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f/k/a archives . . . real opinions & real haiku

February 11, 2008

THN announces 2007 Readers’ Choice Awards

Filed under: haijin-haikai news,Haiku or Senryu — David Giacalone @ 11:13 am

The Heron’s Nest Readers’ Choice Awards for 2007 were announced last night (illustration by Doris Thurston). Congratulations to skipping stones editor Chad Lee Robinson, who was the Grand Prize winner in both categories — Poem of the Year and Poet of the Year. (This will perhaps be a year for handing the torch to a new generation in both poetics and politics: Chad was born in Pierre, SD, in 1980.) This is the favorite poem from Volume IX of The Heron’s Nest:

buffalo bones
wind less than a whisper
in the summer grass

……………………….. by Chad Lee Robinson,
The Heron’s Nest, Reader’s Choice Poem of the Year 2007

This year, eighty-eight “readers” took the time to muse over and evaluate the 485 poems that (after review by “five critical editors”) appeared in The Heron’s Nest in 2007. As often happens (see our “such naches” posting this time last year), members of our f/k/a Honored Guest Poet family were prominently represented among the winning Readers’ Choice poems and poets. To wit:

Favorite Poems

First Runner-up:

circle of lamplight —
I complete the baby quilt
begun for me

…………………. Carolyn Hall

Second Runner-up:

between windows
the space the spider
lived and died
………………… Tom Clausen

Poet of the Year:

First Runner-up

……………. John Stevenson

Second Runner-up

……………… Carolyn Hall

Third Runner-up

……………….. Yu Chang

The Heron’s Nest Vol. IX (due April 2008) [cover detail, Jamie Edgecombe]
As The Heron’s Nest‘s founding editor Christopher Herold reminds us:

Full coverage of the awards, including an overview, editorial commentary,
thirty additional poems that merit inclusion in the “special mention”
section, and comments by several voters will all be presented along with
the four quarterly issues in their entirety in the paper edition of
Volume IX, due to come out early in April.

The cost to purchase a copy of Volume IX is $16 in the United States,
u.s.$18 in Canada or Mexico, and u.s.$20 elsewhere. Please make checks
or money orders payable in U.S. funds to The Heron’s Nest or
Christopher Herold and send to:

The Heron’s Nest
Christopher Herold, Ed.
816 Taft Street
Port Townsend, WA 98368

Click here to see the winning illustrations that will be included in the paper edition of THN IX.

No poet can have more than 8 poems accepted for publication in THN in any year. Only John Stevenson (who is has now taken over as Managing Editor at THN and will no longer by gracing its pages with his poetry) and Yu Chang had 8 poems in THN Volume IX. Carolyn Hall had six. You’ve already seen them here at f/k/a, but here is a reprise of a pair of haiku from each of our aptly-named Honored Guests:

Mother’s Day
filling the bare spots
with nasturtiums

scudding clouds —
the creak of wagon wheels
through Grandfather’s journal

…………………………………………………….. by Carolyn Hall
“deep autumn” – The Heron’s Nest, Vol. IX:2 (June 2007:)
“scudding clouds —” – The Heron’s Nest Vol. IX: 3 (September 2007).

lucky bamboo
a single leaf
tipped with sun

longer days
a nameless bug
on my bicycle

………………. by Yu ChangThe Heron’s Nest, Vol. IX:2 (June 2007)

spring morning —
the hand of a student who
may know the answer

the rooster’s
first five syllables . . .
all he’s got

.… by John StevensonThe Heron’s Nest, Vol. IX:2 (June 2007)

February 10, 2008

by popular demand (we wish): my haiku oeuvre

Filed under: Haiku or Senryu,q.s. quickies — David Giacalone @ 6:57 pm

The political-punditry devil who lurks within the heart of the f/k/a Gang has been dying to write about the presidential nomination process, despite our continuing “no politics” pledge.

To resist the old Temptor within, we’ve needed a project that would fully occupy our idle minds and hands during the run-up to Super Tuesday and its aftermath all this past week (see CNN Election 2008). As a result, dagosan has finally tackled a task that — despite the occasional request by a fevered (and sometimes really cute) fan — has been repeatedly pushed from the top of our To-Do list: bringing the published haiku of David Giacalone together on one webpage. Thus, after avoiding the devil’s workshop trap (while treading lightly on the sinful thin ice of pride and self-aggrandizement), we are pleased to announce the compilation and posting of:

the published haiku of david giacalone (2005 – 2007)

As noted on the compilation page, my haiku and senryu were first accepted for publication in haiku journals in early 2005. Here are the first two:

alone —
hugging
warm laundry

new paperback —
the sun sets
without me

– from The Heron’s Nest (March 2005)

The page is for the one or two kind souls interested in following my progress in this poetic genre — but not interested enough to click all of the links in my dagosan haikai archives, much less searching the back pages of f/k/a, or my personal poetry weblogs (dagosan’s haiku diary and simply senryu) or group weblogs such as Magnapoets Japanese Form. I’ve brought together each of the poems which were selected by journal or anthology editors for publication in 2005 through 2007, and presented them, in chronological order of their appearance, with hyperlinks provided to all of the pieces available online.

Going through my one-breath poems again has been both encouraging and humbling. (Made even more humbling, as I uploaded the page, by the release this afternoon of the annual The Heron’s Nest Readers Choice Awards, Vol. IX, 2007, which honors some of the true super-stars of modern English-language haiku, and will be featured here at f/k/a tomorrow; and by the recent launch of young Collin Barber’s haiku weblog, which features his impressive collection of published work). My batch of about 90 haiku and senryu is big enough to feel good about, without being too large to handle on one page of a weblog.

The process of reviewing my earliest poems, and deciding to shine a spotlight on them, caused a few thoughts I’d like to share:

  • I wish I hadn’t stopped my self-imposed obligation to write at least one poem a day “good enough to post at my weblog without being too embarrassed.” That discipline produced many more poems worth submitting to journals than my current haphazard approach to penning poems. As with my academic and legal careers, like my Cartoon Buddy Calvin, I need deadlines to be productive. On the other hand, I’m not possessed by the constant need to submit poems to journals and contests, and I’m glad that there is no inner fear that I must publish or perish as a haiku poet.
  • Experience and evolving tastes and preferences (see, e.g., my essay on “tell-ems“), makes me want to edit a bunch of them, but I’m satisfied with learning from my own mistakes.
  • Many thanks to all the haiku poets living and dead who have inspired, instructed, and encouraged me (especially our f/k/a Honored Guest Poets). And thanks to readers of this weblog, and a handful of kith and kin, who have let me share my enthusiasm for haiku, and even caught the fever from me.

I do not believe that a poem has to be accepted by leading haiku journals or publications, to be valuable or successful. But, a little validation from a respected editor can still brighten the day of all us aspiring haikai writers. I hope at least a few of the poems in my “published oeuvre” win your approval, too.

