{"id":1727,"date":"2003-11-15T21:05:02","date_gmt":"2003-11-16T01:05:02","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/dbnews\/2003\/11\/15\/some-things-dont-translate\/"},"modified":"2003-11-15T21:05:02","modified_gmt":"2003-11-16T01:05:02","slug":"some-things-dont-translate","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/2003\/11\/15\/some-things-dont-translate\/","title":{"rendered":"Some Things Don&#8217;t Translate"},"content":{"rendered":"<p><a name='a1803'><\/a><\/p>\n<table width=\"500\" border=\"0\">\n<tr>\n<td height=\"211\">\n<p align=\"left\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/cyber.law.harvard.edu\/blogs\/static\/dowbrigade\/ttboo.jpg\" width=\"203\" height=\"152\" align=\"left\"><font color=\"#CC3300\" size=\"+2\"><strong>Boy George musical savaged in NY<br \/>\n    <\/strong><\/font><em><br \/>\n        <\/em>The Boy George musical Taboo, backed by the former chat show host Rosie<br \/>\n  O&#8217;Donnell, has opened to poor reviews in the US. <\/p>\n<p>        The Broadway version, which tells the story of the pop star&#8217;s life and<br \/>\n        stars<br \/>\n  George as performance artist Leigh Bowery, opened on Monday.<\/p>\n<p>  The <a href=\"http:\/\/www.nytimes.com\/2003\/11\/14\/arts\/theater\/14TABO.html\">New<br \/>\n  York Times<\/a> said the musical was &quot;a disastrously overcrowded tableau<br \/>\n  of a show&quot;.<\/p>\n<p><a href=\"http:\/\/news.bbc.co.uk\/1\/hi\/entertainment\/showbiz\/3270261.stm\">from<br \/>\n      the BBC<\/a><\/p>\n<\/td>\n<\/tr>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Boy George musical savaged in NY The Boy George musical Taboo, backed by the former chat show host Rosie O&#8217;Donnell, has opened to poor reviews in the US. The Broadway version, which tells the story of the pop star&#8217;s life &hellip; <a href=\"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/2003\/11\/15\/some-things-dont-translate\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":299,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1443],"tags":[],"class_list":["post-1727","post","type-post","status-publish","format-standard","hentry","category-esl-links"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/posts\/1727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/users\/299"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/comments?post=1727"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/posts\/1727\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/media?parent=1727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/categories?post=1727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dowbrigade\/wp-json\/wp\/v2\/tags?post=1727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}