{"id":1391,"date":"2012-04-12T11:17:15","date_gmt":"2012-04-12T15:17:15","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/loebmusic\/?p=1391"},"modified":"2012-04-12T11:17:15","modified_gmt":"2012-04-12T15:17:15","slug":"newly-digitized-works-by-carl-philipp-emanuel-bach","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2012\/04\/12\/newly-digitized-works-by-carl-philipp-emanuel-bach\/","title":{"rendered":"Newly Digitized: Works by Carl Philipp Emanuel Bach"},"content":{"rendered":"<p>We&#8217;ve recently added to our collection of <a href=\"http:\/\/nrs.harvard.edu\/urn-3:hul.eresource:digiscor\" target=\"_blank\">Digital Scores and Libretti<\/a> a trio of volumes by Carl Philipp Emanuel Bach: a collection of easy keyboard sonatas for popular consumption; settings of sacred songs by the Hamburg paster Christoph Christian Sturm; and chorales from the Schleswig-Holstein hymnal.<\/p>\n<div align=\"center\"><em><br \/>\n<div id=\"attachment_1396\" style=\"width: 250px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.426.6.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1396\" data-attachment-id=\"1396\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2012\/04\/12\/newly-digitized-works-by-carl-philipp-emanuel-bach\/mus627-2-426-6\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.426.6.jpg?fit=450%2C405&amp;ssl=1\" data-orig-size=\"450,405\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Carl Philipp Emanuel Bach. Title page, Sechs Leichte Clavier Sonaten. Merritt Room Mus 627.2.426.6\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Carl Philipp Emanuel Bach. Title page, Sechs Leichte Clavier Sonaten. Merritt Room Mus 627.2.426.6&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.426.6.jpg?fit=450%2C405&amp;ssl=1\" class=\" wp-image-1396 \" src=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.426.6-300x270.jpg?resize=240%2C216\" alt=\"Carl Philipp Emanuel Bach. Title page, Sechs Leichte Clavier Sonaten. Merritt Room Mus 627.2.426.6\" width=\"240\" height=\"216\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.426.6.jpg?resize=300%2C270&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.426.6.jpg?w=450&amp;ssl=1 450w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><p id=\"caption-attachment-1396\" class=\"wp-caption-text\">Carl Philipp Emanuel Bach. Title page, Sechs Leichte Clavier Sonaten. Merritt Room Mus 627.2.426.6<\/p><\/div><\/em><\/div>\n<p><a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5361136\" target=\"_blank\">[Sonatas, keyboard instrument. Selections]<\/a><br \/>\nSechs leichte Clavier Sonaten \/ von Carl Philipp Emanuel Bach. Leipzig : Bey Bernhard Christoph Breitkopf und Sohn., 1766.<br \/>\n1st ed.<br \/>\nH. 162, 180\u201382, 163, 183; Wq. 53<br \/>\nMerritt Room Mus 627.2.426.6<\/p>\n<div align=\"center\"><em><br \/>\n<div id=\"attachment_1395\" style=\"width: 250px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.582.3.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1395\" data-attachment-id=\"1395\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2012\/04\/12\/newly-digitized-works-by-carl-philipp-emanuel-bach\/mus627-2-582-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.582.3.jpg?fit=500%2C440&amp;ssl=1\" data-orig-size=\"500,440\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Carl Philipp Emanuel Bach. Title page, Zweyte Sammlung, Geistliche Ges\u00e4nge. Merritt Room Mus 627.2.582.3\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Carl Philipp Emanuel Bach. Title page, Zweyte Sammlung, Geistliche Ges\u00e4nge. Merritt Room Mus 627.2.582.3&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.582.3.jpg?fit=500%2C440&amp;ssl=1\" class=\" wp-image-1395 \" src=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.582.3-300x264.jpg?resize=240%2C211\" alt=\"Carl Philipp Emanuel Bach. Title page, Zweyte Sammlung, Geistliche Ges\u00e4nge. Merritt Room Mus 627.2.582.3\" width=\"240\" height=\"211\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.582.3.jpg?resize=300%2C264&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.582.3.jpg?w=500&amp;ssl=1 500w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><p id=\"caption-attachment-1395\" class=\"wp-caption-text\">Carl Philipp Emanuel Bach. Title page, Zweyte Sammlung, Geistliche Ges\u00e4nge. Merritt Room Mus 627.2.582.3<\/p><\/div><\/em><\/div>\n<p><a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5121304\" target=\"_blank\">[Geistliche Ges\u00e4nge, H. 749]<\/a><br \/>\nHerrn Christoph Christian Sturms &#8230; Geistliche Ges\u00e4nge : mit Melodien zum Singen bey dem Claviere. [Erste]-Zweyte Sammlung \/ vom Herrn Kapellmeister Carl Philipp Emanuel Bach, Musikdirektor in Hamburg. Hamburg : Jahnn Heinrich Herold, 1780-1781.