The greedy little punditry devil made me add this Notice, paraphrasing my anonymous blawgger buddy Baby Barista: “Any haiku publisher wishing to make dagosan an offer he cannot refuse should contact him by email or using the Comment box below.”

the published haiku of david giacalone (2005 – 2009)

Filed under: Haiga or Haibun,Haiku or Senryu — David Giacalone @ 5:32 pm

boy writing flip My haiku were first accepted for publication in haiku journals in early 2005. This page is for anyone interested in following my “progress” in this poetic genre. I’ve compiled each of the poems — over 100 haiku and senryu — which were selected by journal or anthology editors for publication from 2005 through 2009.  They are presented below, in chronological order of their publication. Hyperlinks are provided to all of the pieces available online.  You can share this posting using the short URL: http://tinyurl.com/Dagosan

Rather than clutter this page with my personal reaction to the process of reviewing my “published haiku oeuvre,” I’ve offered a few inanities and banalities in a simultaneous posting here. If you insist on seeing more of my work, check out the dagosan haikai archives, or go to my ongoing (but sporadic) weblogs dagosan’s haiku diary and simply senryu.

2005

alone —
hugging
warm laundry

new paperback —
the sun sets
without me

– from The Heron’s Nest (March 2005); “alone” & “new paperback

 

frozen river–
snow hides
the elm’s reflection

Mainichi Daily News Haiku Column No. 669 (March 5, 2005)

 

to-read list
and summer corn
growing, growing

old dog and master
jostling
for the tiny spot of shade

 

storm alert
every kind of cloud
in one sky

 

blue sky
behind bare branches
year-end bonus

Legal Studies Forum XXIX:1 (2005; pages 275 – 276)

 

it’s pink! it’s purple!
sunset inspires
more bickering

Frogpond — the journal of the Haiku Society of America, (Vol. XXVIII: 2, 2005) – click to see a subsequent haiga incorporating this poem –

that little grunt
dad always made —
putting on my socks

Frogpond (XXVIII: 2, 2005); repub. in inside the mirror: Red Moon Anthology 2005; used in a memorial haiga, here.

 

Adirondack chair
upholstered
with snow

 

Spring arrives —
peeps
melting on the dashboard

 

first scull of the year
my arms ache
just waving

 

cherry tomatoes
on toothpicks — a vapor trail
spears the midday moon

 

her chocolate breath
mingles with mine —
easter sunset

 

– – Simply Haiku (Vol. 3, No. 4, Winter 2005)

 

fallen blossoms —
soon
just another tree

 

mom’s arthritis
acting up again–
I take two Advil

 

squinting to see him —
another generation
sent to right field

 

roadrunnerAA Roadrunner Haiku Journal (V:4, Nov. 2005; image: by Aurora Antonovic); “squinting to see him” – Tie, The Scorpion Prize for Best Haiku/Senryu of ISSUE V:4; repub. in Baseball Haiku (Ed. Cor van den Heuvel and Nanae Tamura; W.W. Norton Press 2007)

 

winding road —
under the influence
of a strawberry moon

………………. in The Heron’s Nest(VII: 4, Winter 2005)

2006

last week of the year
ice floes rush
to the waterfall

january thaw
motionless trees
tremble in the river

hazy winter moon
the face I met
when our skin was smooth

….. Roadrunner Haiku Journal Issue VI: 1 (Feb. 2006)

Indian Summer —
a squirrel tips over
the bag of rock salt

The Heron’s Nest VIII:I, March 2006 thnLogoG

falling blossoms —
soon
just another tree

Adirondack chair
upholstered
with snow

frozen river —
snow hides
the elm’s reflection

Legal Studies Forum XXX (March 2006)

last day of winter —
ice smothers
the early buds

c’mon, equinox —
anxious to plant
impatiens

storm windows off:
the old man curses
the noisy neighbors

– Nisqually Delta Review (Winter-Spring, 2006; errata page)

farewell picnic —
wind blows the blossoms
off the dogwoods

waking
to dogwood blossoms —
the boys like pink today

april showers!
trudging back
to fetch a snow brush

almost april —
baked apple season
lingers

spring arrives —
new snow bleaches
old snowbanks

the smile that humbles
the cherry blossoms –
too far to see her

rain
on my bald spot —
recalling dry-scalp Aprils

coldest day this winter —
the early buds
miscarry

brushing off the snow –
warm enough today
for a park bench moment

Haiku Harvest (Spring & Summer 2006, Vol. 6 No. 1)

low gray sky —
an afghan warming
on the radiator

The Heron’s Nest (VIII: 2, 12 #5, June 2006)

sculpting cloud peaks
from shampoo suds —
crooked fingers

muddy bootprints
in the kitchen –
spring follows us home

U-Haul tires
spin on the ice —
windchimes packed in a box

wintry mix
a snow buddha
and a mud buddha

mid-March winds –
a too-warm coat
suddenly too thin

hardboiled eggs –
the first one
peels easily

………………… in Clouds Peak #1 (July 2006)

at the crosswalk –
leaves and a garbage can
hurry past

autumn equinox —
awakening to
summer’s last cricket

rattle, whir, hum —
three-fan
august night

Columbus Day rain—
first cozy evening
since spring

too cold for fireflies—
campfire sparks
float past the rocks

perched on
the sumo’s belly–
one large pumpkin

– – Nisqually Delta Review (summer/fall issue 2006)
“too cold for fireflies—” & “autumn equinox –” – Editor’s Choice Selections

almost sunset
the weekend dad
drags a sled up the hill

hard-to-peel
tangerine —
her citrus-scented fingers

…………………. in Frogpond XXIX: 2 (2006)

sudden downpour —
no one wins
the wet-t-shirt contest

…………… tinywords Aug. 12, 2006

the pond ices over –
impressionist to
cubist overnight

early March —
the weather vane goose
still heading south

winter gale —
the crows fly farther
than the crow flies

small sad face
in the puddle —
last weekend’s snowman

a warm yule . . .
the ice-fishing hole
mostly hole

…….. Simply Haiku (Autumn 2006, Vol. 4 no. 3); “small sad face” – repub. a procession of ripples anthology (p. 18)

morning shadows –
the gunslingers wait
for high noon

the view
from the sofa –
April madness

HaigaOnline Issue 7-2 (Autumn-Winter 2006)
Click to see the original photo-poem haiga combinations –
morning shadows” & “view from the sofa

her words sting —
the mosquitos take me
just as I am

Frogpond, XXIX: 3 Fall 2006

Mother’s Day–
admiring lilacs
just past their peak

The Heron’s Nest (VIII: 4, December 2006) –

rubbernecking
the sunset geese —
our tailgater honks

tinywords – December 12, 2006

2007

curtain time:
the stage crew as silent
as the props

snowmelt
sunset
comes too soon

the lawn crunches
Spring’s first bocce match
postponed

 

april storm —
borrowing the neighbor’s
rock salt

a foot of snow
a month too soon
candles for nightlights

his face frozen —
just like mama
always said

Simply Haiku Journal, Modern Haiga, Vol. 5 no. 1 (Spring 2007); photos by Arthur Giacalone; see the original photo-poem haiga by clicking on these links:
curtain time:” – “snow melt” – “the lawn crunches” –
april storm —” – “a foot of snow” – “his face frozen –”

alone at dusk
footsteps approach
from behind

– from World Haiku Association 44th Haiga Contest (April 2007)

squinting to see him
another generation
sent to right field

law office picnic
the ump consults
his Blackberry

BaseballHaikuCover – in Baseball Haiku (Cor van den Heuvel and Nanae Tamura, eds., W.W. Norton Press, April 2007) “squinting” – org. pub. Roadrunner Haiku Journal (V:4, Nov. 2005; tie Scorpion Prize)

lull in the parade
small hands reach
for the same balloon

– orig. version of poem in a haiga, 45th WHA Haiga Contest (May 2007)
– above haiga, with poem slightly revised (thanks AA), first at MagnaPoetsJF in b&w version (June 1, 2007)

