{"id":1340,"date":"2011-11-02T10:30:26","date_gmt":"2011-11-02T14:30:26","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/loebmusic\/?p=1340"},"modified":"2011-11-02T12:28:31","modified_gmt":"2011-11-02T16:28:31","slug":"1340","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2011\/11\/02\/1340\/","title":{"rendered":"Newly Digitized: Schubert Songs"},"content":{"rendered":"<p>This group of first and early Schubert editions begins with twelve songs first published as supplements to the <em>Wiener Zeitschrift f\u00fcr Kunst, Literatur, Theater und Mode<\/em> (Harvard&#8217;s set lacks only Im Fr&uuml;hling, D. 882, published September 16, 1828): <\/p>\n<div align=\"center\">\n<em><br \/>\n<div id=\"attachment_1356\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertDieForelle.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1356\" data-attachment-id=\"1356\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2011\/11\/02\/1340\/schubertdieforelle\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertDieForelle.jpg?fit=500%2C392&amp;ssl=1\" data-orig-size=\"500,392\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"&amp;#8220;Die Forelle&amp;#8221; (D. 500). Merritt Room Mus 800.1.703 PHI\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&amp;#8220;Die Forelle&amp;#8221; (D. 500). Merritt Room Mus 800.1.703 PHI&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertDieForelle.jpg?fit=500%2C392&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertDieForelle-300x235.jpg?resize=300%2C235\" alt=\"&quot;Die Forelle&quot; (D. 500). Merritt Room Mus 800.1.703 PHI\" width=\"300\" height=\"235\" class=\"size-medium wp-image-1356\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertDieForelle.jpg?resize=300%2C235&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertDieForelle.jpg?w=500&amp;ssl=1 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1356\" class=\"wp-caption-text\">&quot;Die Forelle&quot; (D. 500). Merritt Room Mus 800.1.703 PHI<\/p><\/div><\/em><\/div>\n<ul>\n<li><a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5121309\" target=\"_blank\">Erstausgaben aus der Wiener Zeitschrift, [1820-1832]<\/a>. [Wien]: A. Strauss, 1820-1832.<br \/>\nMerritt Mus 800.1.703 PHI<\/li>\n<\/ul>\n<p>The other songs in this batch are settings of Schiller, Goethe, R&uuml;ckert, and others, including settings of songs from Sir Walter Scott&#8217;s epic poem <em>The Lady of the Lake<\/em> and his novels <em>A Legend of Montrose<\/em> and <em>The Pirate<\/em>. <\/p>\n<div align=\"center\">\n<em><br \/>\n<div id=\"attachment_1348\" style=\"width: 310px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertEllensIIIGesang.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-1348\" data-attachment-id=\"1348\" data-permalink=\"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2011\/11\/02\/1340\/schubertellensiiigesang\/\" data-orig-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertEllensIIIGesang.jpg?fit=500%2C374&amp;ssl=1\" data-orig-size=\"500,374\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;}\" data-image-title=\"&amp;#8220;Ellen&amp;#8217;s III. Gesang&amp;#8221; (D. 839), Sieben Ges\u00e4nge aus Walter Scott&amp;#8217;s Fr\u00e4ulein vom See. Merritt Room Mus 800.1.711.15 PHI\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;&amp;#8220;Ellen&amp;#8217;s III. Gesang&amp;#8221; (D. 839) Sieben Ges\u00e4nge aus Walter Scott&amp;#8217;s Fr\u00e4ulein vom See. Merritt Room Mus 800.1.711.15 PHI&lt;\/p&gt;\n\" data-large-file=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertEllensIIIGesang.jpg?fit=500%2C374&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/blogs.law.