<br \/>\nWq. 197; RISM A\/I, B 0133; B0134.<br \/>\nMerritt Room Mus 627.2.582.3<\/p>\n<div align=\"center\">\n<em><br \/>\n<div id=\"attachment_1397\" style=\"width: 250px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.542.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1397\" data-attachment-id=\"1397\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2012\/04\/12\/newly-digitized-works-by-carl-philipp-emanuel-bach\/mus627-2-542\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.542.jpg?fit=500%2C382&amp;ssl=1\" data-orig-size=\"500,382\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"Carl Philipp Emanuel Bach. Litaneyen aus dem Schleswig-Holsteinischen Gesangbuche Merritt Room. Mus 627.2.542\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;Carl Philipp Emanuel Bach. Litaneyen aus dem Schleswig-Holsteinischen Gesangbuche Merritt Room. Mus 627.2.542&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.542.jpg?fit=500%2C382&amp;ssl=1\" class=\" wp-image-1397 \" src=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.542-300x229.jpg?resize=240%2C183\" alt=\"Carl Philipp Emanuel Bach. Litaneyen aus dem Schleswig-Holsteinischen Gesangbuche Merritt Room. Mus 627.2.542\" width=\"240\" height=\"183\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.542.jpg?resize=300%2C229&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2012\/04\/Mus627.2.542.jpg?w=500&amp;ssl=1 500w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/><\/a><p id=\"caption-attachment-1397\" class=\"wp-caption-text\">Carl Philipp Emanuel Bach. Litaneyen aus dem Schleswig-Holsteinischen Gesangbuche Merritt Room. Mus 627.2.542<\/p><\/div><\/em><\/div>\n<p><a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5338527\" target=\"_blank\">[Litaneyen aus dem Schleswig-Holsteinischen Gesangbuche]<\/a><br \/>\nZwey Litaneyen aus dem Schleswig-Holsteinischen Gesangbuche mit ihrer bekannten Melodie, f\u00fcr acht Singstimmen in zwey Ch\u00f6ren und dem dazugeh\u00f6rigen Fundament in Partitur gesetzt, und zum Nutzen und Vergn\u00fcgen Lehrbegieriger in der Harmonie bearbeitet \/ von Carl Philipp Emanuel Bach ; herausgegeben von Niels Schi\u00f8rring. Kopenhagen : In Commission bey Chr. Gottl. Prost ; Gedruckt bey Aug. Fr. Stein, 1786.<br \/>\n1st ed.<br \/>\nH. 780, 871; Wq. 204; RISM A\/I, B 117<br \/>\nMerritt Room Mus 627.2.542<\/p>\n<p>Coming soon, much more French opera&#8230;and just a little bit of German song.<\/p>\n<p>-Kerry Masteller<\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;ve recently added to our collection of Digital Scores and Libretti a trio of volumes by Carl Philipp Emanuel Bach: a collection of easy keyboard sonatas for popular consumption; settings of sacred songs by the Hamburg paster Christoph Christian Sturm; and chorales from the Schleswig-Holstein hymnal. [Sonatas, keyboard instrument. Selections] Sechs leichte Clavier Sonaten \/ [&hellip;]<\/p>\n","protected":false},"author":2249,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13829],"tags":[15924,40319,4299,40315,14789,40320],"class_list":["post-1391","post","type-post","status-publish","format-standard","hentry","category-digital-collections","tag-bach-family","tag-choral-music","tag-digital-scores","tag-keyboard-music","tag-scores","tag-vocal-music","post-preview"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6lSEF-mr","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/2249"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=1391"}],"version-history":[{"count":25,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1391\/revisions"}],"predecessor-version":[{"id":1420,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1391\/revisions\/1420"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=1391"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=1391"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=1391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}