*

*

three feet of snow
the firehouse dog
follows the hose

early thaw
she serves the canard
a l’orange

drawn butter
and chardonnay –
he sets the trap

ladybug
in the spider’s web –
yesterday’s horoscope

catnap onshore –
a wake sinks
the dream flotilla

on the novice trail –
climbers wave
from the peak

….. in HaigaOnline Spring/Summer 2007 Vol. 8-1
– see the original photo-poem haiga by clicking on these links:
three feet of snow” – “early thaw” – “drawn butter” –
ladybug” – “catnap onshore —” – “on the novice trail –-”

mommy, look!
an early moon floats
above the setting sun

…. The 49th. WHA Haiga Contest (10/2007) "mommy look" haiga - WHA

first the scent –
lilac bushes
’round the corner

blustery day
one tulip
keeps his head

blossoms on the breeze —
the tilt
of illegible gravestones

full morning moon —
the working girl’s
gauzy blouse

fireworks finale!
her eyes return
to the fireflies

— – Simply Haiku, Autumn 2007, vol 5 no 3 –

“full morning moon” – repub. in dust of summers: The Red Moon Anthology of English-Language Haiku 2007 (Red Moon Press, 2008)

first snowfall –
a city-full
of student drivers

………. in tinywords November 23, 2007

cloud-covered night–
no moon, no fireflies,
no goodnight kiss

. . . in “Lanterns: a firefly anthology” (Edited by Stanford M. Forrester, Bottle Rockets Press, 2007}

hazy harvest moon
the face I met
when our skin was smooth

…….. The Heron’s Nest (Vol. IX: 4, Dec. 2007)
[Note: This poem was re-written to commemorate the 60th Wedding Anniversary of Arthur & Connie Giacalone; the original version appeared in Roadrunner Haiku Journal Issue VI: 1 (Feb. 2006)]

(more…)

February 8, 2008

rats! unmasking an anonymouse blawg maven

Filed under: Haiku or Senryu,lawyer news or ethics,q.s. quickies — David Giacalone @ 8:39 pm

Happy Lunar New Year! It is, of course, the Year of the Rat. While Westerners tend to have a rather negative image of the poor, misunderstood rodent, in Chinese culture the Rat is the symbol of hope, cleverness and illumination. And, according to the Las Vegas Sun, Chinese New Year brings the “second-biggest gaming weekend of the year.”

hidden in shadows
a laughing mouse…
New Year’s inventory

the kettle’s lid
rattle, rattle…
New Year’s herbs

bedtime sake–
whether the new year comes
or not

………………………. by Kobayashi Issa, translated by David G. Lanoue

As Paul Noll reminds us, “People born in the Zodiac Year of the Rat [2008 and 12-year intervals] are noted for their charm and attraction for the opposite sex. They work hard to achieve their goals, acquire possessions, and are likely to be perfectionists. They are basically thrifty with money. Rat people are easily angered and love to gossip. Their ambitions are big, and they are usually very successful.” If you’re born in a Year of the Rat:

You are imaginative.
You are generous.
You can be quick tempered.
You will be happy as a writer, critic or publicist.

. [“Rat Pack”/LV Sun] Except for the “quick tempered” facet, this description of “Ratters,” reminded me quite a bit of the person I was having a long lunch with yesterday, while ringing in the Lunar New Year in downtown Schenectady, NY, a couple blocks from the landmark GE Sign. However, although he did order a cheese omelette, I can not confirm whether my pleasant luncheon companion is, indeed, a zodiac Rat. You see, he’s the infamously anonymous “Ed,” editor of Blawg Review. And, although he made a special stop in Schenectady — coming by Amtrak from LegalTech NY 2008 in Manhattan and heading to Buffalo to meet with clients — the mysterious Ed would not reveal his true identity.

sprinkled in
with the new year’s rain…
flitting snow

………………………. by Kobayashi Issa, translated by David G. Lanoue

Naturally, I was truly honored that the man who gave f/k/a the Blawg ReviewCreative Law Blog Award” in 2005, placed us on his ten-best blawg list last year, and has been our best long-distant proofreader and cheerleader for three years, made a stop in our humble little city, just to meet me. But, let’s be frank (in addition to the initial letdown when I realized Ed was not in fact Anne Reed of Deliberations weblog): I’m both disappointed and irked that Mr. Editor didn’t take me into his confidence and reveal his true identity. As I told Ed, “You’re the first pseudonymous lunch companion I’ve ever had.” And, let’s hope, the last.

PhantomMask Although I understand how this Anonymity Thing started, and can sympathize with the almost-captive nature of the Anonymous Editor Mystique, I believe I owe it to readers and bloggers across the blawgiverse to help unmask the man behind the unseemly secrecy shtick. In addition to this Law.com headline: “EDD uncertainty looms over LegalTech,” the frustration of weblogging lawyers who encountered Ed at LegalTech NY this week can be seen in posts by Robert Ambrogi at Lawsites (“Sighted: Anonymous Blawg Review Editor,” Feb. 7, 2008) ; Eric Turkewitz at New York Personal Injury Law Blog; (“Anonymous Blawg Review Editor Spotted at ALM’s LegalTech Trade Show,” Feb. 6, 2008); and John Bringardner at LegalBlog Watch (“LTNY 2008: Anonymous Blawger Sighting“, Feb. 7, 2008).

for drinking buddies
the usual New Year’s pilgrimage…
sake shop

the cat steals
a New Year’s nap…
sitting room

……………………………….. by Kobayashi Issa, translated by David G. Lanoue

Eric (here) and Bob (there, see the figure in black, in profile, on the far left) each tried to photograph “Ed,” but were foiled, with disappointing results. Therefore, although I was too cowed and polite yesterday to whip out my Canon PowerShot and steal Ed’s soul, I decided this morning that I had to help identify this self-proclaimed Mummer Blawgger. Despite doing a little bit too much Year of the Rat revelry last night, I sat down with a retired police sketch artist and worked for hours to reproduce the likeness of the man who sat across from me for so many hours yesterday. To the best of our ability, we came up with what I believe is a striking likeness:

