{"id":945,"date":"2019-02-19T16:39:51","date_gmt":"2019-02-19T21:39:51","guid":{"rendered":"http:\/\/blogs.harvard.edu\/finearts\/?p=945"},"modified":"2019-02-19T16:59:44","modified_gmt":"2019-02-19T21:59:44","slug":"destruction-of-memory-film-screening","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/finearts\/2019\/02\/19\/destruction-of-memory-film-screening\/","title":{"rendered":"Destruction of Memory: Film Screening"},"content":{"rendered":"

\"\"<\/p>\n

Andr\u00e1s Riedlmayer<\/strong>, UN war crimes tribunal expert witness and Bibliographer in in Islamic Art and Architecture at Harvard\u2019s Fine Arts Library, will be talking to Tim Slade,<\/strong> the film director and producer of The Destruction of Memory<\/a><\/em><\/strong> after the film screening on February 20th.<\/p>\n

This film chronicles the destruction of culture in Syria, Mali, the Balkans, Afghanistan, and elsewhere from World War II to the present day. It also relates the heroic efforts to save landmarks and libraries from the ravages of war. Through interviews and documentary footage, the film shows how individuals have used law and policy and sometimes risked their lives to save world heritage. The post-screening conversation will be moderated by Bonnie Docherty<\/strong> from Harvard Law School\u2019s International Human Rights Clinic.<\/p>\n


\n<\/strong><\/p>\n

Destruction of Memory: Film Screening\u00a0<\/a><\/strong><\/p>\n

February 20, 5:00 p.m. – 7:00 p.m.<\/strong><\/p>\n

Where:\u00a0Wasserstein Hall (Harvard Law School)<\/p>\n

WCC 1010 \u00a0(https:\/\/hls.harvard.edu\/about\/campus-map-and-directions\/<\/a>)<\/p>\n

1585 Massachusetts Avenue, Cambridge, MA<\/p>\n

Co-sponsored by the Armed Conflict & Civilian Protection Initiative and Islamic Legal Studies: Law and Social Change. \u00a0Dinner will be served.<\/p>\n

Human Rights @ Harvard Law<\/p>\n

Andr\u00e1s\u2019 research interests include Ottoman history, Islamic art and culture in the Balkans, and the protection of cultural heritage under national and international law. He prepared many expert reports on the destruction of cultural heritage in Bosnia and Kosovo, and testified as an expert witness in nine trials at the ICTY and before the International Court of Justice (ICJ) in the genocide case Bosnia and Herzegovina v. Serbia and Montenegro.<\/p>\n

Please join us for the film screening and the conversations after the film. Dinner will be served.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Andr\u00e1s Riedlmayer, UN war crimes tribunal expert witness and Bibliographer in in Islamic Art and Architecture at Harvard\u2019s Fine Arts Library, will be talking to Tim Slade, the film director and producer of The Destruction of Memory after the film screening on February 20th. This film chronicles the destruction of culture in Syria, Mali, the […]<\/p>\n","protected":false},"author":8038,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[130544,16206],"tags":[171333],"class_list":["post-945","post","type-post","status-publish","format-standard","hentry","category-film-screening","category-historical-events","tag-filmscreening","post-preview"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8gvrn-ff","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/users\/8038"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/comments?post=945"}],"version-history":[{"count":10,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/945\/revisions"}],"predecessor-version":[{"id":956,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/945\/revisions\/956"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/media?parent=945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/categories?post=945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/tags?post=945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}