{"id":1724,"date":"2013-09-26T16:15:33","date_gmt":"2013-09-26T20:15:33","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/loebmusic\/?p=1724"},"modified":"2013-09-26T16:15:33","modified_gmt":"2013-09-26T20:15:33","slug":"newly-digitized-schubert-early-editions-liszt-arrangements","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2013\/09\/26\/newly-digitized-schubert-early-editions-liszt-arrangements\/","title":{"rendered":"Newly Digitized: Schubert Early Editions, Liszt Arrangements"},"content":{"rendered":"<p>As I&#8217;ve mentioned in earlier posts, one of the Music Library&#8217;s ongoing digitization projects has been built around first and early editions from the <a href=\"http:\/\/hcl.harvard.edu\/libraries\/loebmusic\/isham\/guides\/packard.cfm\" target=\"_blank\">Packard Humanities Institute Music Collection<\/a>, which includes the world\u2019s largest collection of Schubert first editions outside of Vienna.  Nearly 170 of those editions are now part of our <a href=\"http:\/\/nrs.harvard.edu\/urn-3:hul.eresource:digiscor\" target=\"_blank\">Digital Scores and Libretti<\/a>; recent additions include these copies of &#8220;Erlk&ouml;nig,&#8221; &#8220;An die Nachtigall,&#8221; &#8220;An Sylvia,&#8221; and others, as well as a set of Franz Liszt&#8217;s piano arrangements of Schubert&#8217;s Lieder.<\/p>\n<div align=\"center\"><em><br \/>\n<div id=\"attachment_1727\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2013\/09\/Erlkonig.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1727\" data-attachment-id=\"1727\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2013\/09\/26\/newly-digitized-schubert-early-editions-liszt-arrangements\/erlkonig\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2013\/09\/Erlkonig.jpg?fit=984%2C725&amp;ssl=1\" data-orig-size=\"984,725\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Franz Schubert, Erlk\u00f6nig. Merritt Room Mus 800.1.746.5 PHI (click to enlarge)\" data-image-description=\"&lt;p&gt;Franz Schubert, Erlk\u00f6nig. Merritt Room Mus 800.1.746.5 PHI (click to enlarge)&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Franz Schubert, Erlk\u00f6nig. Merritt Room Mus 800.1.746.5 PHI (click to enlarge)&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2013\/09\/Erlkonig.jpg?fit=676%2C498&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2013\/09\/Erlkonig-300x221.jpg?resize=300%2C221\" alt=\"Franz Schubert, Erlk\u00f6nig. Merritt Room Mus 800.1.746.5 PHI (click to enlarge)\" width=\"300\" height=\"221\" class=\"size-medium wp-image-1727\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2013\/09\/Erlkonig.jpg?resize=300%2C221&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2013\/09\/Erlkonig.jpg?w=984&amp;ssl=1 984w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1727\" class=\"wp-caption-text\">Franz Schubert, Erlk\u00f6nig. Merritt Room Mus 800.1.746.5 PHI (click to enlarge)<\/p><\/div><\/em><\/div>\n<ul>\n<li><strong><a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:9760558\" target=\"_blank\">Erlk\u00f6nig<\/a><\/strong><br \/>\nErlk\u00f6nig : 1tes Werk \/ Ballade von G\u00f6the; in Musik gesetzt und Seiner Exzellenz dem hochgebohrnen Herrn Herrn Moritz Grafen von Dietrichstein in tiefer Ehrfurcht gewidmet von Franz Schubert. Wien: in Comission bey Cappi und Diabelli, [1821].<br \/>\nMerritt Room Mus 800.1.746.5 PHI\n<\/li>\n<li>\n<strong><a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5191408\" target=\"_blank\">Songs. Selections<\/a><\/strong><br \/>\nDer Schmetterling und Die Berge \/ von Friedrich Schlegel. An den Mond \/ von Fr. v. H\u00f6lty; in Musik gesetzt f\u00fcr eine Singstimme mit Pianoforte Begleitung von Franz Schubert; 57tes Werk. [1st ed.] Wien: Thad. Weigl, [1826].<br \/>\nMerritt Room Mus 800.1.732.6 PHI\n<\/li>\n<li>\n<strong><a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:10610550\" target=\"_blank\">Songs. Selections<\/a><\/strong><br \/>\nHeimliches Lieben; Das Weinen; Vor meiner Wiege \/ von Leitner. An Sylvia \/ von Shakespeare; in Musik gesetz f\u00fcr eine Singstimme mit Begleitung des Piano-forte von Franz Schubert. Wien: A. Diabelli, [1828].<br \/>\nMerritt Room Mus 800.1.732.10 PHI\n<\/li>\n<li>\n<strong><a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5191409\" target=\"_blank\">Songs. Selections<\/a><\/strong><br \/>\nAn die Nachtigall; Wiegenlied \/ von Claudius. Iphigenia \/ von Mayrhofer; f\u00fcr eine Singstimme mit Begl. des Piano-Forte; in Musik gesetzt von Franz Schubert; 98tes Werk. Wien: A. Diabelli, [1829].<br \/>\nMerritt Room Mus 800.1.744 PHI\n<\/li>\n<li>\n<strong><a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:10202169\" target=\"_blank\">Songs. Selections<\/a><\/strong><br \/>\nDrey Gedichte: in Musik gesetzt f\u00fcr eine Singstimme mit Begleitung des Pianoforte: 111tes Werk \/ von Franz Schubert.