{"id":2131,"date":"2004-02-22T09:26:06","date_gmt":"2004-02-22T13:26:06","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/dbnews\/2004\/02\/22\/art-or-atrocity-under-the-skin\/"},"modified":"2004-02-22T09:26:06","modified_gmt":"2004-02-22T13:26:06","slug":"art-or-atrocity-under-the-skin","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/2004\/02\/22\/art-or-atrocity-under-the-skin\/","title":{"rendered":"Art or Atrocity &#8211; Under the Skin"},"content":{"rendered":"<p><a name='a2747'><\/a><\/p>\n<table width=\"537\" border=\"0\">\n<tr>\n<td>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cyber.law.harvard.edu\/blogs\/static\/dowbrigade\/bodyworld.jpg\" width=\"410\" height=\"398\"><\/p>\n<p>Macabre<br \/>\n        doesn&#8217;t begin to describe <a href=\"http:\/\/blogs.law.harvard.edu\/dowbrigade\/2004\/02\/06\">the<br \/>\n        work of German artist\/anatomist Gunter von Hagens<\/a>, who is turning human cadavers into artwork at  the Von Hagens<br \/>\n        Plastination factory in Dalian, in northeast China. Although he does<br \/>\n        the actual body work in hermetic China, the finished products are currently<br \/>\n        touring Europe to enthusiastic crowds.<\/p>\n<p>More than 13 million people have viewed &quot;Body Worlds&quot; since<br \/>\n        it opened in 1996. Besides Germany, the exhibition has been to London,<br \/>\n        Brussels, Singapore and Basel, Switzerland, as well as cities in Japan<br \/>\n        and South Korea. Plans are underway to bring it to the United States<br \/>\n      in the next two years.<\/p>\n<blockquote>\n<p>&quot;I go to the depths,&quot; von Hagens said recently in an interview<br \/>\n          at his &quot;Body Worlds&quot; show in a cavernous exhibition hall<br \/>\n          in Germany&#8217;s financial capital.<\/p>\n<p>          &quot;This is a kind of body celebration; here we are more naked than the<br \/>\n          naked &#8212; we do not even have our skin.&quot;<\/p>\n<p>          The 59-year-old von Hagens &#8212; medical doctor by training, university<br \/>\n          lecturer by profession, artist of anatomy by passion &#8212; wants people<br \/>\n          to be able to see the beauty beneath the skin, literally. To this end<br \/>\n          he has amassed a large array of &quot;specimens,&quot; as he likes<br \/>\n          to call them.<\/p>\n<p>          Among the displays are the body of a man whose skin was removed and lies<br \/>\n          draped over his outstretched arm, and the man whose body was cut and<br \/>\n        stretched so as to better display his internal organs.<\/p>\n<\/blockquote>\n<p>As soon as the US tour is set, the Dowbrigade will bring the itinerary<br \/>\n        to our readers attention, so that you can all go and decide for yourselves;<br \/>\n        art or atrocity?<\/p>\n<p>latest story from <a href=\"http:\/\/www.boston.com\/news\/world\/europe\/articles\/2004\/02\/22\/german_anatomist_turninga_morbid_interest_into_art\/\">today&#8217;s Boston Globe<\/a><\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Macabre doesn&#8217;t begin to describe the work of German artist\/anatomist Gunter von Hagens, who is turning human cadavers into artwork at the Von Hagens Plastination factory in Dalian, in northeast China. Although he does the actual body work in &hellip; <a href=\"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/2004\/02\/22\/art-or-atrocity-under-the-skin\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":299,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1443],"tags":[],"class_list":["post-2131","post","type-post","status-publish","format-standard","hentry","category-esl-links"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/posts\/2131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/users\/299"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/comments?post=2131"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/posts\/2131\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/media?parent=2131"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/categories?post=2131"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/tags?post=2131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}