{"id":103,"date":"2003-10-08T15:13:06","date_gmt":"2003-10-08T19:13:06","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/lydondev\/2003\/10\/08\/a-last-conversation-with-edward-said"},"modified":"2012-05-04T00:06:23","modified_gmt":"2012-05-04T04:06:23","slug":"a-last-conversation-with-edward-said-part-2","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/lydondev\/2003\/10\/08\/a-last-conversation-with-edward-said-part-2\/","title":{"rendered":"A Last Conversation with Edward Said, Part 2"},"content":{"rendered":"<p><a name='a377'><\/a><\/p>\n<p><P><FONT face=\"Times New Roman,Times,Serif\" size=\"4\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Might Johannes&nbsp;Brahms&#8217; E-minor Sonata for piano and cello have charms to soothe the savagery of the Arab-Israeli conflict?&nbsp; &#8220;No, I doubt it,&#8221; said Edward Said in our last <A href=\"http:\/\/media.skybuilders.com\/lydon\/said.2.mp3\">conversation<\/A>, with music,&nbsp;three years ago.&nbsp; &#8220;But it could produce quite extraordinary configurations like the one last summer in Weimar,&#8221; with 80 young musicians from the Middle East <IMG hspace=\"10\" src=\"http:\/\/www.lanuevaespana.es\/especiales\/premios02\/concordia.jpg\" align=\"right\" vspace=\"10\"> taking master classes with Yo-Yo Ma and forming a new orchestra under the baton of <A href=\"http:\/\/www.daniel-barenboim.com\/\">Daniel Barenboim<\/A>.&nbsp; &#8220;Now I don&#8217;t think there&#8217;s any political fallout from that, except that it&#8217;s just a new pattern that I think has a role to play in providing models for different kinds of relationships between not just Arabs and Jews,&nbsp;but Arabs among themselves.&nbsp; I mean, there were many Arabs who had never met other Arabs there, and for them it was an interesting encounter.&nbsp;&nbsp;&nbsp;And it all came about because of this quite extraordinary power of a figure like Barenboim who is an amazing musician and a great communicator at the same time.&#8221;<\/FONT><\/P><br \/>\n<P><FONT size=\"4\">&nbsp;&nbsp;&nbsp;&nbsp; <FONT face=\"Times New Roman,Times,Serif\">In the second half of our <A href=\"http:\/\/media.skybuilders.com\/lydon\/said.2.mp3\">conversation<\/A> in April, 2000, <A href=\"http:\/\/www.edwardsaid.org\/\">Professor Said<\/A> (who died two weeks ago at 67) spoke with passion about his&nbsp;improbable but intimate alliance&nbsp;with the pianist-conductor Daniel Barenboim.&nbsp; &#8220;We both have a tremendous interest in the Middle East as a place of possibility&#8211;not because there are these separations but because there are these mixtures, you know.&nbsp; Neither of us live there.&nbsp; Daniel lives in Berlin and Chicago, and I live in New York, but the Middle East is important just as a place to go back to.&nbsp; And it&#8217;s a place that&#8217;s interesting to us because of the incredible variety of lives there and cultures that it&#8217;s possible to excavate.&nbsp; And I know from his point of view the discovery going into an Arab home, for example, which he did for the first time when we went to one in Ramallah a couple of years ago was for him a major adventure because, he said, in his own background growing up as a young musician in Israel in the &#8217;50s he had no knowledge of what the Arabs were like, although they were living next door.&nbsp; And one of the things he was interested in doing, for example, is learning Arabic.&nbsp; And actually he made an announcement at a concert which he gave in Jerusalem, which I attended, a recital in which he said he was outraged that the program was in English and Hebrew but not in Arabic.&nbsp; So that notion of dissipating boundaries that are usually, in the end, quite mechanical and not worth maintaining is very much a part of this.&#8221;&nbsp; <A href=\"http:\/\/media.skybuilders.com\/lydon\/said.2.mp3\">Listen here<\/A>.<\/FONT><\/FONT><\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;Might Johannes&nbsp;Brahms&#8217; E-minor Sonata for piano and cello have charms to soothe the savagery of the Arab-Israeli conflict?&nbsp; &#8220;No, I doubt it,&#8221; said Edward Said in our last conversation, with music,&nbsp;three years ago.&nbsp; &#8220;But it could produce quite extraordinary configurations like the one last summer in Weimar,&#8221; with 80 young musicians from the Middle East [&hellip;]<\/p>\n","protected":false},"author":1340,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[],"tags":[],"class_list":["post-103","post","type-post","status-publish","format-standard","hentry"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/posts\/103","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/users\/1340"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/comments?post=103"}],"version-history":[{"count":1,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/posts\/103\/revisions"}],"predecessor-version":[{"id":217,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/posts\/103\/revisions\/217"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/media?parent=103"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/categories?post=103"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/lydondev\/wp-json\/wp\/v2\/tags?post=103"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}