{"id":3010,"date":"2021-05-06T08:00:15","date_gmt":"2021-05-06T12:00:15","guid":{"rendered":"http:\/\/blogs.harvard.edu\/loebmusic\/?p=3010"},"modified":"2021-05-11T14:30:41","modified_gmt":"2021-05-11T18:30:41","slug":"hudeidi-the-somali-king-of-oud-another-sad-casualty-of-covid-19","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2021\/05\/06\/hudeidi-the-somali-king-of-oud-another-sad-casualty-of-covid-19\/","title":{"rendered":"Hudeidi, the Somali &#8220;King of Oud&#8221;: Celebrating a Musical Life Claimed by COVID-19"},"content":{"rendered":"<p>Spring 2021 marks the one year anniversary of Ahmed Ismail Hussein Hudeidi&#8217;s death as a result of complications from COVID-19. Since that time, the world has lost over three million people to the virus.\u00a0 Hudeidi can be heard throughout the Archive of World Music&#8217;s\u00a0<a href=\"https:\/\/hollisarchives.lib.harvard.edu\/repositories\/27\/resources\/9583\">Somali Songs Collection<\/a> of approximately 500 audiocassettes comprising a range of popular music from the 1950s-1990s.<\/p>\n<p><strong>Who was Hudeidi?<\/strong><\/p>\n<div style=\"width: 670px\" class=\"wp-caption alignright\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"n3VNCb\" src=\"https:\/\/i0.wp.com\/uploads-garowe.s3.amazonaws.com\/upload\/images\/Image\/1586323427.fad7a\/main\/thumbnail.jpeg?resize=660%2C364&#038;ssl=1\" alt=\"A man dressed in a suit holding a lute.\" width=\"660\" height=\"364\" \/><p class=\"wp-caption-text\">Ahmed Ismail Hussein Hudeidi (1928-2020).\u00a0Image courtesy BBC World Africa, 2020.<\/p><\/div>\n<p>Born in Somalia in 1928, Hudeidi spent a significant portion of his childhood in Yemen. It was here that he learned to play the Arab lute known as the\u00a0<em>oud<\/em>, or <em>kaman\/<\/em><em>kaban<\/em> in Somali,\u00a0a type of short-necked plucked chordophone that is ubiquitous in music of the Middle East, North Africa, and Turkey (MENAT). Although symbolically tied to the MENAT, the <em>oud<\/em>\u00a0is an important instrument in myriad genres and styles throughout the world, especially in Muslim societies such as Somalia.<\/p>\n<p>When Hudeidi came of age, he moved back to Somalia and also spent time in Djibouti where he sometimes clashed with authorities for singing political songs. He made significant contributions to genres of\u00a0<em>hees<\/em>, or Somali sung poetry.\u00a0His boldness and virtuosity made him well-known amongst Somali musicians and audiences. Throughout his career, he accompanied some of Somalia&#8217;s most famous vocalists, such as <a href=\"https:\/\/www.youtube.com\/watch?v=V9DnxTyWNno\">Magool<\/a>\u00a0and <a href=\"https:\/\/www.youtube.com\/watch?v=azHsLO20OxE\">Sara Ahmed<\/a>, and worked alongside other lauded\u00a0<em>oud\u00a0<\/em>players, such as <a href=\"https:\/\/www.youtube.com\/watch?v=WokYrdTr2nU\">Omar Dhule<\/a>, and\u00a0composers such as\u00a0Abdullahi Qarshe.\u00a0 Here is a video of Hudeidi and Qarshe together in a Somali television interview, which concludes with a performance by the\u00a0<em>oud<\/em> master:<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"676\" height=\"381\" src=\"https:\/\/www.youtube.com\/embed\/52_TRS0jKMY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>One of Hudeidi&#8217;s most famous compositions\u00a0was a song he wrote for his brother:<\/strong><\/p>\n<p><a href=\"https:\/\/sds.lib.harvard.edu\/sds\/audio\/482883294\"><em>Uur Hooyo<\/em> (Mother&#8217;s Womb) (AWM SC 12263)<\/a><\/p>\n<p><em>(<\/em>translation by linguist Martin Orvin, SOAS 2012).<\/p>\n<div class=\"ssrcss-uf6wea-RichTextComponentWrapper e1xue1i83\">\n<div class=\"ssrcss-3z08n3-RichTextContainer e5tfeyi2\">\n<p><em>Mother\u2019s Womb<\/em><\/p>\n<p><em>You, the abundant light<\/em><\/p>\n<p><em>That my eyes graze on<\/em><\/p>\n<p><em>Do not take me lightly<\/em><\/p>\n<p><em>You who shared My mother\u2019s womb<\/em><\/p>\n<p><em>You born of my father\u2019s back<\/em><\/p>\n<p><em>Who shared the breast<\/em><\/p>\n<p><em>We weaned from the same I shall never forget you\u2026\u00a0<\/em><\/p>\n<p><strong>Qaraami (Love Songs)<\/strong><\/p>\n<p>Hudeidi is one of the most revered accompanists of\u00a0<em>qaraami<\/em> (love songs), which form a large portion of the AWM&#8217;s <a href=\"https:\/\/hollisarchives.lib.harvard.edu\/repositories\/27\/resources\/9583\">Somali Songs Collection<\/a>. The above song exemplifies the broad nature of the &#8220;love&#8221; theme in such music, which can include love of family, nature, or <em>Allah<\/em> (God), in addition to romantic love.