{"id":5498,"date":"2015-01-14T10:15:15","date_gmt":"2015-01-14T15:15:15","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/?p=5498"},"modified":"2015-01-14T10:15:15","modified_gmt":"2015-01-14T15:15:15","slug":"from-the-library-of-sarah-orne-jewett","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/2015\/01\/14\/from-the-library-of-sarah-orne-jewett\/","title":{"rendered":"<em>From the Library of Sarah Orne Jewett<\/em> &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Part Two: Set in Civilit\u00e9"},"content":{"rendered":"<p><em><a href=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_letter.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5499\" style=\"margin-right: 5px\" src=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_letter-670x1024.jpg\" alt=\"soj_1764_48_letter\" width=\"294\" height=\"449\" align=\"left\" srcset=\"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_letter-670x1024.jpg 670w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_letter-196x300.jpg 196w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_letter.jpg 921w\" sizes=\"auto, (max-width: 294px) 100vw, 294px\" \/><\/a>The following is the second in a four-part series on books from the library of Sarah Orne Jewett (1849-1909) and her family.<\/em><\/p>\n<p>Published by the Paris firm of Edwin Tross in 1871, this volume of poetry by Louise Lab\u00e9 belongs to a limited edition of 500 copies, and is distinguished by the remarkable typeface used. As the publisher\u2019s introduction explains, the text is set in a cursive typeface called Civilit\u00e9, cast from the original matrices owned by the Elzeviers in the 16th century and passed down through the generations. Tross goes on to explain that he had long wished to use this typeface, and accordingly chose an author contemporary with its design. This copy was owned by Sarah Orne Jewett, and contains a tipped-in letter to Jewett from Harvard Professor of Modern Languages Ferdinand B\u00f4cher (1832-1902), relating how he bought the book and had it specially bound for her.<\/p>\n<p><a href=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_spine.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5501\" src=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_spine-672x1024.jpg\" alt=\"soj_1764_48_spine\" width=\"430\" height=\"655\" srcset=\"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_spine-672x1024.jpg 672w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_spine-197x300.jpg 197w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_spine.jpg 1000w\" sizes=\"auto, (max-width: 430px) 100vw, 430px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_title.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5502\" src=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_title-652x1024.jpg\" alt=\"soj_1764_48_title\" width=\"455\" height=\"714\" srcset=\"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_title-652x1024.jpg 652w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_title-191x300.jpg 191w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_title.jpg 1000w\" sizes=\"auto, (max-width: 455px) 100vw, 455px\" \/><\/a><\/p>\n<p><a href=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_p_17.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5500\" src=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_p_17-609x1024.jpg\" alt=\"soj_1764_48_p_17\" width=\"454\" height=\"763\" srcset=\"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_p_17-609x1024.jpg 609w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_p_17-178x300.jpg 178w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2015\/01\/soj_1764_48_p_17.jpg 989w\" sizes=\"auto, (max-width: 454px) 100vw, 454px\" \/><\/a><\/p>\n<p>Lab\u00e9, Louise, 1526?-1566. <em>Oeuvres de Lovize Lab\u00e9<\/em>. SOJ 1764.48.<\/p>\n<p><em>Thanks to Bibliographic Assistant Noah Sheola for contributing this post.<\/em><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The following is the second in a four-part series on books from the library of Sarah Orne Jewett (1849-1909) and her family. Published by the Paris firm of Edwin Tross in 1871, this volume of poetry by Louise Lab\u00e9 belongs to a limited edition of 500 copies, and is distinguished by the remarkable typeface used. [&hellip;]<\/p>\n","protected":false},"author":1761,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[64929],"tags":[],"class_list":["post-5498","post","type-post","status-publish","format-standard","hentry","category-houghton-library"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p5TUly-1qG","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/5498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/users\/1761"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/comments?post=5498"}],"version-history":[{"count":5,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/5498\/revisions"}],"predecessor-version":[{"id":5509,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/5498\/revisions\/5509"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/media?parent=5498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/categories?post=5498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/tags?post=5498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}