{"id":4045,"date":"2014-03-04T15:20:40","date_gmt":"2014-03-04T20:20:40","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/?p=4045"},"modified":"2014-03-04T15:20:40","modified_gmt":"2014-03-04T20:20:40","slug":"lincal","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/2014\/03\/04\/lincal\/","title":{"rendered":"<em>L\u2019Incal<\/em>"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-2-detail.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-thumbnail wp-image-4051\" style=\"margin-right: 5px\" src=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-2-detail-150x150.jpg\" alt=\"\" width=\"150\" height=\"150\" align=\"left\" \/><\/a>This post is part of an ongoing series featuring items from the newly acquired Santo Domingo collection.<\/p>\n<p>Julio Santo Domingo collected books across many forms; among them is the graphic novel. Pictured here is one of the great collaborations in French comics: <em>L\u2019Incal<\/em>, written by Alejandro Jodorowsky, the Chilean-born French filmmaker, actor, and author, and illustrated by artist Jean Giraud under his celebrated pseudonym Moebius. Jodorowsky will be familiar to film enthusiasts as the writer and director of the acid Western <em>El Topo <\/em>and the spiritual-psychedelic <em>The Holy Mountain<\/em>, among other features. Moebius, in addition to his seminal work in science-fiction and fantasy comics, contributed designs and storyboards to films including <em>Alien<\/em> and <em>The Fifth Element<\/em>. From 1981 to 1989, the two produced the six-volume <em>Incal<\/em>, a story which introduces Jodorowsky\u2019s science-fiction \u201cJodoverse\u201d and centers on the tribulations of John DiFool, a shabby private detective caught up in an interplanetary struggle for possession of the titular Incal, an alien artifact.<\/p>\n<p><a href=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-4048\" src=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-1-765x1024.jpg\" alt=\"\" width=\"336\" height=\"450\" srcset=\"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-1-765x1024.jpg 765w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-1-224x300.jpg 224w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-1.jpg 1000w\" sizes=\"auto, (max-width: 336px) 100vw, 336px\" \/><\/a><\/p>\n<p><em>L\u2019Incal <\/em>incorporates the metaphysical, the psychedelic, the comic, and the absurd into a grand space opera. DiFool, a base and reluctant hero, represents the tarot Fool; other characters assume the roles of other cards. The story introduces factions such as the Technopriests and the Metabarons, each further detailed in its own later series; <em>L\u2019Incal<\/em> itself received a prequel in another six volumes, <em>Apr\u00e8s l\u2019Incal<\/em>, published from 1988-1995. The volume featured here is a compendium of the six original <em>Incal<\/em> volumes, published in 1995 by Les Humano\u00efdes Associ\u00e9s.<\/p>\n<p><a href=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-4049\" src=\"http:\/\/blogs.law.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-2.jpg\" alt=\"\" width=\"506\" height=\"341\" srcset=\"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-2.jpg 1000w, https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/files\/2014\/03\/Incal-2-300x202.jpg 300w\" sizes=\"auto, (max-width: 506px) 100vw, 506px\" \/><\/a><\/p>\n<p><em>L\u2019Incal<\/em>.\u00a0Paris: Humano\u00efdes Asssoci\u00e9s, 1995. <a href=\"http:\/\/hollis.harvard.edu\/?itemid=|library\/m\/aleph|013894506\" target=\"_blank\">PN6747.J63 I5313 1995x<\/a><\/p>\n<p><em>Thanks to rare book ca<\/em><em>taloger Ryan Wheeler for contributing this post.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This post is part of an ongoing series featuring items from the newly acquired Santo Domingo collection. Julio Santo Domingo collected books across many forms; among them is the graphic novel. Pictured here is one of the great collaborations in French comics: L\u2019Incal, written by Alejandro Jodorowsky, the Chilean-born French filmmaker, actor, and author, and [&hellip;]<\/p>\n","protected":false},"author":1761,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[64929],"tags":[3727,628,119905,72720],"class_list":["post-4045","post","type-post","status-publish","format-standard","hentry","category-houghton-library","tag-20th-century","tag-comics","tag-graphic-novels","tag-julio-mario-santo-domingo-collection"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/s5TUly-lincal","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/4045","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/users\/1761"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/comments?post=4045"}],"version-history":[{"count":13,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/4045\/revisions"}],"predecessor-version":[{"id":4061,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/posts\/4045\/revisions\/4061"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/media?parent=4045"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/categories?post=4045"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/houghtonmodern\/wp-json\/wp\/v2\/tags?post=4045"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}