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertEllensIIIGesang-300x224.jpg?resize=300%2C224\" alt=\"&quot;Ellen&#039;s III. Gesang,&quot; Sieben Ges\u00e4nge aus Walter Scott&#039;s Fr\u00e4ulein vom See (1826). Merritt Room Mus 800.1.711.15 PHI\" width=\"300\" height=\"224\" class=\"size-medium wp-image-1348\" srcset=\"https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertEllensIIIGesang.jpg?resize=300%2C224&amp;ssl=1 300w, https:\/\/i0.wp.com\/archive.blogs.harvard.edu\/loebmusic\/files\/2011\/10\/SchubertEllensIIIGesang.jpg?w=500&amp;ssl=1 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-1348\" class=\"wp-caption-text\">&quot;Ellen&#039;s III. Gesang,&quot; Sieben Ges\u00e4nge aus Walter Scott&#039;s Fr\u00e4ulein vom See (1826). Merritt Room Mus 800.1.711.15 PHI<\/p><\/div><\/em><\/div>\n<ul>\n<li>\n<a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5105300\" target=\"_blank\">Sieben Ges\u00e4nge aus Walter Scott&#8217;s Fr\u00e4ulein vom See<\/a>: Op. 52 in Musik gesetzt mit Begleitung des Pianoforte und der Hochgebornen Frau, Frau Sophie Gr\u00e4fin v. Weissenwolf, geborne Gr\u00e4fin v. Breunner hochachtungsvoll, gewidmet von Franz Schubert. Wien: Bey Math. Artaria, [1826].<br \/>\nFirst edition<br \/>\nMerritt Mus 800.1.711.15 PHI\n<\/li>\n<li>\n<a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5121305\" target=\"_blank\">Greisen-Gesang<\/a>: aus den \u00f6stlichen Rosen von F. R\u00fcckert; und Dythyrambe von F. v. Schiller; in Musik gesetzt f\u00fcr eine Bassstimme mit Begleitung des Pianoforte von Franz Schubert; 60tes Werk. Wien: bey Cappi und Czerny, [1826].<br \/>\nFirst edition<br \/>\nMerritt Mus 800.1.722.10 PHI\n<\/li>\n<li>\n<a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5121306\" target=\"_blank\">Lied der Anne Lyle<\/a>: aus Walter Scott&#8217;s Montrose; Gesang der Norna: aus Walter Scott&#8217;s Pirat: f\u00fcr eine Singstimme mit Begleitung des Pianoforte: op. 85 in Musik gesetzt von Franz Schubert. Wien: A. Diabelli, [1828].<br \/>\nFirst edition<br \/>\nMerritt Mus 800.1.731.10 PHI\n<\/li>\n<li>\n<a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5121307\" target=\"_blank\">Die Sterne<\/a> von Leitner. J\u00e4gers Liebeslied von Schober. Wanderers Nachtlied von G\u00f6the. Fischerweise von Schlechta; in Musik gesetzt f\u00fcr eine Singstimme mit Begleit. des Pianoforte von Franz Schubert; op. 96. Wien: A. Diabelli und Comp., [1837].<br \/>\nNeue Ausgabe. [2nd ed.]<br \/>\nMerritt Mus 800.1.740.12 PHI\n<\/li>\n<li>\n<a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5105301\">Die Erwartung<\/a> Gedicht von Fr. von Schiller; in Musik gesetzt mit Begleitung des Pianoforte &#8230; von Franz Schubert; op. 116. Wien: M.J. Leidesdorf, [1829].<br \/>\nFirst edition<br \/>\nMerritt Mus 800.1.736.20 PHI\n<\/li>\n<li>\n<a href=\"http:\/\/nrs.harvard.edu\/urn-3:fhcl.loeb:5121308\" target=\"_blank\">Sechs Gedichte, 118tes Werk<\/a> Musik gesetzt f\u00fcr eine Singstimme mit Begleitung des Pianoforte von Franz Schubert. Wien: J. Czerny, [1829].<br \/>\nMerritt Mus 800.1.714.10 PHI\n<\/li>\n<\/ul>\n<p>Find these works, and others, in our collection of <a href=\"http:\/\/nrs.harvard.edu\/urn-3:hul.eresource:digiscor\" target=\"_blank\">Digital Scores and Libretti<\/a>.<\/p>\n<p>-Kerry Masteller<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This group of first and early Schubert editions begins with twelve songs first published as supplements to the Wiener Zeitschrift f\u00fcr Kunst, Literatur, Theater und Mode (Harvard&#8217;s set lacks only Im Fr&uuml;hling, D. 882, published September 16, 1828): Erstausgaben aus der Wiener Zeitschrift, [1820-1832]. [Wien]: A. Strauss, 1820-1832. Merritt Mus 800.1.703 PHI The other songs [&hellip;]<\/p>\n","protected":false},"author":2249,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13829],"tags":[4299,19727,14789,40316],"class_list":["post-1340","post","type-post","status-publish","format-standard","hentry","category-digital-collections","tag-digital-scores","tag-franz-schubert","tag-scores","tag-songs","post-preview"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s6lSEF-1340","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/users\/2249"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/comments?post=1340"}],"version-history":[{"count":21,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1340\/revisions"}],"predecessor-version":[{"id":1364,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/posts\/1340\/revisions\/1364"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/media?parent=1340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/categories?post=1340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/wp-json\/wp\/v2\/tags?post=1340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}