallace_Stevens_0679726691.html\">Collected Poems<\/A> of 1954.&nbsp; Our assignment is to share a little of the sound and fury of Lowell&#8217;s poetry.&nbsp; The conversations here with the poet and editor <A href=\"http:\/\/www.theatlantic.com\/about\/people\/phdbio.htm\">Peter Davison<\/A> are only a beginning.&nbsp; <A href=\"http:\/\/media.skybuilders.com\/lydon\/Lowell.PDavison.mp3\">Part One<\/A> is a quick walk around the Lowell monument and, in particular, his best-known poem, &#8220;For the Union Dead.&#8221;&nbsp; <A href=\"http:\/\/media.skybuilders.com\/lydon\/Lowell.PDavison.2.mp3\">Part Two<\/A> invokes the poet of his own madness in poems like &#8220;Man and Wife&#8221; and &#8220;Skunk Hour.&#8221;<\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\">&nbsp;&nbsp;&nbsp;&nbsp; To be continued.<\/FONT><\/P><br \/>\n<P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\"><\/FONT>&nbsp;<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp; Robert Lowell (1917-1977) is back, in spirit and in a massive new edition of Collected Poems.&nbsp; I feel him hovering again over a surreal presidential campaign.&nbsp; In Eugene McCarthy&#8217;s anti-Vietnam insurrection of 1967 and 1968, Lowell was the spooky presence often in the car with the candidate, or at his side, bearing witness as [&hellip;]<\/p>\n","protected":false},"author":1340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-104","post","type-post","status-publish","format-standard","hentry"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/posts\/104","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/users\/1340"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/comments?post=104"}],"version-history":[{"count":1,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/posts\/104\/revisions"}],"predecessor-version":[{"id":216,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/posts\/104\/revisions\/216"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/media?parent=104"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/categories?post=104"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/tags?post=104"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}