{"id":9812,"date":"2008-08-24T20:44:36","date_gmt":"2008-08-25T01:44:36","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/ethicalesq\/?p=9812"},"modified":"2011-08-05T14:53:22","modified_gmt":"2011-08-05T18:53:22","slug":"john-barlow-not-only-for-the-birds","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/2008\/08\/24\/john-barlow-not-only-for-the-birds\/","title":{"rendered":"John Barlow: not only for the birds"},"content":{"rendered":"

\"\"<\/a> W<\/em><\/strong>ith the QE2<\/a> going into retirement later this year, the UK needs a grand new symbol of British culture and craft, and of its ties to far-flung shores. Snapshot Press<\/a> may have found the answer, with the launching, on September 18, 2008, of the monumental Wing Beats: British Birds in Haiku<\/em><\/a> (ISBN 978-1-903543-24-5; to order<\/a>). The 320-page volume features 323 experiential haiku and 131 species of British birds. It is written and compiled by John Barlow and Matthew Paul (with haiku by 30 additional poets, such as f\/k\/a’<\/em>s Guest Matt Morden), and has photographic-watercolor illustrations by Sean Gray, plus a foreword by BBC’s naturalist Stephen Moss.<\/p>\n

\"\" Wing Beats<\/em>, with its extensive texts that “explore both British avifauna and the history and intricacies of haiku poetry, considering the relationships between these in a global context,” might do for birding and haiku what Cor van den Heuvel’s Baseball Haiku<\/em> <\/a> did last year to link the American past-time with the poetic genre — by demonstrating their natural affinity, turn haiku fans into lovers of birds and birders into lovers of haiku.<\/p>\n

In the Forward, the Stephen Moss says, \u2018The poems in this volume are worthy heirs to three great traditions: the British love of nature, especially birds; the poetic approach of John Clare, rooted in observation and reality but taking the reader to a higher plane; and finally, of course, the long and venerable tradition of haiku. Similarly, haiku poet, editor and author William J. Higginson<\/a> says:<\/p>\n

<\/p>\n

\"\"<\/a> “In Wing Beats<\/em>, the brief, Japanese-style haiku becomes an absolutely first-rate medium for capturing those fleeting moments all bird-lovers prize. The birds in these poems glide, poke, and zip across the many different landscapes of Britain, punctuating the wind and the sounds of human activity. Substantial appendices discuss how experience and tradition combine to freshen our understanding of the seasons in haiku. I find Wing Beats<\/em> full of acute observations, artistically moving, and intellectually stimulating\u2014a very important book.”<\/p>\n

storm bands . . .
\nthe gathered rooks scatter
\nthis way and that<\/p>\n

still water
\nonly the wing beats
\nof the circling curlews<\/p>\n

… by John Barlow – Wing Beats<\/em><\/a> (Snapshot Press, Sept. 2008) \"\"<\/a>
\n\u201cstorm bands\u201d Magnapoets <\/em>1; \u201cstill water\u201d Simply Haiku<\/em> 5:2<\/p>\n

You can find a few additional sample poems by John Barlow from Wing Beats <\/em>(and also five by Matthew Paul), here<\/a>. In addition, a couple dozen of John Barlow’s avian haiku are featured in an online exhibition at 3LightsGallery<\/a>, titled “The Bittern’s Neck<\/a>” (April 2008), and many will appear in Wing Beats.<\/em><\/p>\n

\"\"<\/a> Despite his ties to Wing Beats<\/em> — as co-author, editor, and publisher — the f\/k\/a<\/em> Gang wants you to know that John Barlow’s haiku oeuvre is not <\/em>solely focused on birds. John’s first book-length collection of haiku, “Waiting for the Seventh Wave<\/em>” (Snapshot Press<\/a>, 2006; order<\/a> form; reviewed<\/a> in Modern Haiku<\/em> Vol. 39.1) shows the diversity of his subjects, styles and moods. Yes, there’s a bird on the cover of Seventh Wave<\/em>, and quite a few bird-ku inside. But, you’ll also find some delightful birdless haiku and senryu throughout the volume — allowing even indoorsy Yankees to relate to poem after poem, without the assistance of an Birders’ Guide (or even a British-to-American English dictionary).<\/p>\n

