{"id":514,"date":"2010-10-04T16:54:32","date_gmt":"2010-10-04T20:54:32","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/loebmusic\/?p=514"},"modified":"2010-10-04T16:54:32","modified_gmt":"2010-10-04T20:54:32","slug":"new-in-the-digital-collections-bach-and-schubert","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2010\/10\/04\/new-in-the-digital-collections-bach-and-schubert\/","title":{"rendered":"New in the Digital Collections: Bach and Schubert"},"content":{"rendered":"<p>As we all emerge from the first busy weeks of the semester and go looking for music to play, perhaps it&#8217;s a good time to showcase some of the latest additions to our collection of <a href=\"http:\/\/nrs.harvard.edu\/urn-3:hul.eresource:digiscor\" target=\"_blank\">Digital Scores and Libretti<\/a>.<\/p>\n<div style=\"float: right;padding: 20px\">\n<div id=\"attachment_520\" style=\"width: 180px\" class=\"wp-caption alignnone\"><em><a href=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2010\/10\/Bach-BWV-234.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-520\" data-attachment-id=\"520\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2010\/10\/04\/new-in-the-digital-collections-bach-and-schubert\/bach-bwv-234\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2010\/10\/Bach-BWV-234.jpg?fit=500%2C379&amp;ssl=1\" data-orig-size=\"500,379\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Johann Sebastian Bach. Detail of BWV 234. Merritt Room Mus 627.1.536\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Johann Sebastian Bach. Detail of BWV 234. Merritt Room Mus 627.1.536&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2010\/10\/Bach-BWV-234.jpg?fit=500%2C379&amp;ssl=1\" class=\"size-medium wp-image-520 \" src=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2010\/10\/Bach-BWV-234-300x227.jpg?resize=170%2C129\" alt=\"Johann Sebastian Bach. Detail of BWV 234. Merritt Room Mus 627.1.536\" width=\"170\" height=\"129\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2010\/10\/Bach-BWV-234.jpg?resize=300%2C227&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2010\/10\/Bach-BWV-234.jpg?w=500&amp;ssl=1 500w\" sizes=\"auto, (max-width: 170px) 100vw, 170px\" \/><\/a><\/em><p id=\"caption-attachment-520\" class=\"wp-caption-text\">Johann Sebastian Bach. Detail of BWV 234. Merritt Room Mus 627.1.536<\/p><\/div>\n<\/div>\n<p>First, two early editions of works by <strong>Johann Sebastian Bach<\/strong>:<\/p>\n<ul>\n<li>A 19th-century French edition of the Goldberg Variations, <a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/%7Escores\/001400051\" target=\"_blank\">Trente variations fugu\u00e9es pour clavecin ou pianoforte<\/a> (Paris: Richault, [182-?]).<\/li>\n<li>The first edition of the vocal score of BWV 234: <a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/009542895\" target=\"_blank\">Messe, no. 1 in A: f\u00fcr vier Singstimmen mit Orchester Begleitung komponirt von Joh. Seb. Bach; Clavierauszug von X. Gleichauf<\/a> (Bonn: N. Simrock, [1831 or 32]).<\/li>\n<\/ul>\n<p>Piano music and songs by <strong>Franz Schubert:<\/strong><\/p>\n<div style=\"float: left;padding: 15px\">\n<div id=\"attachment_519\" style=\"width: 226px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2010\/10\/Schubert-Schone-Mullerin.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-519\" data-attachment-id=\"519\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2010\/10\/04\/new-in-the-digital-collections-bach-and-schubert\/schubert-schone-mullerin\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2010\/10\/Schubert-Schone-Mullerin.jpg?fit=400%2C308&amp;ssl=1\" data-orig-size=\"400,308\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Franz Schubert. Title page, Die Sch\u00f6ne M\u00fcllerin. Merritt Room Mus 800.1.715.10 PHI\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Franz Schubert. Title page, Die Sch\u00f6ne M\u00fcllerin. Merritt Room Mus 800.1.715.10 PHI&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2010\/10\/Schubert-Schone-Mullerin.jpg?fit=400%2C308&amp;ssl=1\" class=\"size-medium wp-image-519  \" src=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2010\/10\/Schubert-Schone-Mullerin-300x231.jpg?resize=216%2C167\" alt=\"Franz Schubert. Title page, Die Sch\u00f6ne M\u00fcllerin. Merritt Room Mus 800.1.715.10 PHI\" width=\"216\" height=\"167\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2010\/10\/Schubert-Schone-Mullerin.jpg?resize=300%2C231&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2010\/10\/Schubert-Schone-Mullerin.jpg?w=400&amp;ssl=1 400w\" sizes=\"auto, (max-width: 216px) 100vw, 216px\" \/><\/a><p id=\"caption-attachment-519\" class=\"wp-caption-text\">Franz Schubert. Title page, Die Sch\u00f6ne M\u00fcllerin. Merritt Room Mus 800.1.715.10 PHI<\/p><\/div>\n<\/div>\n<p>The <a href=\"http:\/\/hcl.harvard.edu\/libraries\/loebmusic\/isham\/guides\/packard.cfm\" target=\"_blank\">Packard Humanities Institute Music Collection<\/a>, on deposit at the Music Library, includes the world&#8217;s largest collection of Schubert first editions outside of Vienna. To date, we&#8217;ve digitized 150 early Schubert editions from the Packard Collection and the library&#8217;s other holdings; this month we offer a selection of piano music and songs: walzes and dance music, a piano reduction of the overture to <em>Die Zauberharfe<\/em>, and settings of M\u00fcller, Goethe, Schiller, and others.