{"id":280,"date":"2012-01-05T14:47:41","date_gmt":"2012-01-05T19:47:41","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/finearts\/?p=280"},"modified":"2012-01-05T14:47:41","modified_gmt":"2012-01-05T19:47:41","slug":"exhibition-catalog-as-artists-book","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/finearts\/2012\/01\/05\/exhibition-catalog-as-artists-book\/","title":{"rendered":"Exhibition Catalog as Artist&#8217;s Book"},"content":{"rendered":"<div id=\"attachment_282\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/blogs.law.harvard.edu\/finearts\/files\/2012\/01\/byarscolor-0000011.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-282\" class=\"size-medium wp-image-282\" src=\"http:\/\/blogs.law.harvard.edu\/finearts\/files\/2012\/01\/byarscolor-0000011-300x291.jpg\" alt=\"\" width=\"300\" height=\"291\" srcset=\"https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2012\/01\/byarscolor-0000011-300x291.jpg 300w, https:\/\/archive.blogs.harvard.edu\/finearts\/files\/2012\/01\/byarscolor-0000011-1024x994.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-282\" class=\"wp-caption-text\">Byars catalogue<\/p><\/div>\n<p>Here are photographs of the unassuming and enigmatic interior of a recently acquired 1977 James Lee Byars catalogue, issued to accompany an exhibition at the St\u00e4dtisches Museum M\u00f6nchengladbach in Germany.\u00a0 A gold box contains a sheet of crumpled black tissue paper with &#8220;TH FI TO IN PH&#8221; printed in gold, short for \u2019THe FIrst TOtally INterrogativ PHilosophy\u2019.\u00a0 Johannes Cladders\u2019 essay is printed inside the box.<\/p>\n<p>Byars\u2019 object is merely the latest addition to our collection of over a dozen M\u00f6nchengladbach catalogs edited or assembled by Cladders in the 1970s and issued in challenging formats such as boxes, scrolls, and portable cases and featuring the work of iconic conceptual artists like Marcel Broodthaers, Giulio Paolini, Daniel Buren, and Jannis Kounellis.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here are photographs of the unassuming and enigmatic interior of a recently acquired 1977 James Lee Byars catalogue, issued to accompany an exhibition at the St\u00e4dtisches Museum M\u00f6nchengladbach in Germany.\u00a0 A gold box contains a sheet of crumpled black tissue paper with &#8220;TH FI TO IN PH&#8221; printed in gold, short for \u2019THe FIrst TOtally [&hellip;]<\/p>\n","protected":false},"author":2363,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[18605,18606],"tags":[],"class_list":["post-280","post","type-post","status-publish","format-standard","hentry","category-artists-books","category-exhibition-catalogs","post-preview"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8gvrn-4w","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/280","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/users\/2363"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/comments?post=280"}],"version-history":[{"count":3,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/280\/revisions"}],"predecessor-version":[{"id":285,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/posts\/280\/revisions\/285"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/media?parent=280"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/categories?post=280"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/finearts\/wp-json\/wp\/v2\/tags?post=280"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}