{"id":2746,"date":"2004-12-02T23:23:31","date_gmt":"2004-12-03T03:23:31","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/dbnews\/2004\/12\/02\/those-french-again\/"},"modified":"2004-12-02T23:23:31","modified_gmt":"2004-12-03T03:23:31","slug":"those-french-again","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/2004\/12\/02\/those-french-again\/","title":{"rendered":"Those French Again"},"content":{"rendered":"<p><a name='a4265'><\/a><\/p>\n<table width=\"537\" border=\"0\">\n<tr>\n<td valign=\"top\">\n<p align=\"justify\">  <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cyber.law.harvard.edu\/blogs\/static\/dowbrigade\/muttt.jpg\" width=\"200\" height=\"266\" align=\"left\">A<br \/>\n        signed white urinal has been named the most influential modern art work<br \/>\n        of all time.<\/p>\n<p>      Marcel Duchamp&#8217;s Fountain came top of a poll of 500 art experts in the<br \/>\n      run-up to this year&#8217;s Turner Prize.<\/p>\n<p>      It beat Picasso&#8217;s Les Demoiselles d&#8217;Avignon and Andy Warhol&#8217;s Marilyn Diptych<br \/>\n      which were second and third respectively.<\/p>\n<p>      Duchamp shocked the art establishment when he took the urinal, signed it<br \/>\n      and put it on display in 1917.<\/p>\n<p>      &quot;The choice of Duchamp&#8217;s Fountain as the most influential work of<br \/>\n      modern art ahead of works by Picasso and Matisse comes as a bit of a shock,&quot; said<br \/>\n      art expert Simon Wilson.<\/p>\n<p align=\"justify\">from <a href=\"http:\/\/www.ananova.com\/news\/story\/sm_1196566.html\">Ananova<\/a><\/p>\n<p align=\"justify\">see<br \/>\n    also <a href=\"http:\/\/blogs.law.harvard.edu\/dowbrigade\/2004\/03\/17#a3026\">A Urinal that&#8217;s Hard to Miss<\/a><\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>A signed white urinal has been named the most influential modern art work of all time. Marcel Duchamp&#8217;s Fountain came top of a poll of 500 art experts in the run-up to this year&#8217;s Turner Prize. It beat Picasso&#8217;s Les &hellip; <a href=\"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/2004\/12\/02\/those-french-again\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":299,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[576],"tags":[],"class_list":["post-2746","post","type-post","status-publish","format-standard","hentry","category-wacky-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/posts\/2746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/users\/299"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/comments?post=2746"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/posts\/2746\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/media?parent=2746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/categories?post=2746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/tags?post=2746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}