![\"minghella](\"http:\/\/blogs.law.harvard.edu\/dingansich\/files\/2009\/05\/minghella-butterfly.jpg\")
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Madame Butterfly<\/strong><\/em> in HD<\/a> [rebroadcast of the live March 7 Met performance<\/a>] The drama was taut, the gorgeousness detailed. The staging: imaginative, often exquisite, though always immodest enough for opera: bright scarlet blossom groves, glowing lanterns constellating unto galaxies aswirl, shimmering petals threaded onto filaments slowly descending like a seeping horizon, and of course measureless swathes of silk set unfurling. At times one almost feared it might verge on anime choreographed for wax-museum figures as directed by Zhang Yimou, but (Minghella’s English?) good taste reined things in.<\/p>\n Patricia Racette: powerhouse Puccinian\u2014voice capacious, mellifluous throughout, the movement of her face and limbs in studious mimicry of girlishness. Nothing really could render her believable as an Asian child bride\u2014the singing and emoting both were ripe too far beyond pubescence (and the ethnic makeover erred toward Morticia Addams, I thought)\u2014but that’s the usual trouble so perhaps had to be forgiven. Marcello Giordani’s Pinkerton presented a solid amalgam of cad, brute, and dolt\u2014nothing very complicated, though sung with soul. The whole supporting cast was surprisingly great, especially those in the roles of Suzuki, Sharpless, and Yamadori (played by an actual Asian singer\u2014to odd yet doubly sympathetic effect somehow). Even Cio-Cio San’s mother, who barely gets any lines, lingers in this heartbreaking way on the hill upon leaving her just-married daughter\u2014a supreme indication of the directorial care taken.<\/p>\n The silent puppet child, center and cipher of all this theatrical artifice, turned out to seem the most human and expressive of all\u2014and even for this uncanny effect alone I’d recommend, and indeed repeat, the experience. Also for the thundering final act. Not one predisposed to Puccini, I left feeling dazzled and stricken. The performance will surely come out on DVD soon enough, so all is not lost to those who missed it this time.<\/p>\n","protected":false},"excerpt":{"rendered":" Madame Butterfly in HD [rebroadcast of the live March 7 Met performance] March 17, 2009, Walter Reade Theatre at Lincoln Center Metropolitan Opera Conductor: Patrick Summers Production: Anthony Minghella Cast: Patricia Racette (Cio-Cio San), Marcello Giordani (Pinkerton), Maria Zifchak (Suzuki), Dwayne Croft (Sharpless) The drama was taut, the gorgeousness detailed. The staging: imaginative, often exquisite, […]<\/p>\n","protected":false},"author":241,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5752,370,4537,39,2328,5832],"tags":[13262,3892,5848,13261,13265,5846,19807,13264,13263,5849,13260,5850,188,2298,5847],"class_list":["post-31","post","type-post","status-publish","format-standard","hentry","category-asia","category-film","category-love","category-music","category-nyc","category-opera","tag-cho-cho-san","tag-hd","tag-lincoln-center","tag-madame-butterly","tag-marcello-giordani","tag-minghella","tag-opera","tag-patricia-racette","tag-pinkerton","tag-puccini","tag-puppetry","tag-puppets","tag-reviews","tag-theatre","tag-walter-reade"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/posts\/31","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/users\/241"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/comments?post=31"}],"version-history":[{"count":26,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/posts\/31\/revisions"}],"predecessor-version":[{"id":881,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/posts\/31\/revisions\/881"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/media?parent=31"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/categories?post=31"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/tags?post=31"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nMarch 17, 2009, Walter Reade Theatre at Lincoln Center
\nMetropolitan Opera
\nConductor: Patrick Summers
\nProduction: Anthony Minghella
\nCast: Patricia Racette (Cio-Cio San), Marcello Giordani (Pinkerton), Maria Zifchak (Suzuki), Dwayne Croft (Sharpless)<\/p>\n