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Tag: streaming audio (Page 2 of 4)

The Land Where the Good Songs Go

Though the weather report promises but little joy, though due dates for theses and applications loom menacingly over us like steadily advancing diplodoci, though the ice and snowdrifts cling to the pavement as clings the tritone to Vitellio Scarpia, though we are, if not actually disgruntled, far from being gruntled, yet be of good cheer, gentle library patrons, for a brief escape to the enchanted land of Bolton, Wodehouse and Kern is but a mouseclick or two away.

Sheet music, recordings, and a couple of other pleasant, nostalgic things.

Between 1915 and 1924 Jerome Kern, often in cahoots with P. G. Wodehouse (brilliant lyricist as well as brilliant novelist; life is not fair) and Guy Bolton (the wizard of plot and pun) wrote several musicals for the small, stylish Princess Theater in New York.    Their intricate, tuneful scores  and believably nonsensical books distinguished the Princess shows from Ziegfeld’s extravaganzas and Cohan’s revues.  Kern and Wodehouse created songs which advanced the plot and illuminated the characters, rather than a series of interchangeable numbers for interchangeable soubrettes and juveniles.  The world of these shows is long, long gone, but the songs are as fresh as ever.

If you are stuck in your room with the cold that’s going around,  Music Online streams an utterly beguiling album of Wodehouse lyrics (mostly set to Kern’s music) called “The Land Where the Good Songs Go.” Sylvia McNair (she of the voice like silver honey), joins forces with pianist Steven Blier and tenor/Wodehouse buff Hal Cazalet for songs like “You Can’t Make Love By Wireless” and “Non-Stop Dancing” (“Father pluckily continues, though he’s sprained eleven sinews, since we got the non-stop dancing craze.”)  Those interested in the evolution of singing styles might want to listen to the vintage recordings of many of the same songs on “The Theatre Lyrics of P. G. Wodehouse”.  Some of these tracks date back to 1905, and there’s an interview with Wodehouse about working with Kern.

For the full Bertie Wooster experience, try visiting the UCLA Archive of Popular American Music, printing out a .pdf of the original sheet music for “The Sirens’ Song” or “Sir Galahad” and playing through it on the nearest keyboard.  You never know what might summon up Jeeves, tray in hand and mammoth brain at the ready to solve all your problems.

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Audio Preservation: Replicating the Moment in Time

Some of you know that the Music Library has a state-of-the-art audio preservation studio but you may not know much about it or even where it is. It’s located on the third floor at 8 Story Street; David Ackerman is the lead engineer. Recently he produced this 3-minute video about Audio Preservation Services (APS). Take a look, you’ll like it:

In addition to the conducting the day-to-day preservation work of the studio, APS staff contribute to international standards for audio collections and, as part of the joint Harvard and Indiana University Sound Directions project, developed the Sound Directions Toolkit, an open-source software suite to allow audio engineers to automate some of the routine,  repetitive tasks of digitization

Explore the library’s archival collections to hear some of the recordings preserved by APS (some sound files are available only to the Harvard community):

Coincidentally, today is UNESCO World Day for Audiovisual Heritage, a day to celebrate the cultural significance of recorded sound and video and to raise awareness of the urgent need for its preservation. Visit the Coordinating Council of Audio-Visual Archives Associations for a list of events planned by archives and heritage collections around the world.

– Virginia Danielson and Kerry Masteller

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