<\/p>\n<p>Celebrated and active until his death, Hudeidi collaborated with contemporary artists in traditional and hybrid genres throughout the world and in his London home, where he settled later in life.\u00a0 One notable collaboration was with Aar Maanta, the British-Somali singer who reimagined Hudeidi&#8217;s famous song mentioned above,\u00a0<em>Uur Hooyo:<\/em><\/p>\n<\/div>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"676\" height=\"381\" src=\"https:\/\/www.youtube.com\/embed\/wxbh6a3o8bA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><strong>Music Across the Indian Ocean<\/strong><\/p>\n<p>Hudeidi&#8217;s work exemplifies the cross-cultural fusion resulting from centuries of trade relationships between Muslim societies connected by the Indian Ocean, an &#8220;Afro-Asiatic seascape&#8221; comprising &#8220;the Arabian Sea and Bay of Bengal [that] is framed by Madagascar, the Horn of Africa, the Indian subcontinent, the Southeast Asian archipelago, and Australia&#8221; (<a href=\"https:\/\/www.jstor.org\/stable\/10.5406\/ethnomusicology.64.3.0394\">Byl and Sykes 2020:395<\/a>).<\/p>\n<div id=\"attachment_3098\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2022\/04\/IndianOceanTrade-56a042475f9b58eba4af9165.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-3098\" data-attachment-id=\"3098\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2021\/05\/06\/hudeidi-the-somali-king-of-oud-another-sad-casualty-of-covid-19\/indianoceantrade-56a042475f9b58eba4af9165\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2022\/04\/IndianOceanTrade-56a042475f9b58eba4af9165.jpg?fit=640%2C360&amp;ssl=1\" data-orig-size=\"640,360\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"IndianOceanTrade-56a042475f9b58eba4af9165\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Map of Indian Ocean and maritime trade network between countries.&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2022\/04\/IndianOceanTrade-56a042475f9b58eba4af9165.jpg?fit=640%2C360&amp;ssl=1\" class=\"size-medium wp-image-3098\" src=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2022\/04\/IndianOceanTrade-56a042475f9b58eba4af9165-300x169.jpg?resize=300%2C169\" alt=\"Map with red lines indicating connection between countries over ocean.\" width=\"300\" height=\"169\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2022\/04\/IndianOceanTrade-56a042475f9b58eba4af9165.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2022\/04\/IndianOceanTrade-56a042475f9b58eba4af9165.jpg?w=640&amp;ssl=1 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-3098\" class=\"wp-caption-text\">Map of Indian Ocean trade network\u00a0 \u00a0(<span class=\"link__wrapper\"><a href=\"https:\/\/www.thoughtco.com\/indian-ocean-trade-routes-195514\">Szczepanski\u00a02019<\/a>)<\/span><\/p><\/div>\n<p>Having spent a significant portion of his early years in Yemen, Hudeidi learned the fundamentals of the Arabic melodic modal system, known as\u00a0<em>maqamat<\/em>, which he applied to Somali genres and carried with him in his world travels. Although many\u00a0Somali\u00a0<em>oud\u00a0<\/em>players adopted elements of Arabic <em>maqamat<\/em> and\u00a0<em>taqasim<\/em> (solo melodic improvisation) in the development of Somali genres, Hudeidi studied these elements extensively during his time living in the Yemeni port city of Aden.<\/p>\n<p>In his adult life, he was as much a teacher as performer, known for offering\u00a0 musical instruction, often free of charge, to students from around the world.