{"id":2715,"date":"2019-08-13T16:55:46","date_gmt":"2019-08-13T20:55:46","guid":{"rendered":"http:\/\/blogs.harvard.edu\/loebmusic\/?p=2715"},"modified":"2019-08-19T11:26:42","modified_gmt":"2019-08-19T15:26:42","slug":"in-celebration-of-apollo-11-ellington-style","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2019\/08\/13\/in-celebration-of-apollo-11-ellington-style\/","title":{"rendered":"In Celebration of Apollo 11, Ellington Style"},"content":{"rendered":"<p><span style=\"font-weight: 400\">In celebration of the 50th anniversary of the Apollo 11 landing, we are highlighting a fascinating record in our collection. Although the record itself is not particularly rare, the combination of a prominent composer and the anniversary of the premiere performance, in our opinion, makes it worthy of a few paragraphs and further exploration. It is one example among many written in 1969 containing \u201cmoon\u201d in the title. \u201cMoon Maiden\u201d is one piece in Ellington\u2019s \u201cMusic to Land on the Moon By,\u201d commissioned by the American Broadcasting Company to be broadcast as part of a their 30-hour moon mission coverage. In the setting, Ellington is poised in front of\u00a0 exact replicas of the spacecraft\u2019s components, including a model lunar module.\u00a0<\/span><\/p>\n<div id=\"attachment_2716\" style=\"width: 308px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Intimate-Ellington-Cover.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2716\" data-attachment-id=\"2716\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2019\/08\/13\/in-celebration-of-apollo-11-ellington-style\/intimate-ellington-cover\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Intimate-Ellington-Cover.png?fit=561%2C565&amp;ssl=1\" data-orig-size=\"561,565\" data-comments-opened=\"0\" data-image-title=\"Intimate Ellington Cover\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Intimate Ellington Cover&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Intimate-Ellington-Cover.png?fit=561%2C565&amp;ssl=1\" class=\"wp-image-2716 size-medium\" src=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Intimate-Ellington-Cover-298x300.png?resize=298%2C300\" alt=\"Intimate Ellington Cover\" width=\"298\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Intimate-Ellington-Cover.png?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Intimate-Ellington-Cover.png?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Intimate-Ellington-Cover.png?w=561&amp;ssl=1 561w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><\/a><p id=\"caption-attachment-2716\" class=\"wp-caption-text\">Intimate Ellington Cover<\/p><\/div>\n<p><span style=\"font-weight: 400\">Moon Maiden is released on the album \u201cThe Intimate Ellington.\u201d The liner notes from the original album were written by Stanley Dance, a jazz writer and close friend of Ellington, who was present during the rehearsals. There are conflicting citations of this track being recorded on either July 14th or July 15th, 1969, days before the Apollo 11 landing on the moon. Ken Vail\u2019s publication, <\/span><a href=\"http:\/\/id.lib.harvard.edu\/alma\/990090644270203941\/catalog\"><span style=\"font-weight: 400\">Duke\u2019s Diary<\/span><\/a><span style=\"font-weight: 400\">, mentions it was recorded again on September 4, 1969, with a more robust instrumentation. This recording was released in 2002 on <\/span><a href=\"http:\/\/www.worldcat.org\/oclc\/227190157\"><i><span style=\"font-weight: 400\">Duke Ellington Live and Rare<\/span><\/i><\/a><span style=\"font-weight: 400\">, by Bluebird Records.<\/span><\/p>\n<div id=\"attachment_2717\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Sept-4-instrumentation.png\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2717\" data-attachment-id=\"2717\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2019\/08\/13\/in-celebration-of-apollo-11-ellington-style\/sept-4-instrumentation\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Sept-4-instrumentation.png?fit=360%2C281&amp;ssl=1\" data-orig-size=\"360,281\" data-comments-opened=\"0\" data-image-title=\"Instrumentation\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Instrumentation of September 4th recording.&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Sept-4-instrumentation.png?fit=360%2C281&amp;ssl=1\" class=\"size-medium wp-image-2717\" src=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Sept-4-instrumentation-300x234.png?resize=300%2C234\" alt=\"Instrumentation of September 4th recording.\" width=\"300\" height=\"234\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Sept-4-instrumentation.png?resize=300%2C234&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2019\/08\/Sept-4-instrumentation.png?w=360&amp;ssl=1 360w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-2717\" class=\"wp-caption-text\">Instrumentation of September 4th recording.