<\/p>\n<p style=\"clear: left\"><em><strong>Piano Music<\/strong><\/em><\/p>\n<ul>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/001617323\" target=\"_blank\">Walzer, L\u00e4ndler und Ecossaisen f\u00fcr das Piano-Forte: 18tes Werk<\/a> (Wien, A. Diabelli [1823?]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/001617223\" target=\"_blank\">Galoppe et ecossaises pour le pianoforte, oeuvre 49<\/a> (Vienne: A. Diabelli, [1825?]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/001617322\" target=\"_blank\">Valses sentimentales: pour le piano-forte: oeuv. 50<\/a> (Vienne: A. Diabelli, [1825?]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/001617217\" target=\"_blank\">Wiener Damen-L\u00e4ndler, pour le piano-forte, oeuv. 67<\/a> (Vienne: A. Diabelli, [1826]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/001634656\" target=\"_blank\">Ouvert\u00fcre zu Rosamunde, op. 26. Arrang. von F. X. Chotek<\/a> ([Wien: A. Diabelli, 1839?]).<\/li>\n<\/ul>\n<p><strong><em>Songs<\/em><\/strong><\/p>\n<ul>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/008638219\" target=\"_blank\">Die sch\u00f6ne M\u00fcllerin<\/a>: ein Cyclus von Liedern Gedichte von Wilhelm M\u00fcller; in Musik gesetzt f\u00fcr eine Singstimme mit Pianoforte begleitung dem Carl Freyherrn von Sch\u00f6nstein gewidmet von Franz Schubert; 25 Werk (Wien: Sauer &amp; Leidesdorf, [1824]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/008642730\" target=\"_blank\">Willkommen und Abschied Gedicht von Goethe<\/a>; An die Leyer: (nach Anacreon); Im Haine Gedichte von Bruchmann: in Musik gesetzt f\u00fcr eine Singstimme mit Begleitung des Pianoforte und gewidmet Herrn Carl Pinterics von seinem Freunde Franz Schubert; 56tes Werk (Wien: bey A. Pennauer, [1826]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/008645214\" target=\"_blank\">Alinde; An die Laute; Zur guten Nacht<\/a>: f\u00fcr eine Singstimme mit Begleitung des Pianoforte: 81tes werk. In Musik gesetzt von Franz Schubert; Gedichte von Fried. Rochlitz (Wien: T. Haslinger, [1827]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/001617338\" target=\"_blank\">Der Zwerg und Wehmuth<\/a>: zwey Gedichte in Musik gesetzt f\u00fcr eine Singstimme mit Begleitung des Pianoforte, 22. Werk (Wien, Diabelli [1830?]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/008654187\" target=\"_blank\">Ein Fr\u00e4ulein schaut vom hohen Thurm<\/a>: 126tes Werk. Ballade von J. Kenner; in Musik gesetzt f\u00fcr eine Singstimme mit Begleitung des Pianoforte von Franz Schubert (Wien: J. Czerny, [1830]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/008629662\" target=\"_blank\">Sch\u00e4fers Klagelied; Heidenr\u00f6slein; J\u00e4gers Abendlied; Meeres Stille<\/a>: f\u00fcr eine Singstimme mit Begleitung des Pianoforte von Goethe; [Musik] von Franz Schubert (Wien: Cappi und Diabelli, [1821]).<\/li>\n<li><a href=\"http:\/\/vc.lib.harvard.edu\/vc\/deliver\/~scores\/008646847\" target=\"_blank\">Der Ungl\u00fcckliche<\/a> Gedicht von Caroline Pichler, geb. v. Greiner. Die Hoffnung; Der J\u00fcngling am Bache Gedichte von Fried. v. Schiller; in Musick gesetzt f\u00fcr eine Singstimme mit Begleitung des Pianoforte, op. 87; von Franz Schubert (Wien: A. Pennauer, [1827]).<\/li>\n<\/ul>\n<p>Incidentally, the staff of <a href=\"http:\/\/hcl.harvard.edu\/info\/imaging\/\" target=\"_blank\">Harvard College Library Imaging Services<\/a> are responsible for the fantastic photography and presentation of these scores. The Digital Imaging Lab recently celebrated its 10th anniversary; read more about its history &#8211; and its future &#8211; in <a href=\"http:\/\/hcl.harvard.edu\/news\/articles\/2010\/digital_imaging_anniversary.cfm\" target=\"_blank\">this HCL News article<\/a>.<\/p>\n<p>&#8211; Kerry Masteller<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As we all emerge from the first busy weeks of the semester and go looking for music to play, perhaps it&#8217;s a good time to showcase some of the latest additions to our collection of Digital Scores and Libretti. First, two early editions of works by Johann Sebastian Bach: A 19th-century French edition of the [&hellip;]<\/p>\n","protected":false},"author":2249,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[13829],"tags":[15924,4299,19727,14789],"class_list":["post-514","post","type-post","status-publish","format-standard","hentry","category-digital-collections","tag-bach-family","tag-digital-scores","tag-franz-schubert","tag-scores","post-preview"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-8i","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/2249"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=514"}],"version-history":[{"count":40,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/514\/revisions"}],"predecessor-version":[{"id":556,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/514\/revisions\/556"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}