{"id":4217,"date":"2005-11-16T18:00:41","date_gmt":"2005-11-16T22:00:41","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/formerlyknownas\/2005\/11\/16\/the-plot-reserved-for-me\/"},"modified":"2011-08-05T14:54:24","modified_gmt":"2011-08-05T18:54:24","slug":"the-plot-reserved-for-me","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/ethicalesq\/2005\/11\/16\/the-plot-reserved-for-me\/","title":{"rendered":"the plot reserved for me"},"content":{"rendered":"

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Autumn cold; curtained window<\/FONT><\/DIV>
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of the fortuneteller<\/FONT><\/DIV>
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softly glowing<\/FONT><\/DIV>
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Rainfall pelts the roof–<\/FONT><\/DIV>
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smell of fresh pine chips<\/FONT><\/DIV>
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from the pinto’s empty stall<\/FONT><\/DIV>
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\"ekgG\"<\/FONT><\/DIV>
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autumn evening —<\/FONT><\/DIV>
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yellow leaves cover<\/FONT><\/DIV>
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the plot reserved for me<\/FONT><\/DIV>
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Rebecca Lilly<\/FONT><\/A>  <\/EM><\/FONT><\/FONT><\/DIV>
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“autumn cold” & “autumn evening” – <\/FONT>Shadwell Hills<\/EM><\/FONT><\/A> (Birch Prees Press, 2002)<\/EM><\/FONT>           <\/FONT><\/FONT><\/DIV><\/DIV>
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 “Autumn evening” — <\/FONT>A New Resonance 2<\/STRONG><\/EM><\/FONT><\/FONT><\/A> & Modern Haiku<\/EM> XXX:2<\/FONT> <\/FONT><\/FONT><\/FONT><\/DIV><\/DIV><\/BLOCKQUOTE>
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