{"id":2339,"date":"2017-02-07T12:45:03","date_gmt":"2017-02-07T17:45:03","guid":{"rendered":"http:\/\/blogs.harvard.edu\/loebmusic\/?p=2339"},"modified":"2018-07-31T11:37:42","modified_gmt":"2018-07-31T15:37:42","slug":"eubie-blake-130","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2017\/02\/07\/eubie-blake-130\/","title":{"rendered":"Eubie Blake 130"},"content":{"rendered":"

The Loeb Music Library holds several artifacts relating to the American pianist and composer Eubie Blake, born\u00a0February 7th, 1887<\/a> in Baltimore.<\/p>\n

In this portrait of Blake as a child<\/a>, he poses on the steps of a \u00a0Baltimore home with his friend Howard “Hop” Jones and a dog. The original photograph, by an unidentified artist, \u00a0is thought to have been made in approximately 1899. The Music Library’s gelatin silver print reproduction dates from the 1970s.<\/p>\n

\"Reproduction<\/a>

Howard “Hop” Johns and Eubie Blake, Merritt Room<\/p><\/div>\n

We have\u00a0three unusual dyeline reproductions of Blake\u2019s manuscript scores: a ragtime piece for piano entitled Baltimore Todolo, as well as two songs from Chocolate Dandies, Blake\u2019s moderately successful 1924 production with lyricist Noble Sissles (an earlier Sissles and Blake enterprise, Shuffle Along, was a hit and launched the careers of many significant black performers, including Paul Robeson and Josephine Baker).<\/p>\n

Our copy of Baltimore Todolo<\/a> is inscribed by the composer: “Not so easy to play, but if you practice you’ll like it, E.B.”<\/p>\n

\"Dyeline<\/a>

Mus 630.133.405, Merritt Room<\/p><\/div>\n

And Thinking of You,<\/a>\u00a0from Chocolate Dandies, is also inscribed: \u201cCompliments of Eubie Blake to Mrs. Peggie Smith.\u201d<\/p>\n

\"Dyeline<\/a>

Mus 630.133.606, Merritt Room<\/p><\/div>\n

Smith and her husband, William, were fans who became devoted correspondents of Blake’s. Blake\u2019s letters to the Smiths, along with Blake memorabilia the couple collected such as newspaper clippings and concert programs, make up the small and unique collection Eubie Blake Papers<\/a>. Some letters from Blake’s lifelong collaborator, Shuffle Along leading man Ivan Harold Browning, are also found\u00a0in this collection, as are first-edition scores, but mainly the papers are a warm and newsy correspondence between Blake and these fortunate fans.<\/p>\n

\"Letter<\/a>

Ms. Coll. 105, Merritt Room<\/p><\/div>\n

\"Song<\/a>

Ms. Coll. 105, Merritt Room<\/p><\/div>\n

One last extraordinary Eubie Blake item in our library is this one-page note to\u00a0the composer and arranger William Grant Still<\/a>.<\/p>\n

\"Letter<\/a>

ML 410.B6247 A4 1959, Merritt Room<\/p><\/div>\n

Isham Memorial Library<\/a> is the special collections unit within the Loeb Music Library. Many of its materials are in open stacks, with rare and unique items held in the locked Merritt Room. To view Merritt Room materials, simply click View Onsite in the HOLLIS record and follow the prompts to tell us you’d like to come, and what time suits you. As Isham is not always fully staffed it is advisable to wait for a confirmation message from a staff member before you plan your visit.<\/p>\n","protected":false},"excerpt":{"rendered":"

The Loeb Music Library holds several artifacts relating to the American pianist and composer Eubie Blake, born\u00a0February 7th, 1887 in Baltimore. In this portrait of Blake as a child, he poses on the steps of a \u00a0Baltimore home with his friend Howard “Hop” Jones and a dog. The original photograph, by an unidentified artist, \u00a0is […]<\/p>\n","protected":false},"author":7183,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[149767,15748,14838],"tags":[149772,14841,122903,122899],"class_list":["post-2339","post","type-post","status-publish","format-standard","hentry","category-archival-collections","category-isham-memorial-library","category-new-acquisitions","tag-eubie-blake","tag-jazz","tag-letters","tag-manuscripts","post-preview"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-BJ","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2339","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/7183"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=2339"}],"version-history":[{"count":14,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2339\/revisions"}],"predecessor-version":[{"id":2575,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/2339\/revisions\/2575"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=2339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=2339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=2339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}