Indeed, I enjoyed so many of John’s little gems, that I’m going to simply open the book at random and share the first few bird-free poems I find:<\/p>\n

early morning\u2009\u2014
\nthe cat\u2019s tail
\ncircles the bed<\/p>\n

after a day
\nof arguments __
\nnight rain<\/p>\n

train delays
\nfor the fifth day now
\nthe dead fieldmouse<\/p>\n

morning breeze
\nthrough the sunlit flat
\nher perfume lingers<\/p>\n

. . . by John Barlow – Waiting for the Seventh Wave<\/em> (Snapshot Press 2006) \"\"<\/a><\/p>\n

You’ll find more poems from Seventh Wave<\/em> in Michael Dylan Welch’s Modern Haiku<\/em> Review<\/a>, which also takes a long look at Matthew Paul’s The Regulars<\/em> (Snapshot Press, 2006). We wish John and Matthew the best of luck with the launch of their much-anticipated project of love, Wing Beats<\/em>.<\/p>\n

\"\" afterwords<\/strong><\/em> (Aug. 25, 2008). Egrets, They’ve Got a Few<\/strong>: Talk about too much of a good thing. Two years ago, Heather Watts of Willows, California, thought “Wow!” when snowy egrets began arriving at their local park. “But now we just want them gone,” she says. According to the L.A. Times<\/em> (“Egrets ruffle feathers<\/a>,” Aug. 14, 2008; via the Don Weeks’ Show<\/a> and L.A. Now<\/em><\/a> weblog):<\/p>\n

\"\"<\/a> “More than 1,000 birds are nesting there, turning patches of lawn a lunar gray and showering the grass with broken shells and feathers. Officials say their guano is slowly killing 60-foot redwoods and pines.”<\/p>\n

The LAT <\/em>article has more of the gruesome details, and tells of efforts to move the egrets from the park, plus some amazing and revealing photos<\/a>. I don’t know whether this Egret Invasion has inspired many haiku, but a similar episode with Canadian Geese right across the Mohawk River from me, in Scotia, NY, provoked my second haibun, “bad for the gander<\/a>” (May 31, 2006).<\/p>\n

early March \u2013
\nthe weather vane goose
\nstill heading south<\/p><\/blockquote>\n

winter gale \u2013
\ncrows flying farther
\nthan the crow flies<\/p>\n

rubbernecking
\nthe sunset geese \u2013
\nour tailgater honks<\/p>\n

a young cop rousts
\nthe trestle couple\u2014
\ncooing pigeons<\/p>\n

…. by David Giacalone<\/a>
\n“early March” & “winter gale” – Simply Haiku<\/a><\/em> (Autumn 2006, Vol. 4 no. 3)
\n“rubbernecking” – tinywords<\/a><\/em> – December 12, 2006
\n“a young cop rousts” – from the rengay “The Unmade Bed,\u201d (Lynx<\/em><\/a> XXII:3, October 2007)<\/p>\n

at our pond \"\"<\/a>
\nthe geese you shooed
\nfrom your pond<\/p>\n

\u2026\u2026. by dagosan <\/em>(dagosan’s haiku diary<\/a><\/em>, June 11, 2006)
\n<\/em><\/p><\/blockquote>\n","protected":false},"excerpt":{"rendered":"

With the QE2 going into retirement later this year, the UK needs a grand new symbol of British culture and craft, and of its ties to far-flung shores. Snapshot Press may have found the answer, with the launching, on September 18, 2008, of the monumental Wing Beats: British Birds in Haiku (ISBN 978-1-903543-24-5; to order). […]<\/p>\n","protected":false},"author":94,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2422,1852,555],"tags":[],"class_list":["post-9812","post","type-post","status-publish","format-standard","hentry","category-book-reviews","category-haijin-haikai-news","category-haiku-or-senryu"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p6kP1R-2yg","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/posts\/9812","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/users\/94"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/comments?post=9812"}],"version-history":[{"count":2,"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/posts\/9812\/revisions"}],"predecessor-version":[{"id":12200,"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/posts\/9812\/revisions\/12200"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/media?parent=9812"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/categories?post=9812"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/wp-json\/wp\/v2\/tags?post=9812"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}