Ed Post,”Blawg Review ‘s Anonymous Editor

Because the complete drawing depicts a dramatization of a felonious action that is a bit spotty in my memory, and may not have occurred exactly as shown, I’m only including a mug shot of “Ed Post” in this posting. Our hope, of course, is that someone out there will be able to make — perhaps aided by the profile and chin shots taken by Bob and Eric, and some high-tech facial recognition software — a definitive identification of the man known in the blawgisphere as Ed of Blawg Review (f/k/a Ed Post).  Please let us know, if you can help in our effort. Anonymous comments shall, however, be ignored.

into the snake’s hole
oh foolish
mouse

………………. by Kobayashi Issa, translated by David G. Lanoue

mistaken for a mime –
the vampire bites
and blogs about it

……………………. by dagosan

loft cleaning —
the mouse nest in a gift
from amsterdam

………. by matt morden – Morden Haiku

February 7, 2008

more treats from dust of summers

Filed under: Haiku or Senryu — David Giacalone @ 8:03 am

We promised you yet more of the “best” haiku and senryu published in 2007, as selected by the Editorial Staff of Red Moon Press, and presented in “dust of summers: RMA 2007”.

dust of summers: The 2007 Red Moon Anthology of English-Language Haiku,” edited by Jim Kacian and the Red Moon Editorial Staff, Red Moon Press, Winchester, VA, USA, 172 pages, ISBN: 1-978-893959-68-2, $16.95; see cover)

So, without further fuss, here are a dozen one-breath poems (out of the 154 included in RMA 2007), which were written by f/k/a‘s Honored Guest Poets:

hospice
my father slips out
of the conversation

after hours
the grief counsellor
loosens his tie

first crocus
I make a promise
I can’t keep

…………………….. by Tom Painting in “dust of summers: RMA 2007
orig. pub. “after hours” – Modern Haiku 38:2
“first crocus” – 5th Shiki Kukai Poets’ Haiku Contest 2007
“hospice” – Modern Haiku 38:3

calling home–
the color of mother’s voice
before her words

………………… by Hilary Tann, in “dust of summers: RMA 2007
orig. pub. The Heron’s Nest IX:4

cloud-free dawn . . .
the dent in the fender
holds its darkness

………………………………. by George Swede in “dust of summers: RMA 2007
orig. pub. Acorn 18

after the funeral
the weight of potato salad
on a spork

…………….. by Andrew Riutta in “dust of summers: RMA 2007
orig. pub. Frogpond XXX:2

spring sleet
mother describes
the night I was born

…………………… by Ed Markowski in “dust of summers: RMA 2007
orig. pub. RAW NerVZ :4

blue butterfly
I keep coming back
to the same place

…………. by Peggy Willis Lyles in “dust of summers: RMA 2007
orig. pub. Chrysanthemum 2

she thought we should have sex but nothing fancy autumn rain

……………. by Lee Gurga in “dust of summers: RMA 2007
– orig. pub. Modern Haiku 38:2

fading contrail
I put off
returning Dad’s call

clear winter sky
she answers my call
before the first ring

………… by Carolyn Hall in “dust of summers: RMA 2007
– orig. pub. – “fading contrail” – Modern Haiku 38:1
“clear winter sky” –Modern Haiku 38:2

breakup–
my daughter’s voice cracks
across two continents

………………… by Roberta Beary in “dust of summers: RMA 2007
– orig. pub. Frogpond XXX:2

February 5, 2008

imagining Schenectady with no GE Sign

Filed under: Haiku or Senryu,q.s. quickies,Schenectady Synecdoche — David Giacalone @ 5:43 pm

It can now be revealed: My “three magi” poem in our “Holiday Haiku from Schenectady” collection was referring to the arrival of three haiku poets in Schenectady from distant points of origin, and was inspired by the venerable (not venerated) General Electric sign, which has long been a major symbol and icon for Schenectady, the birthplace of GE. As the Schenectady Gazette recently noted, the sign was erected in 1926 and placed on the National Register of Historic Places in 1975. “The company uses 1,399 bulbs to illuminate the 10-foot letters and the huge GE logo, which is 36 feet in diameter. The entire sign stretches 168 feet along the top of Building 37.”

At night, I can see the GE sign from my back yard along the Mohawk River.  It’s been on my mind the past few days, however, due to an article in last Saturday’s Gazette. Titled “Rule nearly brings down GE icon: Schenectady plan calls for removing ‘free-standing’ signs” (by Kathleen Moore, February 2, 2008), the article begins:

“A new rule intended to clean up the city’s streetscapes almost had the unintended consequence of eliminating the historic General Electric sign.

“The brightly lighted landmark nearly fell afoul of a new rule included in the proposed new comprehensive plan, which states that all illegal signs must be removed by 2010.

“The goal is to accelerate the city’s long effort to get rid of billboard-style signs in front of businesses. The problem is that General Electric’s 82-year-old sign is just as illegal as the oversized signs that have been more recently installed in front of other businesses.”

The Gazette [see its photo] says the city’s zoning and planning moguls were stumped when they first realized that their proposed comprehensive plan would require tearing down a beloved local landmark. You see, in addition to its excessive size, the GE Sign sits on a roof and, according to Zoning Officer Steve Strichman, “Rooftop signs are simply not allowed in Schenectady.”  Moreover, Strichman aims to rid Schenectady’s streets of highway-oriented signs that are “out of pedestrian scale.”

Therefore, despite really wanting to eliminate non-conforming rooftop signs over the next two years, the planning board decided on a rule that merely mandates “all illegal ‘free-standing’ signs be corrected by 2010.”

can’t quite get over
the high rooftop…
firefly

deep snow–
on the signpost
a crow caws

……………………. Kobayashi Issa, translated by David G. Lanoue

I’m really glad our civic leaders want to save this famous sign, which adds a lot to our rather minimalist urban skyline. But, as has often happened in my two decades as a resident of Schenectady, I’m scratching my head over the apparently inept (and often inapt) lawyering that goes into our law-making.   It seems to me that even a second year law school student, taking Zoning 101, could have come up with a quick fix for Schenectady’s comprehensive plan that would both 1) save a protected historic landmark that is situated on an enormous tract of land, in a (very non-residential) heavy industrial zone, and set far back from a broad one-way thoroughfare (with no neighbors across the street), and also 2) provide that nonconforming rooftop signs in or near residential and mixed-use zones, or along our narrow city streets be removed in the next two years.

show me yours.
you first.
barn roof creaks

……………..…. by Randy Brooks – from School’s Out (Press Here, 1999)

Of course, I first learned thirty years ago (when even Washington Post legal-beat reporters kept mis-stating the facts and law in cases I worked on at the Federal Trade Commission), that newspapers can get things wrong when describing laws and the details of lawmaking.   So, I’d be most pleased to have a more flattering account of what went into the efforts to salvage the future of the GE Sign.  Since I can’t image Schenectady’s skyline without it, I’m pleased indeed that this catastrophe, or the customary embarrassment around this town when inadvertent regulatory missteps are noticed too late, was avoided.