\u00a0 His home in London was known as an &#8220;informal music school&#8221; where he offered lessons, strong Yemeni coffee, and &#8220;a bed to anyone who needed it&#8221; (<a href=\"https:\/\/www.bbc.com\/news\/world-africa-52280216\">BBC World Africa, 2020<\/a>).<\/p>\n<p>In 2003, Hudeidi was interviewed by BBC London. In one of the few English language interviews available of the musician, he describes his love of the <em>oud<\/em>:<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"676\" height=\"381\" src=\"https:\/\/www.youtube.com\/embed\/s53DVhxMPKc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>In honor of Hudeidi, below is a playlist of <em>qaraami\u00a0<\/em>songs from AWM Somali Songs Collection. We suggest you enjoy with some strong coffee. For more on the wider collection, see this previous <a href=\"https:\/\/blogs.harvard.edu\/loebmusic\/2020\/02\/14\/a-trunk-full-of-love-songs-somali-songs-1955-1991-the-maryan-aryette-omar-ali-collection\/\">blog post<\/a>.<\/p>\n<p>(Each track contains the link to the song in the Archive of World Music and another YouTube video version.)<\/p>\n<ul>\n<li class=\"title style-scope ytd-video-primary-info-renderer\">Uur Hooyo\u00a0<a href=\"https:\/\/sds.lib.harvard.edu\/sds\/audio\/482883294\">(AWM SC 12263)\u00a0<\/a><\/li>\n<\/ul>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"676\" height=\"381\" src=\"https:\/\/www.youtube.com\/embed\/E2r4OkkoyHk?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<ul>\n<li class=\"title style-scope ytd-video-primary-info-renderer\">Raaxeeye (<a href=\"https:\/\/sds.lib.harvard.edu\/sds\/audio\/490291897\">AWM SC 12242<\/a>)<\/li>\n<\/ul>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"676\" height=\"381\" src=\"https:\/\/www.youtube.com\/embed\/mLF1gxa0Daw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<ul>\n<li class=\"title style-scope ytd-video-primary-info-renderer\">Hudhud (<a href=\"https:\/\/sds.lib.harvard.edu\/sds\/audio\/490291894\">AWM SC 12242<\/a>)<\/li>\n<\/ul>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"676\" height=\"381\" src=\"https:\/\/www.youtube.com\/embed\/2uxVd2CUgbY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<ul>\n<li class=\"title style-scope ytd-video-primary-info-renderer\">Hayaan (<a href=\"https:\/\/sds.lib.harvard.edu\/sds\/audio\/482883300\">AWM SC 12263<\/a>)<\/li>\n<\/ul>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"676\" height=\"381\" src=\"https:\/\/www.youtube.com\/embed\/te57GKftvPY?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Contributed by: Joe Kinzer, Senior Curatorial Assistant @ Archive of World Music<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Spring 2021 marks the one year anniversary of Ahmed Ismail Hussein Hudeidi&#8217;s death as a result of complications from COVID-19. Since that time, the world has lost over three million people to the virus.\u00a0 Hudeidi can be heard throughout the Archive of World Music&#8217;s\u00a0Somali Songs Collection of approximately 500 audiocassettes comprising a range of popular [&hellip;]<\/p>\n","protected":false},"author":9767,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[14784],"tags":[122900,122902,149790,149793],"class_list":["post-3010","post","type-post","status-publish","format-standard","hentry","category-archive-of-world-music","tag-archive-of-world-music","tag-ethnomusicology","tag-somali-songs","tag-somalia","post-preview"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-My","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/3010","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/9767"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=3010"}],"version-history":[{"count":38,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/3010\/revisions"}],"predecessor-version":[{"id":3132,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/3010\/revisions\/3132"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=3010"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=3010"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=3010"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}