{"id":7069,"date":"2016-04-07T10:00:22","date_gmt":"2016-04-07T14:00:22","guid":{"rendered":"http:\/\/blogs.harvard.edu\/houghtonmodern\/?p=7069"},"modified":"2016-03-31T15:15:03","modified_gmt":"2016-03-31T19:15:03","slug":"vultures-of-vice","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/2016\/04\/07\/vultures-of-vice\/","title":{"rendered":"Vultures of vice!"},"content":{"rendered":"<p><em>This post is part of an ongoing series featuring items recently cataloged from the <\/em><em><a href=\"http:\/\/hcl.harvard.edu\/libraries\/houghton\/collections\/modern\/santo_domingo.cfm\" target=\"_blank\">Julio Mario Santo Domingo Collection<\/a>.<\/em><\/p>\n<p><a href=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td01a.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6722 aligncenter\" style=\"margin-right: 5px\" src=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td01a-219x300.jpg\" alt=\"td01a.jpg\" width=\"219\" height=\"300\" align=\"left\" \/><\/a><\/p>\n<p><a href=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td01.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6722 aligncenter\" style=\"margin-right: 5px\" src=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td01-226x300.jpg\" alt=\"td01.jpg\" width=\"226\" height=\"300\" align=\"left\" \/><\/a><\/p>\n<p><em>True Detective Mysteries<\/em>, called <em>True Detective<\/em> starting with its October 1939 issue, was a magazine about crime and criminals published for over 70 years. Beginning in 1924, it was often regarded as the first true crime magazine, launching the pulp magazine genre. It was jump started by American publisher Bernarr Macfadden , often labeled as an eccentric health enthusiast claimed to have buried part of his fortune in steel boxes across the United States.<\/p>\n<p><a href=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td02.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6722 aligncenter\" style=\"margin-right: 5px\" src=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td02-208x300.jpg\" alt=\"td02.jpg\" width=\"208\" height=\"300\" align=\"left\" \/><\/a><\/p>\n<p>Initially publishing fictionalized accounts of true crime, the magazine soon saw merit in reporting straightforward accounts of police investigation and the closing of particularly gruesome or sensational cases. This course of action was a hit, inspiring some 200 titles in the pre-World War II era, with <em>True Detective<\/em> itself reaching a circulation of two million. With our modern view of pulp as somewhat lurid, readers may be surprised to know that high end true crime magazines like True Detective initially turned away from hypersexualized crime stories, and were popular across the board, garnering support from J. Edgar Hoover himself.<\/p>\n<p><a href=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td03.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6722 aligncenter\" style=\"margin-right: 5px\" src=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td03-300x215.jpg\" alt=\"td03.jpg\" width=\"300\" height=\"215\" align=\"left\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>In the post-war era, <em>True Detective<\/em> and its competitors moved further into the realm of the taboo, with stories becoming increasingly graphic both in language and the photographs used to illustrate them. At the height of the counterculture movement, during the late 1960s and early 1970s, True Detective joined its cohort in a new and extremely graphic focus on violent sexual crimes. Covers reflected what many remember of pulp today\u2014terrified, nearly naked women often bound and gagged, fighting for their lives against shadowy criminals. These extremes did not hold reader interest, however, and by the 1980s this once booming genre was reduced to two publishers and eleven titles. Although interest in true crime did not wane during the 1980s and 1990s, the genre moved on to film and television, and <em>True Detective<\/em> ceased publication in 1996.<\/p>\n<p><a href=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td04.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-6722 aligncenter\" style=\"margin-right: 5px\" src=\"http:\/\/blogs.harvard.edu\/houghtonmodern\/files\/2016\/03\/td04-300x214.jpg\" alt=\"td04.jpg\" width=\"300\" height=\"214\" align=\"right\" \/><\/a><\/p>\n<p>With true crime experiencing new popularity through podcasts such as <em><a href=\"https:\/\/serialpodcast.org\/\" target=\"_blank\">Serial<\/a><\/em> and television programming like <em><a href=\"http:\/\/www.imdb.com\/title\/tt5189670\/\" target=\"_blank\">Making a Murderer<\/a><\/em> and <em><a href=\"http:\/\/www.imdb.com\/title\/tt2788432\/?ref_=nv_sr_1\" target=\"_blank\">The People vs. OJ Simpson<\/a><\/em>, it is interesting to compare these new forms of investigation with their counterparts from nearly a century ago. <a href=\"http:\/\/gizmodo.com\/the-long-life-and-quiet-death-of-true-detective-magazin-1725094095\" target=\"_blank\">Click here<\/a> for a more detailed account of the rise and fall of <em>True Detective<\/em> magazine. To see inside more issues of <em>True Detective<\/em> and other pulp magazines, see the <a href=\"https:\/\/archive.org\/details\/pulpmagazinearchive\" target=\"_blank\">Pulp Magazine Archive<\/a> hosted by the Internet Archive.<\/p>\n<p>To learn more and see physical copies of <em>True Detective<\/em>, visit Widener&#8217;s collection: <a href=\"http:\/\/id.lib.harvard.edu\/aleph\/013788045\/catalog\" target=\"_blank\">New York: Macfadden Publications, [1924-].<\/a><\/p>\n<p><em>Thanks to Irina Rogova, Santo Domingo Library Assistant, for contributing this post.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This post is part of an ongoing series featuring items recently cataloged from the Julio Mario Santo Domingo Collection. True Detective Mysteries, called True Detective starting with its October 1939 issue, was a magazine about crime and criminals published for over 70 years. Beginning in 1924, it was often regarded as the first true crime [&hellip;]<\/p>\n","protected":false},"author":7919,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[72741],"tags":[72720,148725,116651,142243],"class_list":["post-7069","post","type-post","status-publish","format-standard","hentry","category-widener-library","tag-julio-mario-santo-domingo-collection","tag-macfadden","tag-pulp","tag-true-crime"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5TUly-1Q1","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/7069","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/users\/7919"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/comments?post=7069"}],"version-history":[{"count":14,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/7069\/revisions"}],"predecessor-version":[{"id":7088,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/7069\/revisions\/7088"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/media?parent=7069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/categories?post=7069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/tags?post=7069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}