{"id":357,"date":"2013-08-05T15:40:45","date_gmt":"2013-08-05T20:40:45","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/finearts\/?p=357"},"modified":"2013-08-05T15:40:45","modified_gmt":"2013-08-05T20:40:45","slug":"rosenberg-gallery-catalogues-added","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/finearts\/2013\/08\/05\/rosenberg-gallery-catalogues-added\/","title":{"rendered":"Rosenberg Gallery Catalogues added"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.law.harvard.edu\/finearts\/files\/2013\/08\/KIC-Document_Page_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-358\" src=\"http:\/\/blogs.law.harvard.edu\/finearts\/files\/2013\/08\/KIC-Document_Page_1-191x300.jpg\" alt=\"\" width=\"191\" height=\"300\" srcset=\"https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2013\/08\/KIC-Document_Page_1-191x300.jpg 191w, https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2013\/08\/KIC-Document_Page_1-652x1024.jpg 652w, https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2013\/08\/KIC-Document_Page_1.jpg 1044w\" sizes=\"auto, (max-width: 191px) 100vw, 191px\" \/><\/a><\/p>\n<p>The Fine Arts library recently purchased two rare exhibition catalogues from Paul Rosenberg\u2019s gallery in Paris.\u00a0 <a href=\"http:\/\/hollis.harvard.edu\/?itemid=|library\/m\/aleph|013716739\" target=\"_blank\"><em>Les grandes influences au dix-neuvieme si\u00e8cle<\/em><\/a>, published in 1925, is one of the earliest of Rosenberg\u2019s documented shows.\u00a0 <em><a href=\"http:\/\/hollis.harvard.edu\/?itemid=|library\/m\/aleph|013716741\" target=\"_blank\">Exposition d\u2019oeuvres recentes de Henri-Matisse<\/a>, <\/em>is from 1936. Rosenberg was Matisse\u2019s dealer and an early champion; this illustrated catalogue is a valuable addition our holdings of the bibliography on this artist.<\/p>\n<p>Paul Rosenberg (1881-1959) opened his gallery on the Rue La Boetie in 1911. He moved to New York in 1940, and Paul Rosenberg &amp; Co. continued to operate after his death. Rosenberg\u2019s papers are in the archives of the Museum of Modern Art in New York. The Fine Arts Library now owns over three dozen of the galleries\u2019 publications.<\/p>\n<p><a href=\"http:\/\/blogs.law.harvard.edu\/finearts\/files\/2013\/08\/KIC-Document_Page_2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-360\" src=\"http:\/\/blogs.law.harvard.edu\/finearts\/files\/2013\/08\/KIC-Document_Page_2-300x235.jpg\" alt=\"\" width=\"300\" height=\"235\" srcset=\"https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2013\/08\/KIC-Document_Page_2-300x235.jpg 300w, https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2013\/08\/KIC-Document_Page_2-1024x805.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Fine Arts library recently purchased two rare exhibition catalogues from Paul Rosenberg\u2019s gallery in Paris.\u00a0 Les grandes influences au dix-neuvieme si\u00e8cle, published in 1925, is one of the earliest of Rosenberg\u2019s documented shows.\u00a0 Exposition d\u2019oeuvres recentes de Henri-Matisse, is from 1936. Rosenberg was Matisse\u2019s dealer and an early champion; this illustrated catalogue is a [&hellip;]<\/p>\n","protected":false},"author":2363,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[18606],"tags":[],"class_list":["post-357","post","type-post","status-publish","format-standard","hentry","category-exhibition-catalogs","post-preview"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8gvrn-5L","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/357","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/users\/2363"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/comments?post=357"}],"version-history":[{"count":4,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/357\/revisions"}],"predecessor-version":[{"id":363,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/357\/revisions\/363"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/media?parent=357"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/categories?post=357"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/tags?post=357"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}