through a hole
in the fog billboard girl’s
radiant face

……………………………. by George Swede
from Almost Unseen (Brooks Books, 2000)

city lights –
the brightest are all
selling something

snowing hard
no road sign
to obey

………… . . by John Stevenson, Upstate Dim Sum

rooftop garden
she collects the rain
in saucepans

………………………. by Tom Painting – 2nd Place, July 2006 Shiki Monthly Kukai-Kigo

February 4, 2008

latest issue of Frogpond is Stevenson’s last

Filed under: Haiku or Senryu — David Giacalone @ 7:10 pm

Frogpond XXXI:1 (Winter 2008; see cover) arrived over the weekend, and it has been a superb antidote to both Super Bowl excess and Super Tuesday agita. Its quality represents a fitting final chapter to John Stevenson‘s stewardship of the journal of the Haiku Society of America.

halfway across the bridge
the quiet part
of the river

…………………………. by Hilary Tann – Frogpond XXXI:1 [Note: this is a corrected version of the poem, substituting “of” for the typo “or”]

As we reported last September, John Stevenson has taken over as the new Managing Editor of The Heron’s Nest. The next issue of Frogpond (Spring/Summer 2008), will be in the good hands of another of f/k/a’s haiku friends, the venerable George Swede (see our prior post). Congratulations to John on a job done with style and great care, and best wishes to him and to George in their new roles at the helms of two of the haiku community’s most important journals.

Eleven of the haiku and eleven of the senryu in Frogpond XXXI:1 were penned by members of our Honored Guest poets team, and we’ll be sharing them here at f/k/a.   You’ll find their senryu from the Winter 2008 edition of Frogpond below.   (Samples of their haiku will be posted before Valentine’s Day.)

Senryu from Frogpond XXXI:1 (Winter 2008):

mixed in
with the instructions
her perfume

…………… by Tom Clausen

sea spray —
the time it takes
to think twice

………………………………….. by Alice Frampton

the longest day
kids playing Quidditch
on earth-bound brooms

southern drawl
smoldering underbrush
reignites

……. by Peggy Willis LylesHSALogo

Mother’s Bible
the binding peels
in my palm

separation
she turns on
all the lights

………………….. by Pamela Miller Ness

This edition of Frogpond sports a photograph on its cover for the first time — a lily pad image taken by Yu Chang. For several years, HSA’s (apparently former) logo — a sumi-e brush painting of a heron, by Stephen Addiss — could be found on Frogpond‘s cover. We like the water lily and hope it will stay for a while on Frogpond‘s cover (and not be the start of a series of photos).

warming up
over a cup of tea
my mother-in-law

……………………………. by Tom Painting

funeral mass
my sister’s hat
blocks the view

…………………… by Roberta Beary ..

she’s naked in the hallway
I put on
my glasses

…………………….. by David Lanoue

tavern’s square tank
fish swimming
in circles

……………………….. by George Swede

Speaking of human nature circa 2008, the commercials from Super Bowl XLII might surely inspire quite a few senryu. Need a nudge? How about Richard Simmons as road kill?

watching a rerun
my granddaughter
in my daughter’s arms

……………………………. by Yu Chang

check out the American Haiku Archives website

Filed under: haijin-haikai news — David Giacalone @ 11:02 am

The American Haiku Archives launched its website on February 1, 1008. At the site, I learned that

“The American Haiku Archives is the world’s largest public collection of haiku and related poetry books and papers outside Japan. This repository is housed at the California State Library in Sacramento, California, and is dedicated to preserving the history of North American haiku.”

Garry Gay and Randy Brooks are co-chairs of the AHA advisory board. Brooks designed the site, and Michael Dylan Welch is the webmaster. Click to learn how to do online research at AHA. The Archives is seeking donors to help support its mission, which includes “promotion of haiku and related poetry as a vital component of literature in the English language.

Go here, for answers to Frequently Asked Questions, and find a link for sending additional queries to Michael Dylan Welch.

tai chi
with my wife . . .
morning glories open

school’s out—
a boy follows his dog
into the woods

creek water warm . . .
I swing the grapevine
up to my cousin

……………………………………….. by Randy Brooks

first star—
a sea shell held
to my baby’s ear

after the quake
the weathervane
pointing to earth

warm winter evening—
the chairs askew
after the poetry reading

…………………………………………… by Michael Dylan Welch

[Note: the original publishers of the above poems were not credited at the AHA website.]

Best wishes and thanks to all those working to make the American Haiku Archives a success.

February 3, 2008

a peek inside dust of summers: RMA 2007

Filed under: haijin-haikai news,Haiku or Senryu — David Giacalone @ 5:23 pm

We previewed the 12th and newest edition of the annual Red Moon Anthology, dust of summers, three days ago. Since then, my copy of RMA 2007 arrived, allowing me to tell you a lot more about dust of summers and — more important — share many of the “best of 2007” poems written by members of the f/k/a family of Honored Guest Poets, whose work made it through the rigorous RMA selection process.

reversible jacket
the side
I always show

Colonel Mustard
in the library . . .
winter night

my hands at rest
in dishwater . . .
first hummingbird

………………………. by john stevenson in “dust of summers: RMA 2007
“reversible jacket” – orig. pub. Upstate Dim Sum 2007/1
“Colonel Mustard” – orig. pub. Modern Haiku 38:2
“my hands at rest” – orig. pub. The Heron’s Nest IX:3

dust of summers: The 2007 Red Moon Anthology of English-Language Haiku,” edited by Jim Kacian and the Red Moon Editorial Staff, Red Moon Press, Winchester, VA, USA, 172 pages, ISBN: 1-978-893959-68-2, $16.95; see cover)

Congratulations to the 152 haijin [meaning writers of haiku-related literature, not obsessive video gamers] whose works have been included in “dust of summers: RMA 2007.” Although we’ve often noted that no “best of” list can please everyone or avoid under- and over-inclusiveness, no publication does a better job than RMA in “assembl[ing] the finest haiku and related forms published around the world in English in a single book.” This year’s volume contains 154 haiku and senryu, 29 linked poems (haibun, renku and rengay), and 5 essays “on the reading, writing and study of the genre.”

gathering dusk
my son bowls me out
for the first time

a colleague’s sigh
arrives before he does
monday morning

february dawn
a tub of washing
all run blue

………… by matt morden in “dust of summers: RMA 2007
– all from Stumbles in Clover (Snapshot Press 2007)

Of the 127 poets whose haiku or senryu appear in RMA 2007, a mere seventeen achieved the coveted RMA hat-trick in 2007 — having three of their poems selected for inclusion in the anthology. In addition to hat-trickers Collin Barber, John Barlow, Ernest J. Berry, Ferris Gilli, Marcus Larsson, Daniel Liebert, Chad Lee Robinson, and Harriot West, nine members of our f/k/a family were so honored:

checkRed Roberta Beary, Yu Chang, Carolyn Hall, Jim Kacian, Peggy Willis Lyles, paul m., Matt Morden, Tom Painting, John Stevenson

In addition, out of that distinguished group, Carolyn Hall also had a rengay chosen for dust in summers (authored with our Billie Wilson); Roberta Beary had two of her haibun selected (short prose pieces with a linked haiku, one of which we posted on Jan. 30th); and Red Moon editor Jim Kacian also had a haibun and an essay chosen by the Editorial Staff for RMA 2007.

