{"id":6197,"date":"2015-07-21T09:00:48","date_gmt":"2015-07-21T13:00:48","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/?p=6197"},"modified":"2015-07-20T15:40:50","modified_gmt":"2015-07-20T19:40:50","slug":"the-beats-go-on","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/2015\/07\/21\/the-beats-go-on\/","title":{"rendered":"The Beats Go On"},"content":{"rendered":"<p><a href=\"https:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/07\/Go-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-6200\" style=\"margin-right: 5px\" src=\"https:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/07\/Go-1-697x1024.jpg\" alt=\"Go 1\" width=\"317\" height=\"465\" align=\"left\" srcset=\"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/07\/Go-1-697x1024.jpg 697w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/07\/Go-1-204x300.jpg 204w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/07\/Go-1.jpg 1000w\" sizes=\"auto, (max-width: 317px) 100vw, 317px\" \/><\/a><\/p>\n<p><em>This post is part of an ongoing series featuring material\u00a0from the\u00a0<a href=\"http:\/\/hcl.harvard.edu\/libraries\/houghton\/collections\/modern\/santo_domingo.cfm\" target=\"_blank\">Julio Mario Santo Domingo Collection<\/a>.<\/em><\/p>\n<p>Published in 1952, John Clellon Holmes\u2019s lightly-fictionalized autobiographical novel <em>Go<\/em> was the first literary depiction of the Beat generation \u2013 Kerouac\u2019s <em>On the Road<\/em> was extant, but only in typescript. <em>On the Road<\/em>\u00a0was among the works that would later eclipse <em>Go<\/em>\u2019s success, but Holmes\u2019s novel establishes several of the themes that would occupy many of his contemporaries. Its characters, all versions of Holmes\u2019s friends, are given over to drugs, petty crime, dissipation, free love, and general hedonistic indulgence; Holmes\u2019s alter ego must navigate between this alluring demimonde and the stability of his marriage.<\/p>\n<p>A <em>New York Times <\/em>review for <em>Go<\/em>, dated November 1952, makes clear that the cultural influence of the Beats has yet to manifest. The review\u2019s author encloses in quotations the words \u201cmainliners\u201d, \u201ckick\u201d (in the sense of kicking a drug habit), and the phrase \u201cbeat generation\u201d, in the course of explaining this little-understood slang to the reader. Though the characters in <em>Go <\/em>are glosses on the now-famous Beat writers with whom Holmes socialized at the time, <em>Go <\/em>slightly predates their literary celebrity<em>.<\/em> Thus the review refers to characters such as \u201cPasternak, who writes a presumably good novel, or at least one that gets sold\u201d, \u201cStofsky, a homosexual and literary whirling dervish\u201d, and \u201cHart, a frantic character from out of town\u201d, without identifying them as Jack Kerouac, Allen Ginsberg, and Neal Cassady. (Kerouac had published his first novel, <em>The Town and the City, <\/em>two years prior.) Later that month in the <em>Times<\/em>, Holmes would publish an article titled \u2018This is the Beat Generation\u2019, bringing the phrase (borrowed from Kerouac) into the public vocabulary.<\/p>\n<p>This copy of the 1977 Appel edition of <em>Go <\/em>bears the autographs of several in this social circle: Holmes, Ginsberg, Gregory Corso, Herbert Huncke, and Peter Orlovsky. (Huncke also appears in <em>Go<\/em> as \u201cAlbert Ancke\u201d \u2013 perhaps the most transparent dramatization of all.)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-6201\" src=\"https:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/07\/Go-2-690x1024.jpg\" alt=\"Go 2\" width=\"439\" height=\"652\" srcset=\"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/07\/Go-2-690x1024.jpg 690w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/07\/Go-2-202x300.jpg 202w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/07\/Go-2.jpg 1000w\" sizes=\"auto, (max-width: 439px) 100vw, 439px\" \/><\/p>\n<p><em>Go<\/em>: PZ4.H753 G6 1977; HOLLIS number 1288278<\/p>\n<p><em>New York Times <\/em>review: M., G. (1952, Nov 09). The &#8216;kick&#8217; that failed.<em>\u00a0<\/em><em>New York Times (1923-Current File)<\/em>\u00a0Retrieved from <a href=\"http:\/\/search.proquest.com.ezp-prod1.hul.harvard.edu\/docview\/112420774?accountid=11311\">http:\/\/search.proquest.com.ezp-prod1.hul.harvard.edu\/docview\/112420774?accountid=11311<\/a><\/p>\n<p>Holmes article: Holmes, Clellon. (1996, Apr 14). This is the beat generation.<em>\u00a0<\/em><em>New York Times (1923-Current File)<\/em>\u00a0Retrieved from <a href=\"http:\/\/search.proquest.com.ezp-prod1.hul.harvard.edu\/docview\/109618274?accountid=11311\">http:\/\/search.proquest.com.ezp-prod1.hul.harvard.edu\/docview\/109618274?accountid=11311<\/a><\/p>\n<p><em>Thanks to rare book ca<\/em><em>taloger Ryan Wheeler for contributing this post.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This post is part of an ongoing series featuring material\u00a0from the\u00a0Julio Mario Santo Domingo Collection. Published in 1952, John Clellon Holmes\u2019s lightly-fictionalized autobiographical novel Go was the first literary depiction of the Beat generation \u2013 Kerouac\u2019s On the Road was extant, but only in typescript. On the Road\u00a0was among the works that would later eclipse [&hellip;]<\/p>\n","protected":false},"author":1761,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[64929],"tags":[2427,2851,131812,131811,72621],"class_list":["post-6197","post","type-post","status-publish","format-standard","hentry","category-houghton-library","tag-american-literature","tag-beats","tag-ginsberg","tag-kerouac","tag-santo-domingo"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5TUly-1BX","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/6197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/users\/1761"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/comments?post=6197"}],"version-history":[{"count":6,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/6197\/revisions"}],"predecessor-version":[{"id":6205,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/6197\/revisions\/6205"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/media?parent=6197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/categories?post=6197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/tags?post=6197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}