{"id":2445,"date":"2017-09-05T11:47:28","date_gmt":"2017-09-05T15:47:28","guid":{"rendered":"http:\/\/blogs.harvard.edu\/loebmusic\/?p=2445"},"modified":"2021-07-06T14:08:06","modified_gmt":"2021-07-06T18:08:06","slug":"arabic-78-rpm-records-collection-a-newly-catalogued-treasure","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/05\/arabic-78-rpm-records-collection-a-newly-catalogued-treasure\/","title":{"rendered":"Arabic 78 RPM Records Collection: A Newly-Catalogued Treasure"},"content":{"rendered":"<p>On the shelves of Loeb Music Library lie treasures. The <a href=\"https:\/\/hollis.harvard.edu\/primo-explore\/search?query=creator,exact,Arabic%2078%20Collection,AND&amp;tab=books&amp;search_scope=default_scope&amp;vid=HVD2&amp;lang=en_US&amp;mode=advanced&amp;offset=0\">78rpm Arabic records collection<\/a> is only one of many. The collection contains over 600 records belonging to the Nah\u1e0dah era (Arab renaissance) of the early twentieth century. The recordings represent voices and instruments that shaped the music scene and aesthetic taste during the period between 1910 and 1950. The collection joins another of newer Arabic LP records.<\/p>\n<p>The discs feature recordings of famous performers and composers who are recognized for their distinguished contribution to Arabic music, such as vocalist Y\u016bsuf Al-Manyal\u0101w\u012b (1847-1911), Sayyid Al- \u1e62aft\u012b (1875-1939) who was nicknamed the master of dawr (a form of Arabic music), Umm Kulth\u016bm (1904-1975), and Faraj Allah Bay\u1e0d\u0101, who established Baidaphon records company, the first of its kind in the Arab world in early twentieth century. It also features shadowed and forgotten voices such as A\u1e25mad afand\u012b Al-M\u012br, Na\u02bb\u012bm Sam\u02bb\u0101n, and many others. That era also marks the first recordings of women vocalists such as Mun\u012brah Al-Mahdiyyah (1884-1965), \u02bbAliy\u0101 Al-A\u1e6drash, and Laure Dacc\u0101sh.<\/p>\n<div id=\"attachment_2446\" style=\"width: 308px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG-60061.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2446\" data-attachment-id=\"2446\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/05\/arabic-78-rpm-records-collection-a-newly-catalogued-treasure\/crg-60061\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG-60061.jpg?fit=982%2C988&amp;ssl=1\" data-orig-size=\"982,988\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"AWM 78-60\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;AWM 78-60, Jaddid\u012b y\u0101 nafs \u1e25a\u1e93ak. I-II Gaddidi ya nafs al-Mar\u1e25\u016bm al-Shaykh Y\u016bsuf al-Manyal\u0101w\u012b (Columbia 60061)&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG-60061.jpg?fit=676%2C680&amp;ssl=1\" class=\"size-medium wp-image-2446\" src=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG-60061-298x300.jpg?resize=298%2C300\" alt=\"\" width=\"298\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG-60061.jpg?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG-60061.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG-60061.jpg?resize=768%2C773&amp;ssl=1 768w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG-60061.jpg?resize=676%2C680&amp;ssl=1 676w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG-60061.jpg?w=982&amp;ssl=1 982w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><\/a><p id=\"caption-attachment-2446\" class=\"wp-caption-text\">Jaddid\u012b y\u0101 nafs \u1e25a\u1e93ak. I-II Gaddidi ya nafs al-Mar\u1e25\u016bm al-Shaykh Y\u016bsuf al-Manyal\u0101w\u012b (CRG 60061),\u00a0<a href=\"http:\/\/id.lib.harvard.edu\/aleph\/009378492\/catalog\">AWM 78-60<\/a><\/p><\/div>\n<p>One of the most important names of that period was the violinist S\u0101m\u012b Al-Shaww\u0101 who introduced the violin to the traditional Arabic music ensemble (takht). Al-Shaww\u0101 performed with Y\u016bsuf Al-Manyal\u0101w\u012b and Abd Al-\u1e24ay Hilm\u012b whose voices were preserved on Gramophone Monarch Records and famous Baidaphon records.