![\"Title](\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2013\/06\/Timotheus-tp.jpg\")
<\/a>Title page, Timotheus, oder, die Gewalt der Musik. Merritt Room ML54.H36 A4 1791<\/em><\/p><\/div><\/div>\n Handel, George Frideric, 1685-1759. [Alexander\u2019s feast. Libretto. German]<\/strong> A very rare libretto for Handel\u2019s Alexander\u2019s Feast<\/em>, arranged by Mozart in the summer of 1790, for a probable performance in 1791. This arrangement (K. 591) was one of four – with Acis and Galatea<\/em>, Messiah<\/em>, and Ode for Saint Cecilia’s Day<\/em> – commissioned by Mozart\u2019s patron Baron von Swieten for the concerts at the Gesellschaft der Associierten.<\/p>\n Find a critical edition of Mozart’s score in the NMA Online<\/a> (Neue Mozart Ausgabe: Digitized Version). Handel’s manuscript<\/a> is part of the Ricasoli Collection at the University of Louisville, and is available in the IMSLP, with a 19th century Peters edition of the Mozart arrangement.<\/p>\n -Kerry Masteller<\/p>\n","protected":false},"excerpt":{"rendered":" While it is a cliché of blogging to apologize for one’s long absence while quietly rejoining the online conversation, nevertheless: apologies! We’re back, with quite a backlog of recently (and not-so-recently) digitized items to tell you about. Let’s begin with some Handel by way of Mozart, shall we? Handel, George Frideric, 1685-1759. [Alexander\u2019s feast. Libretto. […]<\/p>\n","protected":false},"author":2249,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_seo_schema_type":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[13829],"tags":[40323,40318,15927],"class_list":["post-1511","post","type-post","status-publish","format-standard","hentry","category-digital-collections","tag-george-frideric-handel","tag-libretti","tag-wolfgang-amadeus-mozart","post-preview"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-on","jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1511","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/2249"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=1511"}],"version-history":[{"count":15,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1511\/revisions"}],"predecessor-version":[{"id":1552,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1511\/revisions\/1552"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=1511"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=1511"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=1511"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nTimotheus, oder, die Gewalt der Musik<\/a> : eine grosse Cantate \/ aus dem Englischen des Dryden \u00fcbersetzt von Carl Wilhelm Ramler ; in Musik gesetzt von G.F. H\u00e4ndel ; instrumentirt von W.A. Mozart.
\nMerritt Room ML54.H36 A4 1791<\/p>\n