All told, 22 of the 27 living poets whose haiku and senryu appear at this weblog, are represented in “dust of summers.” In addition to those listed above, you’ll find the following f/k/a haijin in RMA 2007: Tom Clausen, DeVar Dahl, Alice Frampton, Barry George, David Giacalone, Lee Gurga, David Lanoue, paul m., ed markowski, w.f. owen, Andrew Riutta, George Swede, Hilary Tann, and Billie Wilson.

Because our Honored Guests generously allow f/k/a to re-publish their poems, I’ll be sharing items from RMA 2007 with you over the next week (which, like those in our preview, will be permanently available in our archives). Here, for your pleasure, edification, and evaluation are a dozen or so:

blind date
I ask the waitress
for a candle

autumn colors
we paddle closer
to the mountain
………………………. by yu chang in “dust of summers: RMA 2007
“blind date” – orig. pub. Modern Haiku 38:3
“autumn colors” – orig. pub. Frogpond XXX: 1

old friends talk
each holding
car keys

………….. by tom clausen in “dust of summers: RMA 2007
orig. pub. Frogpond XXX:1

autumn light —
the smell of tomato vines
on my fingers

…………………….. by devar dahl in “dust of summers: RMA 2007
orig. pub. 5th Shiki Poets’ Choice Awards

cloudy water
in the bud vase —
children grown and gone

………………………… by alice frampton in “dust of summers: RMA 2007
orig. pub. Frogpond XXX:1

winter sunrise__
the night waitress slowly
buttons her coat

…………………………. by barry george in “dust of summers: RMA 2007
– orig. pub Greieri si crizanteme

checkG

followed home
by a dog I don’t know
autumn dusk

splitting wood–
for a moment the log
holds the axe

…………………… by jim kacian in “dust of summers: RMA 2007
“followed home” – orig. pub. Robert Spiess Memorial Haiku Contest 2007
“splitting wood” – orig. pub. mayfly 42

Nearer the Mirage 

sun through dusty windows–
so many trinkets
with lost meaning

childhood. . .
my brother’s version

autumn rain
she leaves the weeds
on her father’s grave

the lines
all nodding in unison
last night’s dream

desert heat–
we move nearer the mirage

mayflies–
from the debts of the stream
a trail of bubbles

……………… a rengay by billie wilson and carolyn hall in “dust of summers: RMA 2007
– orig. pub. Frogpond XXXI: 1 [note: the title above is the correct, original title]

So far, I’ve only been able to focus on the poems written by f/k/a‘s Honored Guests, so I cannot give an overview on the “too many senryu” and “too many tell-ems” complaints that arose with RMA 2006. I can say that there were fewer tell-ems than I had feared among those written by our Honored Guests, but enough to give me a little case of agita.

January 30, 2008

RMA 2007 is here!

Filed under: Haiga or Haibun,haijin-haikai news,Haiku or Senryu — David Giacalone @ 1:32 pm

dust of summers: The 2007 Red Moon Anthology of English-Language Haiku,” edited by Jim Kacian and the Red Moon Editorial Staff, Red Moon Press, Winchester, VA, USA, 172 pages, ISBN: 1-978-893959-68-2, $16.95; see cover)

day moon
we windowshop
caskets

…………………….. by Roberta Beary, USA, – dust of summers: RMA 2007; orig. pub. NOON 5

RMPLogo In the haikai community, the annual edition of the Red Moon Anthology is even more anticipated than Groundhog’s Day. Each volume in the much-honored RMA series attempts to collect “the best English-language haiku and related writings from around the world” published in the prior calendar year, as selected by the dozen distinguished members of its editorial board. Seeing which poems are included and savoring/judging them individually and collectively is an addiction for many poets and readers of the genre.

The new volume of RMA is not usually available before February, so when it’s out before Punxsutawney Phil shows his cute, furry head, it’s easy to predict an especially good and timely year for the oft-pokey haiku press. The twelfth volume in the RMA series is “dust of summers: RMA 2007.” My copy should arrive by the weekend, but I wanted to let f/k/a‘s readers know they can already get RMA 2007 from Red Moon Press. I also wanted to speculate a little before seeing this edition — wondering if some unaccustomed criticism in 2007 had any effect on this year’s version of 2007, and whether controversy will spur sales, as it does in so many other literary fields.

big sky: rma 2006 BigSkyRMA2006

As you may recall, I lamented last June that at least 25 of the 165 haiku and senryu chosen for “big sky” by RMA’s editors as “the finest haiku . . . published around the world in English in 2006” were tell-ems — poems in which the poet “tells” what is on his or her mind (by stating an insight or intellectual conclusion, or naming an emotional state) rather than “showing” us through images based on sensory experiences. My original “psyku” essay last year, and the follow-up anchovie piece at year-end, argue and assert that tell-ems — no matter how interesting the notion presented or how honored their authors — are second-rate representations of the haiku genre, which (as Prof. Yabut might say) deserve rewriting, not rewards. They rarely, if ever, belong in our best journals, much less in contests and anthologies proclaiming to present the very best haiku and senryu. So, I’m hoping that dust of summers will be kind to my haiku psyche, and not inspire an undue amount of agita and anchovy-parodies.

A far more prominent criticism of big sky: rma 2006 came from Robert Wilson, the managing Editor of Simply Haiku, in a book review published in his e-journal’s Summer 2007 edition. Robert’s basic complaint was that — for an anthology purporting to be “the best haiku” — there were simply too many senryu in RMA 2006, and they were not labeled as such to distinguish them from the haiku. Although he found a few excellent senryu, Wilson worried that many readers will be “confused about the difference between the two genres,” and he opines:

“There are some brilliant English language poets, but many are missing from Big Sky in favor of some of the above [senryu] inclusions. Perhaps the anthology’s editors didn’t look hard enough. I hope they dig deeper for next year’s anthology. And will be more up front next time and identify any senryu as such. “

I’m eager to see whether either criticism had any influence on this year’s selection by the RMA Editorial Board. As Red Moon noted when it unveiled big sky, “this most decorated series in haiku history [has been] winner of the Haiku Society of America Merit Book Award for Best Anthology virtually every year since its inception.” For whatever reasons (perhaps those noted above), RMA 2006 did not receive the Merit Book award this year. I hope and expect that dust in summers will be a major contender again for that coveted prize.

