Also on the list, you’ll find Donizetti’s first opera composed specifically for Paris, Marino Falliero<\/em>; the Italian opera buffa<\/em> version of La Fille du Regiment<\/em>, produced at La Scala with recitative rather than spoken dialogue; Rita<\/em> (1841), posthumously produced in 1860; the first edition vocal score of La Favorite<\/em>, arranged by Richard Wagner; the 1843 smash hit Don Pasquale<\/em>; and Donizetti’s final opera, Dom S\u00e9bastien<\/em>.<\/p>\n <\/p>\n Frontispiece depicting Mme Stoltz (L\u00e9onor) and Mr. Duprez (Fernand) in the 4th act of La Favorite. Mus 647.1.671.7 B<\/p><\/div>\n<\/div>\n Enjoy!<\/p>\n -Kerry Masteller<\/p>\n","protected":false},"excerpt":{"rendered":" This selection of recently-digitized scores samples the library’s large collection of works by Gaetano Donizetti (1797-1848), with operas spanning the late 1830s and 1840s, primarily composed for the Paris stage. The exceptions are the Neapolitan operas L’assedio di Calais, premiered at San Carlo in 1836, and Poliuto\/I Martiri, banned in Naples in 1838, and not […]<\/p>\n","protected":false},"author":2249,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[13829],"tags":[4299,15925,5832,14789],"class_list":["post-1881","post","type-post","status-publish","format-standard","hentry","category-digital-collections","tag-digital-scores","tag-gaetano-donizetti","tag-opera","tag-scores","post-preview"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-ul","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1881","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/2249"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=1881"}],"version-history":[{"count":29,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1881\/revisions"}],"predecessor-version":[{"id":2107,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1881\/revisions\/2107"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=1881"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=1881"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=1881"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"Frontispiece](\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2015\/04\/Mus-647.1.671.7-B.jpg\")
<\/a>\n
\nMarino Falliero [sic] : tragedia lirica \/ del sigr. Bid\u00e8ra ; posta in musica pel Teatro Reale Italiano in Parigi dal Maestro Cavaliere Gaetano Donizetti. Milano : G. Ricordi, [1836?].
\nMus 647.1.650 B
\nDiffers significantly from the Pacini ed.: includes Faliero\u2019s cabaletta “Trema, o Steno,” and changes in Elena\u2019s aria “Tutto or morte.”<\/li>\n
\nL\u2019assedio di Calais : melodramma lirico in tre atti \/ poesia di Salvatore Cammarano ; musica del Mo. G. Donizetti ; riduzione del mo. L. Gervasi. Milano : G. Ricordi, [1854?].
\nMerritt Room Mus 647.1.597<\/li>\n
\nI martiri : tragedia lirica in 3 atti \/ poesia di S. Cammarano ; musica di Gaetano Donizetti. Paris : Schonenberger, [1840?].
\nMus 647.1.698 B.
\nFrench synopsis from the Th\u00e9\u00e2tre-Italien laid in.<\/li>\n
\nI martiri : op\u00e9ra italien \/ musique de Donizetti. Paris : Schonenberger, [1845?].
\nMus 647.1.698.8<\/li>\n
\nPaolina e Poliuto : (I martiri) : opera in quattro atti \/ nuova versione dal francese di C. Bassi per scrivire alle scene Italiane ; musica del Maestro Cave. G. Donizetti ; riduz. per canto con accompo. di pianoforte des Mo. P. Tonassi. Milano : G. Ricordi, [1843?].
\nMerritt Mus 647.1.697.5<\/li>\n
\nLa figlia del reggimento : op\u00e9ra italien \/ musique de Donizetti. Paris : Schonenberger, [between 1840 and 1899].
\nMerritt Room Mus 647.1.665
\nItalian version, with recitative<\/li>\n
\nLa favorite : opera en quatre actes \/ paroles de MM. E. Scribe, Alph. Royer & Gust. Va\u00ebz ; musique de G. Donizetti ; partition avec acct. de piano, arrang\u00e9e par R. Wagner. [1st ed., 1st issue.] Paris : M. Schlesinger, [1841?].
\nMus 647.1.671.7 B<\/li>\n
\nLa favorita \/ musica del cave. Donizetti ; ridotta per piano forte solo dal mo. Luigi Truzzi. Milano : F. Lucca [1841].
\nMerritt Mus 647.1.672.1<\/li>\n
\nRita, ou, Le mari battu : op\u00e9ra comique en un acte \/ po\u00ebme de Mr. Gustave Va\u00ebz ; musique posthume de G. Donizetti; partition chant et piano arrang\u00e9e par A. Bazille. Paris : H. Lemoine, [1860?].
\nMus 647.1.676.5<\/li>\n
\nDon Pasquale : op\u00e9ra bouffe en trois actes \/ musique de G. Donizetti ; avec accompagt. de piano par Th. Labarre. Paris : Bureau de la France Musicale, [1843?].
\nMus 647.1.674.1<\/li>\n
\nDom S\u00e9bastien de Portugal : op\u00e9ra en 5 actes \/ Paroles de Mr. E. Scribe ; musique de G. Donizetti ; avec acct. de piano par Th. Labarre. Paris : Bureau Central de Musique, [1843?].
\nMus 647.1.637.5<\/li>\n<\/ul>\n