<\/p><\/div>\n<p><span style=\"font-weight: 400\">For comparison, I recommend first listening to the <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=98qq5Cvrst8\"><span style=\"font-weight: 400\">broadcast version<\/span><\/a><span style=\"font-weight: 400\"> followed by the <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=eMosxguJpso\"><span style=\"font-weight: 400\">track released on The Intimate Ellington album<\/span><\/a><span style=\"font-weight: 400\">. The broadcast version was performed with piano and vocals by Ellington himself, along with Rufus Jones on drums, Paul Kondziela on bass, and Al Chernet on guitar. Mr. Dance writes that he anticipated the celeste might give a \u201cmoony\u201d effect and thus during a rehearsal Ellington experimented with a celeste and vocal performance which was recorded and is heard on the album.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">For additional listening enjoyment, check out the <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=0uzAN6aEwxs\"><span style=\"font-weight: 400\">1978 Luv You Madly Orchestra disco arrangement<\/span><\/a><span style=\"font-weight: 400\">. For more Ellington early recordings, the Loeb Music Library has the <\/span><a href=\"https:\/\/hollisarchives.lib.harvard.edu\/repositories\/27\/resources\/4706\"><span style=\"font-weight: 400\">Duke Ellington Recordings Collection<\/span><\/a><span style=\"font-weight: 400\">, available upon request.\u00a0\u00a0<\/span><span style=\"font-weight: 400\">The manuscript for Moon Maiden is held at the <\/span><a href=\"https:\/\/sova.si.edu\/details\/NMAH.AC.0704#ref418\"><span style=\"font-weight: 400\">Smithsonian National Music of American History, Archives Center<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Bibliography<\/span><\/p>\n<p><a href=\"http:\/\/www.worldcat.org\/oclc\/227190157\"><span style=\"font-weight: 400\">Ellington, Duke. <\/span><i><span style=\"font-weight: 400\">Duke Ellington Live and Rare<\/span><\/i><span style=\"font-weight: 400\">. New York: Bluebird, 2002, compact disc. Disc 3: The Reader\u2019s Digest Sessions. Recorded September 1969.<\/span><\/a><span style=\"font-weight: 400\">\u00a0<\/span><\/p>\n<p><a href=\"http:\/\/id.lib.harvard.edu\/alma\/990013538570203941\/catalog\"><span style=\"font-weight: 400\">Ellington, Duke. <\/span><i><span style=\"font-weight: 400\">The Intimate Duke Ellington<\/span><\/i><span style=\"font-weight: 400\">. Pablo<\/span> <span style=\"font-weight: 400\">2310-787,<\/span><span style=\"font-weight: 400\"> 1977, LP<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><a href=\"http:\/\/id.lib.harvard.edu\/alma\/990027020460203941\/catalog\"><span style=\"font-weight: 400\">Stratemann, Klaus. <\/span><i><span style=\"font-weight: 400\">Duke Ellington Day by Day and Film by Film<\/span><\/i><span style=\"font-weight: 400\">. Copenhagen NV, Denmark: JazzMedia ApS, 1992, p. 592<\/span><\/a><span style=\"font-weight: 400\">.<\/span><\/p>\n<p><a href=\"http:\/\/id.lib.harvard.edu\/alma\/990090644270203941\/catalog\"><span style=\"font-weight: 400\">Vail, Ken. <\/span><i><span style=\"font-weight: 400\">Duke\u2019s Diary: Part Two: The Life of Duke Ellington 1950-1974. <\/span><\/i><span style=\"font-weight: 400\">Lanham, MD: Scarecrow Press, 2002, p. 360.<\/span><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In celebration of the 50th anniversary of the Apollo 11 landing, we are highlighting a fascinating record in our collection. Although the record itself is not particularly rare, the combination of a prominent composer and the anniversary of the premiere performance, in our opinion, makes it worthy of a few paragraphs and further exploration. It [&hellip;]<\/p>\n","protected":false},"author":9617,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[149767,14837],"tags":[14839,40334,14841,122901],"class_list":["post-2715","post","type-post","status-publish","format-standard","hentry","category-archival-collections","category-recordings-collection","tag-cds","tag-duke-ellington","tag-jazz","tag-recordings-collection","post-preview"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-HN","jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2715","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/9617"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=2715"}],"version-history":[{"count":4,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2715\/revisions"}],"predecessor-version":[{"id":2721,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2715\/revisions\/2721"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=2715"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=2715"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=2715"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}