The Red Moon website tells us that dust of summers includes “150 poems, 25 linked pieces and half a dozen critical works which encapsulate the very best writing of the haiku world in English this year.” Despite my personal preferences and concerns, and my knowing how tenuous the “best of” notion can be, I can assure you that the majority of the poems selected for RMA 2007 will indeed — in Robert Wilson’s words from last year — be “wonderful and refreshing” and “deserve a wider audience.”

Since our Honored Guest poets are often among the most-frequently selected poets in RMA, I asked a couple of them yesterday to share their chosen poems for this preview. Here are a few, plus a haibun, to pique your interest. I’ll be presenting many more from the f/k/a haiku family once I have dust of summers in hand. [Update: for more poems by our Honored Guests from Dust of Summers, see our posts “more treats from Dust of Summers” (Feb. 7, 2008); and “a peek inside Dust of Summers: RMA 2007” (Feb. 3, 2008)]

retreating glacier–
how long since we’ve heard
the black wolf’s song

…………………………. by Billie Wilson USA – dust of summers: RMA 2007 (Red Moon Press, 2008); orig. pub. Modern Haiku 38:1

circle of lamplight–
I complete the baby quilt
begun for me

…………………………. by Carolyn Hall – dust of summers: RMA 2007; orig. pub. Heron’s Nest Award, HN IX:1

magnolias
opening
the moon roof

………………………….. by Peggy Willis Lyles — dust of summers: RMA 2007; orig. pub. Mayfly #43, Summer 2007

full morning moon —
the working girl’s
gauzy blouse

……………….. by David Giacalone — dust of summers: RMA 2007; originally published in Simply Haiku 5:3

In the Night Kitchen

the boyfriend’s in her room and i can hear sounds coming from up there i don’t know if they are giggles or groans or what i just want him to leave want to hear those boots coming heavy down the stairs and i know she has been away two years which means she has done all sorts of things she hasn’t told me the same way i never told mother only different because now i know what mother knew and what all mothers come to know in time

midnight
above a cluster of stars
one star

……………………… by Roberta Bearydust of summers: RMA 2007; orig. pub. Modern Haiku 38.1 (Spring 2007)

January 27, 2008

we again stifle our obama oratory

Filed under: Haiku or Senryu,viewpoint — David Giacalone @ 12:25 pm

After last night’s results in South Carolina, the temptation to break the f/k/a Christmas Eve no-political-punditry pledge is even greater today than it was after the Iowa caucuses, and during the past few weeks of bilious Billderdash on the campaign trail. However, as we said back on January 4th, “we’ve never been able to have just one drink at the punditry bar, so I just put the cork back on that bottle of opine wine.”

Nevertheless, I will say two things: (1) I joined “Obama for New York” last night, plan to be one of the honkees at the Honk for Hope rally this afternoon in Albany, NY, and have just bookmarked the Obama Capital District NY Blog. And, (2) No matter how much I might agree with the agenda of whoever is chosen to live in the White House this November, I do not want to live through another four or eight years with a President who is personally loathed (not merely a gender or racial dislike or preference) by scores of millions of Americans. We need a unifier.

first full moon NoYabutsSN .
breaking the last
new year’s resolution

……………………………………… by dagosan (see the original haiga, at Magnapoets)

Meanwhile (and this goes greatly against the Prof. Yabut and ethicalEsq grain), I’ll let others do the talking: See “A President Like My Father,” by Caroline Kennedy; and “The Billary Road to Republican Victory,” by Frank Rich (New York Times, January 27, 2008); “Questions for the Clintons,” by Bob Herbert; and “Two Presidents Are Worse Than One,” by Garry Willis (New York Times, January 26, 2008); also, Althouse on Who Favored Hillary in SC.

What’s the antidote to the urge to pontificate? Besides having fun with Ann with mirrors, it is — as always — good one-breath poetry:

family plot–
all but forgotten
the sibling rivalry

high noon
the boys refill
their water pistols

……………………… by Tom Painting
“high noon” – July Selection, Snapshot Press 2005 Haiku Calendar
“family plot–” – Acorn No. 19 (Fall, 2007)

NoYabutsSN

new year
the neighbor tidies up
his side of the woods

waking to a new year . . .
his side of the bed
already cool

mother-daughter outing —
deep shadows
in the lotus seed pod

…………… by Carolyn HallAcorn No. 19 (Fall, 2007)

January 25, 2008

butterfly haiku

Filed under: Haiku or Senryu — David Giacalone @ 11:18 am

On the morning of my father’s recent funeral, I learned why the Bartolomeo & Perotto Funeral Home Inc., in Rochester, New York, chose the monarch butterfly as its symbol. Before closing the casket, a funeral director gave each family member a silver-tone butterfly lapel pin. It quickly came to mean more to me than I had thought it would at the first moment the pin was placed in the palm of my hand (when I figuratively rolled my tear-filled eyes). To my surprise, I found myself touching the pin often throughout that day and the days since, making a quick connection to my Dad.

B&P uses a poem by Evelyn Phillips to help express the butterfly symbol’s many facets. Because I prefer more indirect poetic explanations, I decided to bring together many of the butterfly-related haiku that have appeared here at f/k/a over the past few years — written by our Honored Guest family of haijin, and by myself. As good haiku should, they speak to us of many insights, emotions, and connections (not all sweet or maudlin), one butterfly moment at a time.

sunset stroll —
searching snowbanks
for butterflies

…………………………………………. by david giacalone
[in mem., Arthur P. Giacalone]

Monarch butterfly circle of life” [by Peggy Greb & Stephen Ausmus, USDA]

garden butterfly–
the child crawls, it flies
crawls, it flies…

the flute-playing servant
is the village headman!
butterflies dance

borrowing an antler
the butterfly
rests

window open–
a butterfly pulls my eyes
across the field

flecked with sand
from the whirlwind…
little butterfly

…………………………………………………….. by Kobayashi Issa,
translated by David G. Lanoue [hundreds more, here]

hitchhiking
an orange moth fills
the emptiness of Texas

………………………… by ed markowski
Mainichi News (Sept. 2005)

the butterfly’s path …
my son swings again
and misses

……………………….. by Tom Clausen
Homework (Snapshot Press 2000)

relaxing my arm
butterfly
on the bullseye

……………………. by Michael Dylan Welch
3rd Place, Drevnoik Award 2004, Haiku Canada

eviction notice —
a moth ricochets
in the lampshade

insomnia
the break-up
moth by moth

………………. by Alice Frampton
“eviction notice” – The Heron’s Nest (March 2004)
“insomnia” – The Heron’s Nest (Nov. 2003)

record heat –
a moth the color of heather
on the heather

…………………………………….. by Billie Wilson
The Heron’s Nest VII:2 (2005)

this butterfly
has places to go
spring journey

one last teatime
for the autumn
butterfly

……………………….. by David G. Lanoue .
from Dewdrop World (2005)

