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Tag: opera (Page 4 of 17)

Newly Digitized: Perger’s Signor Formica

Viennese cellist, composer, and conductor Richard von Perger (1854-1911) began his musical career relatively late, studying cello and composition with Schmidtler and Zellner beginning in 1870. This unpublished early opera dates to 1879, shortly before he began lessons with Johannes Brahms (although Peter Clive suggests in Brahms and His World: A Biographical Dictionary that Perger’s study with Brahms may be apocryphal).

A comic opera in three acts, based on E. T. A. Hoffmann’s novella, Signor Formica tells the story of the 17th-century Neapolitan painter Salvator Rosa’s adventures in Rome, and the series of tricks he plays – with the help of an acting troupe led by Signor Formica – in order to fix up his friend Antonio with Marianna, in defiance of her uncle Pasquale Capuzzi, an aesthete with delusions of musical talent. The librettist is unknown, although Perger wrote the text for at least two of his other theatrical works, Der Richter von Granada (1889) and Die 14 Nothhelfer (1891). This may be an autograph manuscript; it’s also a relatively clean copy, with only occasional corrections and scratched-out measures, and stage directions indicated throughout.

Signor Formica, Act I, scene 1, Mus 780.741.605

Signor Formica, Act I, scene 1, Mus 780.741.605

  • Signor Formica. Vocal score
    Signor Formica : komische Oper in drei Aufzügen / von Richard von Perger ; Klavierauszug mit Singstimmen. 1879.
    Mus 780.741.605

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Newly Digitized: Early 19th Century Opera

This set of recently digitized scores takes us to Paris of the late 1820s and 1830s to view the beginnings of grand opera as a genre, with spectacular works by Spontini, Auber, and Rossini. Along the way, we’ll take note of the signs these particular scores hold of their lives as objects, both commemorative and commodified.

Gaspare Spontini, 1774-1851

Spontini’s last major Parisian work premiered at the Opéra in 1819 to unfavorable reviews, and was withdrawn after only seven performances. As was typical of his compositional practice, he revised the opera extensively following its failed debut, replacing the first version’s tragic apotheosis with a triumphant, earthly coronation. After his move to Berlin in 1820, a German version was produced in 1821 at the Hofoper, with a libretto translated by E.T.A. Hoffmann. Further revisions followed, and a third, French version, reflected here, was revived at the Opéra in February of 1826.


Title page, Olimpie, Mus 813.2.615.5

Title page, Olimpie, Mus 813.2.615.5

  • [Olimpie. Vocal score]
    Olimpie : tragédie lyrique en trois actes / imitée de Voltaire ; paroles de MMr.s Dieulafoi et Brifaut ; mise en musique par Gaspard Spontini ; réduite pour le piano. Paris : Melles. Erard, [1827?].
    Mus 813.2.615.5

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