{"id":166,"date":"2007-11-20T23:59:01","date_gmt":"2007-11-21T06:59:01","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/cqtwo\/2007\/11\/20\/macguffin\/"},"modified":"2007-11-21T00:34:01","modified_gmt":"2007-11-21T07:34:01","slug":"macguffin","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/2007\/11\/20\/macguffin\/","title":{"rendered":"Macguffin"},"content":{"rendered":"<p>A <a href=\"http:\/\/en.wikipedia.org\/wiki\/Macguffin\" title=\"Macguffin\">Macguffin <\/a>is a film term, popularized by <a href=\"http:\/\/en.wikipedia.org\/wiki\/Alfred_Hitchcock#MacGuffin\" title=\"Alfred Hitchcock on Macguffin\">Alfred Hitchcock<\/a>, which describes a gimmick that seems to be essential to the movie &#8212; and which motivates the characters in the story &#8212; but which is ultimately irrelevant.<\/p>\n<p>Supposedly it was invented by <a href=\"http:\/\/www.labyrinth.net.au\/%7Emuffin\/faqs_c.html\" title=\"Macguffin\">Angus MacPhail<\/a>, a screenwriter, who worked extensively with Hitchcock.<\/p>\n<p>The eponymous falcon in the <em>Maltese Falcon<\/em> is a Macguffin; so too is the uranium in <em>Notorious<\/em>, and the formula for constructing an aircraft engine in <em>The Thirty Nine Steps<\/em>.  Hitchcock thought that his best Macguffin were the &#8216;government secrets&#8217; in <em>North by Northwest<\/em>, since they were virtually non-existent.<\/p>\n<p>Here&#8217;s an excerpt from Helen Scott and Fran\u00e7ois Truffaut&#8217;s book of interviews, <em>Hitchcock<\/em>, published 1985 (the first edition was published in 1967, based on 1964 interviews):<\/p>\n<blockquote><p>Alfred Hitchcock: &#8220;&#8230; whenever we found ourselves getting terribly involved [in defining a Macguffin], we would drop the idea for something very simple.<\/p>\n<p>Francois Truffaut: In other words, not only is there no need for the MacGuffin to be important or serious, but it&#8217;s even preferable that it should turn out to be something as trivial and absurd as the little tune of <em>The Lady Vanishes.<\/em><\/p>\n<p>Hitchcock: Exactly.<\/p><\/blockquote>\n<p>Elsewhere in the same set of interviews, Hitchcock tells Truffaut this story:<\/p>\n<blockquote><p>There are two men sitting in a train going to Scotland and one man says to the other, &#8216;Excuse me, sir, but what is that strange parcel you have on the luggage rack above you?&#8217; &#8216;Oh,&#8217; says the other, &#8216;that&#8217;s a Macguffin.&#8217; &#8216;Well,&#8217; says the first man, &#8216;what&#8217;s a Macguffin?&#8217; The other answers, &#8216;It&#8217;s an apparatus for trapping lions in the Scottish Highlands.&#8217; &#8216;But,&#8217; says the first man, &#8216;there are no lions in the Scottish Highlands.&#8217; &#8216;Well,&#8217; says the other, &#8216;then that&#8217;s no Macguffin.'&#8221;<\/p><\/blockquote>\n<p>Blogged with <a href=\"http:\/\/www.flock.com\/blogged-with-flock\" title=\"Flock\" target=\"_new\">Flock<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Macguffin is a film term, popularized by Alfred Hitchcock, which describes a gimmick that seems to be essential to the movie &#8212; and which motivates the characters in the story &#8212; but which is ultimately irrelevant. Supposedly it was &hellip; <a href=\"https:\/\/archive.blogs.harvard.edu\/cqtwo\/2007\/11\/20\/macguffin\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1116,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[646],"tags":[],"class_list":["post-166","post","type-post","status-publish","format-standard","hentry","category-words"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8jQA6-2G","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/wp-json\/wp\/v2\/posts\/166","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/wp-json\/wp\/v2\/users\/1116"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/wp-json\/wp\/v2\/comments?post=166"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/wp-json\/wp\/v2\/posts\/166\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/wp-json\/wp\/v2\/media?parent=166"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/wp-json\/wp\/v2\/categories?post=166"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cqtwo\/wp-json\/wp\/v2\/tags?post=166"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}