[orig.] “Monarchs feeding” [Image source: Allen Montgomery, U.S. Fish and Wildlife Service]

flitting butterfly
to Buddha’s lap
returns

yellow gang, white gang
the butterflies stake
their claims

claiming
the big sake cup…
a little butterfly

………………………… by Kobayashi Issa,
translated by David G. Lanoue

among the yellow roses
the yellow butterfly
grows still

after the rain
a white butterfly
on the clothesline

……………………. by George Swede
“among the yellow roses” – Almost Unseen (Brooks Books, 2000)
“after the rain” from Haiku Moment (B Ross, ed, 1993) ; Inkstone I:1 (1982)

my son noticing . . .
the attention i pay
to butterflies

……………………………… by John Stevenson
The Heron’s Nest — Vol. 1, #1 (1999):

a butterfly
so long at my window
summer dusk

the long night
a kaleidoscope of moth parts
in the overhead lamp

………………………………………. by Carolyn Hall
“a butterfly” – The Heron’s Nest 9:1 (2007); Winner, The Snapshot Press Haiku Calendar Competition 2007
“the long night” – The Heron’s Nest (IV:3, March 2002); Water Lines (2006)

the garden butterfly–
my daughter not close enough
then too close

one wing
folded against the other–
colors of a dead butterfly

nowhere else
but the next flower –
afternoon butterfly

………………………………………… by Gary Hotham
“the garden butterfly” – The Heron’s Nest (Sept. 2001)
“one wing” – The Heron’s Nest (Dec. 2001)
“nowhere else” – The Heron’s Nest (May 2004)

mountain butterfly
from her boulder
to mine

…………………….. by randy brooks
Modern Haiku XXXI:2; glimpse of red: rma 2000

drowned moth
the wax hardens
around it

…………. by Jim Kacian
from Presents of Mind, haiku and illustrations

fluttering madly—
butterfly in the slipstream
of a passing freight

legs pawing
in the summer wind—monarch
in the wiper blade

………………………. by Lee Gurga from Fresh Scent

dwindling heat
a butterfly lengthens
the rosevine

…………………………………………….. by roberta beary
Hermitage 2006

A clear hot day butterflyN
the silence
behind the butterfly

Windblown curtain–
from a fold, a white moth
flutters out into moonlight

……………………….. by Rebecca Lilly,
from Shadwell Hills (Birch Prees Press, 2002)

flitting from
watercolours to oils
a butterfly

beneath work
i haven’t finished
a trembling moth

……………………………. by Matt Morden
“flitting from” – Morden Haiku (Aug. 29, 2007)
“beneath work” – Morden Haiku (June 16, 2006)

p.s. I’ve created a butterfly haiku memorial collection for Papa G., which is a Word document that you can print from this website, to create a two-sided, trifold brochure. It contains most of the poems found above.

 

January 24, 2008

Mann Library features Carolyn Hall haiku this month

Filed under: Haiku or Senryu — David Giacalone @ 10:24 am

Regrets are often neither helpful nor healthy, but I’ve nevertheless been bemoaning my failure to live up to our only resolution last January: to visit Tom Clausen‘s Cornell University Mann Library Daily Haiku Page frequently throughout 2007. At his Mann Library website, Tom features one guest poet a month, posting one haiku or senryu each day.

In January 2007, Tom Clausen finally focused on his own fine poetry (which you can also find in quantity here at f/k/a), and then presented a stellar group of haijin friends throughout 2007: Frank Robinson in February; Pamela Miller Ness in March; Cor van den Heuvel in April; Ruth Yarrow in May; Vincent Tripi in June; Carol Purington in July; Michael Ketchek in August; Philomene Kocher in September; Ed Markowski in October; J.W. Hackett in November and December. [Go here to subscribe to the Main Library’s daily haiku feed; and here for Friends of Mann Library]

Whether you’re hoping to see the work of one of your favorite haiku poets, or looking to make the acquaintance of a haijin who is new to you, the Mann website is a good place to visit often. Seeing what Tom has posted day by day is enjoyable, but so is catching up on a month’s worth of a poet’s haiku through the Mann archives. [My only complaint (other than my usual lament over the creeping presence of “tell-ems”): the original publication credit should be given for each poem featured at MLDH. Giving that credit is part of the deal we haiku poets make with our publishers.]

new field glasses-
a house I’ve never noticed
at the end of my block

………………………………………. by Carolyn Hall
Mann Library’s Daily Haiku page, Jan. 24, 2008

As mentioned here a few days ago, Tom started 2008 auspiciously by featuring the work of Carolyn Hall all this month at MLDH. As you can see from her f/k/a archive page, the work of Carolyn Hall has been regularly gracing this weblog since Dec. 14, 2004. We’ve noted (with much more admiration than envy) that “Carolyn has been winning so many haiku awards that we can’t possibly list them all.” She’s now the editor of the biannual haiku journal Acorn.

Snapshots Haiku Calendar 2008 (August)

a butterfly
so long at my window
summer dusk

…………………………………………………………. by Carolyn Hall
The Heron’s Nest 9:1 (2007); Winner, The Snapshot Press Haiku Calendar Competition 2007 Winner

Carolyn’s book Water Lines (Snapshot Press, 2006; see cover), which can be ordered here, was the 2007 HSA Merit Book 2nd Place winner (see our discussion), and was one of three joint winners of the Snapshot Press Haiku Collection Competition 2004 (see our posting). You’ll find many poems from Water Lines at Mann. Here, to whet your appetite further, are a handful of poems that have already appeared at MLDH in January 2008:

seafaring story-
the book rises and falls
on his chest

first night home from college
click of the latch
on her bedroom door

creek grasses
bent seaward
winter rain

dog days
my gardening gloves
finally softened

first freeze
the birdfeeder spins
in the wind

butterflyN ……………….. by Carolyn Hall, Mann Library Daily Haiku (Jan. 2008)
“first night home” – A New Resonance 2;  “creek grasses” – The Heron’s  Nest (Feb. 2001)
“fireplace glow” – The Heron’s Nest (VII:4, Winter 2005)

You can find another poem each day by Carolyn through January 31st at MLDH, and all of them by using the “previous” link or going to her MLDH archive page.

 

January 21, 2008

MLK, Jr Day: service, justice & nonviolence

Filed under: Haiku or Senryu,viewpoint — David Giacalone @ 10:16 am

It’s Martin Luther King, Jr. Day, and as we did last year, the f/k/a Gang re-commits to a Day of Service in his honor, as well as beginning “40 Days of Nonviolence: Building the Beloved Community.” Other f/k/a MLK Day themes that deserve a repise:

  • all of us who are responsible for the operation of our legal and judicial system (that’s every American, but especially the legal profession) can use the pro-se/self-help-law movement to help ensure that wealth is no longer the key to the courthouse and that our justice system fairly serves every American.

Martin Luther King Day…
the weight of ice
on a magnolia branch

. . . by ed markowski

Martin Luther King Day – NoYabutsSN
the kid says it’s too cold
to march

. ……………… . by dagosan

[Don’t forget the 2008 Martin Luther King Day Edition of Blawg Review [#143].]

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