\t[1st ed.] Wien: J. Czerny, [1829].<br \/>\nMerritt Room Mus 800.1.735.15 PHI\n<\/li>\n<\/ul>\n<div align=\"center\"><em><br \/>\n<div id=\"attachment_1728\" style=\"width: 203px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2013\/09\/Haslinger.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1728\" data-attachment-id=\"1728\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2013\/09\/26\/newly-digitized-schubert-early-editions-liszt-arrangements\/haslinger\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2013\/09\/Haslinger.jpg?fit=499%2C774&amp;ssl=1\" data-orig-size=\"499,774\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Franz Schubert, Title page, Lob der Thr\u00e4nen, transcribed for piano by Franz Liszt. Merritt Room Mus 737.1.455 PHI (click to enlarge)\" data-image-description=\"&lt;p&gt;Franz Schubert, Title page, Lob der Thr\u00e4nen, transcribed for piano by Franz Liszt. Merritt Room Mus 737.1.455 PHI (click to enlarge)&lt;\/p&gt;\n\" data-image-caption=\"&lt;p&gt;Franz Schubert, Title page, Lob der Thr\u00e4nen, transcribed for piano by Franz Liszt. Merritt Room Mus 737.1.455 PHI (click to enlarge)&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2013\/09\/Haslinger.jpg?fit=499%2C774&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2013\/09\/Haslinger-193x300.jpg?resize=193%2C300\" alt=\"Franz Schubert, Title page, Lob der Thr\u00e4nen, transcribed for piano by Franz Liszt. Merritt Room Mus 737.1.455 PHI (click to enlarge)\" width=\"193\" height=\"300\" class=\"size-medium wp-image-1728\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2013\/09\/Haslinger.jpg?resize=193%2C300&amp;ssl=1 193w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2013\/09\/Haslinger.jpg?w=499&amp;ssl=1 499w\" sizes=\"auto, (max-width: 193px) 100vw, 193px\" \/><\/a><p id=\"caption-attachment-1728\" class=\"wp-caption-text\">Franz Schubert, Title page, Lob der Thr\u00e4nen, transcribed for piano by Franz Liszt. Merritt Room Mus 737.1.455 PHI (click to enlarge)<\/p><\/div><\/em><\/div>\n<p><strong>Songs. Selections; arranged<\/strong><br \/>\nLieder \/ von Fr. Schubert; f\u00fcr das Piano-forte \u00fcbertragen von Fr. Liszt. Wien: T. Haslinger; Wien: A. Diabelli, [1830s].<br \/>\nMerritt Room Mus 737.1.455 PHI<\/p>\n<p>16 of the more than 60 Lieder arrangements made by Franz Liszt in the mid-19th century, in editions published by Diabelli and Haslinger.<\/p>\n<ul>\n<li>\n<a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:3164351\" target=\"_blank\">Diabelli editions<\/a><br \/>\nContents: Sey mir gegr\u00fcsst &#8212; Auf dem Wasser zu singen : Barcarolle &#8212; Erlk\u00f6nig &#8212; Meeresstille &#8212; Fr\u00fchlingsglaube &#8212; Gretchen am Spinnrade &#8212; St\u00e4ndchen von Shakespeare &#8212; Die Forelle &#8212; Der Wanderer.\n<\/li>\n<li>\n<a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:3164350\" target=\"_blank\">Haslinger editions<\/a><br \/>\nContents: Lob der Thr\u00e4nen &#8212; Aufenthalt ; Am Meer (aus Schwanengesang) &#8212; Der Lindenbaum (aus Winterreise) &#8212; Liebesbotschaft ; Aufenthalt (T.H.7684) ; St\u00e4ndchen = S\u00e9r\u00e9nade (aus Schwanengesang).\n<\/li>\n<\/ul>\n<p>-Kerry Masteller<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As I&#8217;ve mentioned in earlier posts, one of the Music Library&#8217;s ongoing digitization projects has been built around first and early editions from the Packard Humanities Institute Music Collection, which includes the world\u2019s largest collection of Schubert first editions outside of Vienna. Nearly 170 of those editions are now part of our Digital Scores and [&hellip;]<\/p>\n","protected":false},"author":2249,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[13829],"tags":[4299,40330,19727,19730,14789,40316,40320],"class_list":["post-1724","post","type-post","status-publish","format-standard","hentry","category-digital-collections","tag-digital-scores","tag-franz-liszt","tag-franz-schubert","tag-piano-music","tag-scores","tag-songs","tag-vocal-music","post-preview"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-rO","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1724","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/2249"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=1724"}],"version-history":[{"count":10,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1724\/revisions"}],"predecessor-version":[{"id":1736,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1724\/revisions\/1736"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=1724"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=1724"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=1724"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}