{"id":14,"date":"2004-08-16T19:31:42","date_gmt":"2004-08-16T23:31:42","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/dingansich\/2004\/08\/16\/hot-fusion\/"},"modified":"2011-11-26T23:16:09","modified_gmt":"2011-11-27T03:16:09","slug":"hot-fusion","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/dingansich\/2004\/08\/16\/hot-fusion\/","title":{"rendered":"Hot fusion"},"content":{"rendered":"<p>A couple of months ago, <a href=\"http:\/\/www.thislife.org\" target=\"_blank\">This American Life<\/a> on NPR featured <a href=\"http:\/\/www.thislife.org\/pages\/descriptions\/04\/268.html\" target=\"_blank\">the extraordinary profile of Chaim<\/a>, a young Hasidic Jew who redubbed himself &#8220;Curly Oxide&#8221; and became something of a Williamsburg punk-rock star before marrying and returning to the life of Hasidim. Along similar lines, sans reversion, an emerging Hasidic reggae star of dubious talent but well-pitched niche named <a href=\"http:\/\/www.hasidicreggae.com\/\" target=\"_blank\">Matisyahu<\/a> has hit the scene, performing at Joe&#8217;s Pub last week and scoring <a href=\"http:\/\/www.wnyc.org\/shows\/lopate\/episodes\/08092004\" target=\"_blank\">an interview on WNYC<\/a>.  Still <a href=\"http:\/\/www.forward.com\/issues\/2003\/03.10.10\/living5.homie.html\" target=\"_blank\">more press<\/a> has been accorded to <a href=\"http:\/\/www.50shekel.com\" target=\"_blank\">50 Shekel and his Jew-Unit<\/a>, named one of the &#8220;Nine Most Remarkable Things in Culture This Month&#8221; by the December 2003 issue of <a href=\"http:\/\/www.esquire.com\/\" target=\"_blank\">Esquire Magazine<\/a>.  I must say that <a href=\"http:\/\/www.dissonant.org\/%7Epjammer\/music\/50Shekel-In-Da-Shul.mp3\" target=\"_blank\">&#8220;In Da Shul&#8221;<\/a> &#8212; his rewriting of the 50 Cent song &#8212; is pretty darn endearing; read the lyrics <a href=\"http:\/\/www.50shekel.com\/shul_lyrics.html\" target=\"_blank\">here<\/a>.<\/p>\n<p>Among ethnically inflected renditions of &#8220;In Da Club,&#8221; my personal favorite remains <a href=\"http:\/\/www.tigerstyleonline.co.uk\/\" target=\"_blank\">Tigerstyle<\/a>&#8216;s bhangra mix &#8212; a mainstay on BBC One&#8217;s <a href=\"http:\/\/www.bbc.co.uk\/radio1\/urban\/bobbyandnihal\/\" target=\"_blank\">Bobby Friction &amp; Nihal<\/a> and <a href=\"http:\/\/www.bbc.co.uk\/1xtra\/morestyles\/\" target=\"_blank\">Punjabi Hit Squad&#8217;s Desi Beats<\/a> shows.  Speaking of bhangra (as I always seem to be), <a href=\"http:\/\/www.washingtonpost.com\/wp-dyn\/articles\/A44113-2004Aug5.html\" target=\"_blank\">this recent <em>Washington Post<\/em> article<\/a> takes a fresh approach, emphasizing the dance-form and actually encouraging readers to attend bhangra classes and club-nights, much as one would go salsa-dancing. Balle balle!<\/p>\n<p>As Bollywood buzzes about the possibility of <a href=\"http:\/\/www.apunkachoice.com\/scoop\/bollywood\/20040707-4.html\" target=\"_blank\">Hrithik Roshan<\/a> starring in <a href=\"http:\/\/www.indiafm.com\/scoop\/04\/jul\/0807hrithik\/index.shtml\" target=\"_blank\">a remake of <span>Superman<\/span><\/a> (Dharmendra starred in <a href=\"http:\/\/www.stomptokyo.com\/movies\/s\/superman-indian.html\" target=\"_blank\">the Hindi para-original<\/a>), Gotham Comics and Marvel team up to bring us <em><a href=\"http:\/\/www.gothamcomics.com\/spiderman_india\" target=\"_blank\">Spider-Man India<\/a><\/em>.  In addition to <a href=\"http:\/\/www.atimes.com\/atimes\/South_Asia\/FF23Df03.html\" target=\"_blank\">Spider-ji<\/a>, of course, the world is also big enough for <a href=\"http:\/\/www.imdb.com\/title\/tt0185116\/\" target=\"_blank\">Spider-san<\/a>, a (theoretical) <a href=\"http:\/\/www.aish.com\/societyWork\/arts\/Spider-Jew.asp\" target=\"_blank\">Spider-jew<\/a>, and a (newly imagined) <a href=\"http:\/\/books.guardian.co.uk\/print\/0,3858,4919564-99941,00.html\">Soviet Superman<\/a>.  For those curious about further case studies in the globalization of the comic-book, <a href=\"http:\/\/www.internationalhero.co.uk\/\" target=\"_blank\">this site<\/a> inventorying major superheroes around the world is a good place to start.<\/p>\n<p>In more crossover news, <a href=\"http:\/\/www.petshopboys.co.uk\/\" target=\"_blank\">The Pet Shop Boys<\/a> have composed a new score for Eisenstein&#8217;s <em>Battleship Potemkin<\/em>, which the <a href=\"http:\/\/www.dresdner-sinfoniker.de\/\" target=\"_blank\">Dresdner Sinfoniker<\/a> will be performing at Trafalgar Square September 12.  Neil Tennant writes about the project in <em><a href=\"http:\/\/www.guardian.co.uk\/g2\/story\/0,,1250316,00.html\" target=\"_blank\">The Guardian<\/a><\/em>.  <a href=\"http:\/\/www.guardian.co.uk\/letters\/story\/0,,1252967,00.html\" target=\"_blank\">Letters to the editor<\/a> clarifying <a href=\"http:\/\/www.guardian.co.uk\/letters\/story\/0,,1258082,00.html\" target=\"_blank\">the history of the film&#8217;s scorings<\/a> are also worth a read.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>A couple of months ago, This American Life on NPR featured the extraordinary profile of Chaim, a young Hasidic Jew who redubbed himself &#8220;Curly Oxide&#8221; and became something of a Williamsburg punk-rock star before marrying and returning to the life of Hasidim. Along similar lines, sans reversion, an emerging Hasidic reggae star of dubious talent [&hellip;]<\/p>\n","protected":false},"author":241,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5752,39,2328,2145],"tags":[],"class_list":["post-14","post","type-post","status-publish","format-standard","hentry","category-asia","category-music","category-nyc","category-scenes"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/posts\/14","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/users\/241"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/comments?post=14"}],"version-history":[{"count":7,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/posts\/14\/revisions"}],"predecessor-version":[{"id":896,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/posts\/14\/revisions\/896"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/media?parent=14"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/categories?post=14"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/dingansich\/wp-json\/wp\/v2\/tags?post=14"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}