{"id":1197,"date":"2011-08-02T10:11:29","date_gmt":"2011-08-02T14:11:29","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/loebmusic\/?p=1197"},"modified":"2011-08-02T10:11:29","modified_gmt":"2011-08-02T14:11:29","slug":"newly-digitized-meyerbeer-operas-and-18th-century-keyboard-works","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/loebmusic\/2011\/08\/02\/newly-digitized-meyerbeer-operas-and-18th-century-keyboard-works\/","title":{"rendered":"Newly Digitized: Meyerbeer Operas and 18th-century Keyboard Works"},"content":{"rendered":"

It’s time once again for a quick tour of the latest additions to our collection of Digital Scores and Libretti<\/a>. For this week’s post, I’ve chosen one 18th century collection of keyboard works and four vocal scores by Giacomo Meyerbeer. Enjoy!<\/p>\n

Keyboard works<\/strong><\/p>\n

C.P.E. Bachs, Nichelmanns und H\u00e4ndels Sonaten und Fugen f\u00fcrs Clavier<\/a>. 2. Aufl. Berlin : Wever, 1774.
\nMerritt Room Mus 460.69<\/p>\n

A collection of keyboard works by C.P.E. Bach, Nichelmann, Handel, and Kirnberger, first published in 1762 as Tonst\u00fccke f\u00fcr das Clavier<\/em>.<\/p>\n

Giacomo Meyerbeer<\/strong><\/p>\n

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\"Margherita<\/a>

Margherita d'Anjou. Title vignette: "Salvi amico la regina, salvi il figlio del tuo re." Mus 743.3.61<\/p><\/div><\/em><\/div>\n<\/div>\n