{"id":311,"date":"2012-08-09T09:33:19","date_gmt":"2012-08-09T14:33:19","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/finearts\/?p=311"},"modified":"2013-09-26T10:32:18","modified_gmt":"2013-09-26T15:32:18","slug":"camerawoman-revealed","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/finearts\/2012\/08\/09\/camerawoman-revealed\/","title":{"rendered":"Camerawoman revealed"},"content":{"rendered":"<div id=\"attachment_310\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/blogs.law.harvard.edu\/finearts\/files\/2012\/08\/lucy.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-310\" class=\"size-medium wp-image-310\" src=\"http:\/\/blogs.law.harvard.edu\/finearts\/files\/2012\/08\/lucy-300x235.jpg\" alt=\"\" width=\"300\" height=\"235\" srcset=\"https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2012\/08\/lucy-300x235.jpg 300w, https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2012\/08\/lucy-1024x804.jpg 1024w, https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2012\/08\/lucy.jpg 1731w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-310\" class=\"wp-caption-text\">Capital, San Pedro la Rua cloister, Estella, Spain. Arthur Kingsley Porter Collection.<\/p><\/div>\n<p>The Fine Arts Library holds a collection of over 10,000 photographs of European medieval monuments taken by Professor Arthur Kingsley Porter (1883-1933)\u00a0 in the 1920s.\u00a0\u00a0 The Porter collection includes negatives as well as prints and served as the basis for several of his noted publications such as <a href=\"http:\/\/hollis.harvard.edu\/?itemid=|library\/m\/aleph|004033454\" target=\"_blank\">Romanesque sculpture of the pilgrimage roads<\/a> (1923).<\/p>\n<p>Kathryn Brush, Professor at the University of Western Ontario,\u00a0 has studied Porter&#8217;s work in depth and\u00a0 recently focused on the role played by Lucy Wallace Porter (1876-1962) in her husband&#8217;s photographic campaigns.\u00a0 There is reason to believe that Mrs. Porter took many of the images and even that she may have been the more accomplished photographer.\u00a0 It is of course difficult to attribute responsibility in the absence of detailed shooting records.\u00a0 It was rewarding therefore to locate\u00a0 this image of Mrs. Porter behind the camera as evidence of her efforts.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Fine Arts Library holds a collection of over 10,000 photographs of European medieval monuments taken by Professor Arthur Kingsley Porter (1883-1933)\u00a0 in the 1920s.\u00a0\u00a0 The Porter collection includes negatives as well as prints and served as the basis for several of his noted publications such as Romanesque sculpture of the pilgrimage roads (1923). Kathryn [&hellip;]<\/p>\n","protected":false},"author":2297,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[14654],"tags":[],"class_list":["post-311","post","type-post","status-publish","format-standard","hentry","category-photographs","post-preview"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8gvrn-51","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/users\/2297"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/comments?post=311"}],"version-history":[{"count":5,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/311\/revisions"}],"predecessor-version":[{"id":316,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/311\/revisions\/316"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/media?parent=311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/categories?post=311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/tags?post=311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}