<\/p>\n\n\t\t<style type=\"text\/css\">\n\t\t\t#gallery-1 {\n\t\t\t\tmargin: auto;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-item {\n\t\t\t\tfloat: left;\n\t\t\t\tmargin-top: 10px;\n\t\t\t\ttext-align: center;\n\t\t\t\twidth: 33%;\n\t\t\t}\n\t\t\t#gallery-1 img {\n\t\t\t\tborder: 2px solid #cfcfcf;\n\t\t\t}\n\t\t\t#gallery-1 .gallery-caption {\n\t\t\t\tmargin-left: 0;\n\t\t\t}\n\t\t\t\/* see gallery_shortcode() in wp-includes\/media.php *\/\n\t\t<\/style>\n\t\t<div data-carousel-extra='{&quot;blog_id&quot;:1707,&quot;permalink&quot;:&quot;https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/05\/arabic-78-rpm-records-collection-a-newly-catalogued-treasure\/&quot;}' id='gallery-1' class='gallery galleryid-2445 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Columbia44201.jpg?ssl=1\"><img loading=\"lazy\" decoding=\"async\" width=\"290\" height=\"300\" src=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Columbia44201.jpg?fit=290%2C300&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-2448\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Columbia44201.jpg?w=1256&amp;ssl=1 1256w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Columbia44201.jpg?resize=290%2C300&amp;ssl=1 290w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Columbia44201.jpg?resize=768%2C796&amp;ssl=1 768w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Columbia44201.jpg?resize=989%2C1024&amp;ssl=1 989w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Columbia44201.jpg?resize=676%2C700&amp;ssl=1 676w\" sizes=\"auto, (max-width: 290px) 100vw, 290px\" data-attachment-id=\"2448\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/05\/arabic-78-rpm-records-collection-a-newly-catalogued-treasure\/columbia44201\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Columbia44201.jpg?fit=1256%2C1301&amp;ssl=1\" data-orig-size=\"1256,1301\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Columbia E2950\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Bashraf al-b\u012b\u1e6dar \u02bbal\u00e1 takht Na\u02bb\u012bm Karakand (Columbia E2950), &lt;a href=&quot;http:\/\/id.lib.harvard.edu\/alma\/990151093100203941\/catalog&quot;&gt;HOLLIS # 015109310&lt;\/a&gt;&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Columbia44201.jpg?fit=676%2C700&amp;ssl=1\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-2448'>\n\t\t\t\tBashraf al-b\u012b\u1e6dar \u02bbal\u00e1 takht Na\u02bb\u012bm Karakand (Columbia E2950), <a href=\"http:\/\/id.lib.harvard.edu\/alma\/990151093100203941\/catalog\">HOLLIS # 015109310<\/a>\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG3033.jpg?ssl=1\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"295\" src=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG3033.jpg?fit=300%2C295&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-2449\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG3033.jpg?w=1200&amp;ssl=1 1200w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG3033.jpg?resize=300%2C295&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG3033.jpg?resize=768%2C756&amp;ssl=1 768w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG3033.jpg?resize=1024%2C1008&amp;ssl=1 1024w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG3033.jpg?resize=676%2C665&amp;ssl=1 676w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" data-attachment-id=\"2449\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/05\/arabic-78-rpm-records-collection-a-newly-catalogued-treasure\/crg3033\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG3033.jpg?fit=1200%2C1181&amp;ssl=1\" data-orig-size=\"1200,1181\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"CRG 3033\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Taqs\u012bm ra\u1e63d (\u02bb\u016bd) ; Taqs\u012bm Bay\u0101t\u012b (\u02bb\u016bd) \/ D\u0101w\u016bd afand\u012b \u1e24usn\u012b (CRG 3033), &lt;a href=&quot;http:\/\/id.lib.harvard.edu\/alma\/990151094350203941\/catalog&quot;&gt;HOLLIS # 015109435&lt;\/a&gt;&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/CRG3033.jpg?fit=676%2C665&amp;ssl=1\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-2449'>\n\t\t\t\tTaqs\u012bm ra\u1e63d (\u02bb\u016bd) ; Taqs\u012bm Bay\u0101t\u012b (\u02bb\u016bd) \/ D\u0101w\u016bd afand\u012b \u1e24usn\u012b (CRG 3033), <a href=\"http:\/\/id.lib.harvard.edu\/alma\/990151094350203941\/catalog\">HOLLIS # 015109435<\/a>\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Victor73429-A.jpg?ssl=1\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"291\" src=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Victor73429-A.jpg?fit=300%2C291&amp;ssl=1\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-2450\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Victor73429-A.jpg?w=1211&amp;ssl=1 