At the extreme end of Jewish Porn, the terror of the concentration camps is re-enacted for sexual gratification. In Holocaust Porn, Jewish women are shown squatting and defecating in packed trains. They are shown having their heads shaved. They are emaciated, with their ribs poking out. They are incinerated in open ovens. They are gassed. They are sodomized with severed limbs, sometimes their own limbs.
One can find staged photographs of a naked and shivering woman under a showerhead in a tiled hygienic facility. I have seen photos of a man dressed as a stormtrooper emptying a tank labeled “Gasoline” into a woman’s mouth. The woman holds the funnel and masturbates the Nazi with her right hand. These photos are grainy black-and-whites, yet are clearly contemporary.
And here things get dirty: The Holocaust Porn industry is based in Israel. The films are mostly made by Israelis, and they are also mostly purchased by Israelis. The actresses are overwhelmingly Israeli-Russian immigrants.
Is Israeli involvement in Holocaust Porn a sick manifestation of an addiction to persecution? Is it a reaction to assimilation—or a product of it? Is it the blackest form of satire? How different are these re-enactments from those rare bits of genuine Holocaust footage passed around for erotic consumption?
El art