{"id":2470,"date":"2017-09-18T16:10:48","date_gmt":"2017-09-18T20:10:48","guid":{"rendered":"http:\/\/blogs.harvard.edu\/loebmusic\/?p=2470"},"modified":"2017-09-20T09:51:57","modified_gmt":"2017-09-20T13:51:57","slug":"oedipe-a-colone-napoli-cambridge","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/18\/oedipe-a-colone-napoli-cambridge\/","title":{"rendered":"Oedipe \u00e0 Colone, Napoli, Cambridge"},"content":{"rendered":"<p>A recent discovery at the Loeb Music Library came about as a result of the domino effect of space issues.<\/p>\n<p>Last year we accessioned a series of Chinese music which was best housed in the music library, \u00a0<a href=\"http:\/\/id.lib.harvard.edu\/aleph\/014677690\/catalog\">Mus 549.601<\/a>. Beautifully cataloged by our own Lingwei Qiu, the series was entirely in Chinese, and therefore needed the added discoverability of storage within the library. Finding space, however, required a larger weeding project. Sandi-Jo Malmon, our collections development librarian, worked with fellow librarian Bob Dennis to target librettos which could be moved to offsite storage, thus freeing up space for the Chinese collection.<\/p>\n<p>In preparing the librettos for offsite storage, a number were targeted for revised cataloging and placement within the Merritt collection, as they were much older, rare editions, or had an interesting provenance.\u00a0 One work, originally targeted for inclusion in Merritt as a <a href=\"http:\/\/id.lib.harvard.edu\/aleph\/002930597\/catalog\">first edition Italian language libretto of Sacchini\u2019s Oedipe \u00e0 Colone<\/a>, presented some surprises.<\/p>\n<div id=\"attachment_2468\" style=\"width: 659px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-1.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2468\" data-attachment-id=\"2468\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/18\/oedipe-a-colone-napoli-cambridge\/anne-blog-1\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-1.jpg?fit=878%2C1385&amp;ssl=1\" data-orig-size=\"878,1385\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Anne blog 1\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Merritt Mus 575.156. Nicola Fran\u00e7ois Guillard, Oedipe \u00e0 Colone. &lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-1.jpg?fit=649%2C1024&amp;ssl=1\" class=\"wp-image-2468 size-large\" src=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-1-649x1024.jpg?resize=649%2C1024\" alt=\"This Italian translation of the libretto for Antonio Sacchini's Edippo a Colono was published in Naples, Italy in 1817.\" width=\"649\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-1.jpg?resize=649%2C1024&amp;ssl=1 649w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-1.jpg?resize=190%2C300&amp;ssl=1 190w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-1.jpg?resize=768%2C1211&amp;ssl=1 768w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-1.jpg?resize=676%2C1066&amp;ssl=1 676w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-1.jpg?w=878&amp;ssl=1 878w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><\/a><p id=\"caption-attachment-2468\" class=\"wp-caption-text\">Merritt Mus 575.156. Nicola Fran\u00e7ois Guillard, Oedipe \u00e0 Colone.<\/p><\/div>\n<p>The work was donated by Col. Charles W. Folsom (1826-1904) of Cambridge in 1874 (he was an 1845 Harvard College alumnus). Charles W. Folsom\u2019s father Charles Folsom (1794-1872) was an alumnus of the Harvard Divinity School, and is the central figure of this story.<\/p>\n<p>After earning his divinity degree from Harvard, the elder Folsom served as a chaplain in the Navy, stationed on the <em>Washington<\/em>, then in the Mediterranean. His duties also serving as tutor to the <em>Washington<\/em> midshipmen, a group that included a teenager named David G. Farragut (1801-1870). Farragut would go on to become the first admiral of the United States Navy, perhaps best known for his service in the Civil War as a flag officer, particularly in the Battle of Mobile Bay in 1864. In the fall of 1817, after Folsom had been appointed American consul in Tunis, Farragut left the <em>Washington<\/em> to continue his studies with his tutor for an additional nine months.<\/p>\n<p>Returning to our libretto, however, we learn that Farragut spent some time in the early part of 1817 in Italy. On the title page verso, we find Farragut\u2019s signature, along with the place and date of the performance, Naples, Jan. 5th, 1817.<\/p>\n<div id=\"attachment_2469\" style=\"width: 659px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-2.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2469\" data-attachment-id=\"2469\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/18\/oedipe-a-colone-napoli-cambridge\/anne-blog-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-2.jpg?fit=878%2C1385&amp;ssl=1\" data-orig-size=\"878,1385\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Anne blog 2\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Merritt Mus 575.156. Nicola Fran\u00e7ois Guillard, Oedipe \u00e0 Colone. &lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-2.jpg?fit=649%2C1024&amp;ssl=1\" class=\"wp-image-2469 size-large\" src=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-2-649x1024.jpg?resize=649%2C1024\" alt=\"The libretto features the signature of the former owner.\" width=\"649\" height=\"1024\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-2.jpg?resize=649%2C1024&amp;ssl=1 649w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-2.jpg?resize=190%2C300&amp;ssl=1 190w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-2.jpg?resize=768%2C1211&amp;ssl=1 768w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-2.jpg?resize=676%2C1066&amp;ssl=1 676w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/09\/Anne-blog-2.jpg?w=878&amp;ssl=1 878w\" sizes=\"auto, (max-width: 649px) 100vw, 649px\" \/><\/a><p id=\"caption-attachment-2469\" class=\"wp-caption-text\">Merritt Mus 575.156. Nicola Fran\u00e7ois Guillard, Oedipe \u00e0 Colone.<\/p><\/div>\n<p>This libretto clearly found its way into the collection of the elder Folsom, with whom Farragut developed a lifelong friendship.<\/p>\n<p>Folsom also served as a librarian at Harvard from 1823-1826, and taught Italian. Harvard would later receive donations of his work from his son and, later, a larger donation from his grandson in the 1920s, the <a href=\"http:\/\/oasis.lib.harvard.edu\/oasis\/deliver\/~hou02464\">Charles Folsom Papers, 1829-1855<\/a>, now at Houghton Library.<\/p>\n<p>Anne Adams, Music Cataloger, Loeb Music Library<\/p>\n<p><u>Bibliography<\/u><\/p>\n<p><a href=\"http:\/\/id.lib.harvard.edu\/aleph\/008911498\/catalog\">Schneller, Robert J., Jr. Farragut: America\u2019s First Admiral. Potomac Books, 2002.<\/a><\/p>\n<p><a href=\"http:\/\/id.lib.harvard.edu\/aleph\/006642912\/catalog\">Sears, John Randolph. David G. Farragut. George W. Jacobs &amp; Company, 1905.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A recent discovery at the Loeb Music Library came about as a result of the domino effect of space issues. Last year we accessioned a series of Chinese music which was best housed in the music library, \u00a0Mus 549.601. Beautifully cataloged by our own Lingwei Qiu, the series was entirely in Chinese, and therefore needed [&hellip;]<\/p>\n","protected":false},"author":7183,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[15748],"tags":[40328,40318,5832],"class_list":["post-2470","post","type-post","status-publish","format-standard","hentry","category-isham-memorial-library","tag-annotations","tag-libretti","tag-opera","post-preview"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-DQ","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/7183"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=2470"}],"version-history":[{"count":4,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2470\/revisions"}],"predecessor-version":[{"id":2490,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2470\/revisions\/2490"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=2470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=2470"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=2470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}