1211w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Victor73429-A.jpg?resize=300%2C291&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Victor73429-A.jpg?resize=768%2C744&amp;ssl=1 768w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Victor73429-A.jpg?resize=1024%2C992&amp;ssl=1 1024w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Victor73429-A.jpg?resize=676%2C655&amp;ssl=1 676w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" data-attachment-id=\"2450\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/05\/arabic-78-rpm-records-collection-a-newly-catalogued-treasure\/victor73429-a\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Victor73429-A.jpg?fit=1211%2C1173&amp;ssl=1\" data-orig-size=\"1211,1173\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Victor 73429-A\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;S\u016brat Y\u016bsuf (qur\u2019\u0101n) \/ Al-sit Wad\u016bdah al-Minyal\u0101w\u012b (Victor 73429-A), &lt;a href=&quot;http:\/\/id.lib.harvard.edu\/alma\/990151104340203941\/catalog&quot;&gt;HOLLIS # 015110434&lt;\/a&gt;&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Victor73429-A.jpg?fit=676%2C655&amp;ssl=1\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-2450'>\n\t\t\t\tS\u016brat Y\u016bsuf (qur\u2019\u0101n) \/ Al-sit Wad\u016bdah al-Minyal\u0101w\u012b (Victor 73429-A), <a href=\"http:\/\/id.lib.harvard.edu\/alma\/990151104340203941\/catalog\">HOLLIS # 015110434<\/a>\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Arab record companies, such as Baidaphon and Cairophon, are only a few among many other American (Columbia, Victor), European (Odeon, Orfeon), and Arab-American companies (Al-Chark, Alamphon) that recorded and released these notable Arab voices. Songs and performers from Egypt, Syria, Lebanon, Palestine, Iraq and Al-Maghrib exhibit the rich tradition of Arabic musical forms, namely the art of al-maww\u0101l (vocal improvisation), qa\u1e63\u012bdah (sung poems), muwashsha\u1e25 (Andalusian sung poetry), \u1e6daq\u1e6d\u016bqah (pop songs) and taqs\u012bm (instrumental improvisation. Religious chants are also an important piece of the Arabic musical tradition. The collection includes Qur\u2019anic recitation of Al-shaykh \u1e6c\u0101h\u0101 Al-Fashn\u012b and a rare record of a woman reciter Wad\u016bdah Al-Minyalaw\u012b alongside Christian hymns of Father Gigis \u02bbAz\u012bz Al-Jizz\u012bn\u012b.<\/p>\n<p>Many items in the collections are rare and show distinctive inscription and information. What stood out the most was the first recording of plays\u2019 songs in urban Cairo especially <a href=\"http:\/\/id.lib.harvard.edu\/alma\/990103054690203941\/catalog\">those performed by Sal\u0101mah \u1e24ij\u0101z\u012b (1852 &#8211; 1919)<\/a>. As soon as cinema was introduced to Egypt, recordings of the films\u2019 songs were also released.<\/p>\n<div id=\"attachment_2447\" style=\"width: 308px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2447\" data-attachment-id=\"2447\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/09\/05\/arabic-78-rpm-records-collection-a-newly-catalogued-treasure\/arabphon503-a\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A.jpg?fit=1192%2C1198&amp;ssl=1\" data-orig-size=\"1192,1198\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Arabphon 503A\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;An\u0101 mush \u1e25ilwah by N\u016br Al-Hud\u00e1 (1924-1988) from the film Magd wa-dum\u016b\u02bb, 1946 (Arabphon 503A), HOLLIS # 015109446&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A.jpg?fit=676%2C679&amp;ssl=1\" class=\"size-medium wp-image-2447\" src=\"https:\/\/i0.wp.com\/blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A-298x300.jpg?resize=298%2C300\" alt=\"\" width=\"298\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A.jpg?resize=298%2C300&amp;ssl=1 298w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A.jpg?resize=150%2C150&amp;ssl=1 150w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A.jpg?resize=768%2C772&amp;ssl=1 768w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A.jpg?resize=1019%2C1024&amp;ssl=1 1019w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A.jpg?resize=676%2C679&amp;ssl=1 676w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2017\/08\/Arabphon503-A.jpg?w=1192&amp;ssl=1 1192w\" sizes=\"auto, (max-width: 298px) 100vw, 298px\" \/><\/a><p id=\"caption-attachment-2447\" class=\"wp-caption-text\">An\u0101 mush \u1e25ilwah by N\u016br Al-Hud\u00e1 (1924-1988) from the film Magd wa-dum\u016b\u02bb, 1946 (Arabphon 503A), <a href=\"http:\/\/id.lib.harvard.edu\/alma\/990151094460203941\/catalog\">HOLLIS # 015109446<\/a><\/p><\/div>\n<p>Acquired over a period of ten years, the Arabic 78 Collection joins the increasing yet still limited interest in the preservation of early Arabic music recorded heritage. Individual donations to the collection include the notable personal collection of Boston-based expressionist visual artist Kahlil George Gibran (1922-2008).<\/p>\n<p>-Farah Zahra<\/p>\n<p>The <a href=\"https:\/\/library.harvard.edu\/collections\/archive-world-music\">Archive of World Music<\/a> is a special collection within the Loeb Music Library. Many of its rare and fragile recordings (other than commercial CDs, VHS tapes, and DVDs) must be reformatted for research use. Requests for in-library listening copies of recordings may be made at any time, but require additional time to prepare. To make best use of your time at the Archive, please contact <a href=\"mailto:laurenc@fas.harvard.edu\">Peter Laurence<\/a>, Librarian for Recorded Sound and Media, in advance.<\/p>\n<p>Browse the Arabic 78 collections in HOLLIS Classic:<\/p>\n<ul>\n<li><a href=\"https:\/\/hollis.harvard.edu\/primo-explore\/search?query=creator,exact,Arabic%2078%20Collection,AND&amp;tab=books&amp;search_scope=default_scope&amp;vid=HVD2&amp;lang=en_US&amp;mode=advanced&amp;offset=0\">Arabic 78 Collection<\/a><\/li>\n<li><a href=\"https:\/\/hollis.harvard.edu\/primo-explore\/search?query=creator,exact,Kahlil%20George%20Gibran%20Collection,AND&amp;tab=everything&amp;search_scope=everything&amp;vid=HVD2&amp;lang=en_US&amp;mode=advanced&amp;offset=0\">Kahlil George Gibran Collection<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right\">\u0623\u0633\u0637\u0648\u0627\u0646\u0627\u062a \u062c\u0631\u0627\u0645\u0627\u0641\u0648\u0646 \u0627\u0644\u0639\u0631\u0628\u064a\u0629: \u0643\u0646\u0632 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\u0643\u0627\u0644\u062a\u064a \u0642\u0627\u0645 \u0628\u0647\u0627 \u0627\u0644\u0641\u0646\u0627\u0646 \u0627\u0644\u062a\u0634\u0643\u064a\u0644\u064a \u0627\u0644\u0644\u0628\u0646\u0627\u0646\u064a \u0627\u0644\u0623\u0635\u0644 \u062e\u0644\u064a\u0644 \u062c\u0648\u0631\u062c \u062c\u0628\u0631\u0627\u0646 (\u0661\u0669\u0662\u0662 \u2013 \u0662\u0660\u0660\u0668)\u060c \u062a\u0628\u0642\u0649 \u0645\u0646 \u0623\u0647\u0645 \u0627\u0644\u0645\u0635\u0627\u062f\u0631 \u0627\u0644\u062a\u064a \u062a\u0633\u0627\u0647\u0645 \u0641\u064a \u0628\u0646\u0627\u0621 \u0645\u062c\u0645\u0648\u0639\u0629 \u0627\u0644\u0623\u0633\u0637\u0648\u0627\u0646\u0627\u062a \u0648\u063a\u064a\u0631\u0647\u0627.<\/p>\n<p style=\"text-align: right\">\u0641\u0631\u062d \u0632\u0647\u0631\u0629<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the shelves of Loeb Music Library lie treasures. The 78rpm Arabic records collection is only one of many. The collection contains over 600 records belonging to the Nah\u1e0dah era (Arab renaissance) of the early twentieth century. The recordings represent voices and instruments that shaped the music scene and aesthetic taste during the period between [&hellip;]<\/p>\n","protected":false},"author":2249,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[14784,14838],"tags":[40335,122900,122902,1365],"class_list":["post-2445","post","type-post","status-publish","format-standard","hentry","category-archive-of-world-music","category-new-acquisitions","tag-78s","tag-archive-of-world-music","tag-ethnomusicology","tag-middle-east","post-preview"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-Dr","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/2249"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=2445"}],"version-history":[{"count":13,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2445\/revisions"}],"predecessor-version":[{"id":3170,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2445\/revisions\/3170"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=2445"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=2445"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=2445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}