{"id":3687,"date":"2006-08-28T04:45:00","date_gmt":"2006-08-28T08:45:00","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/cmusings\/2006\/08\/28\/previewing-lessons-learned-from-fair"},"modified":"2006-08-28T04:45:00","modified_gmt":"2006-08-28T08:45:00","slug":"previewing-lessons-learned-from-fairuse4wm","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/cmusings\/2006\/08\/28\/previewing-lessons-learned-from-fairuse4wm\/","title":{"rendered":"Previewing Lessons Learned From FairUse4WM"},"content":{"rendered":"<p><a name='a1894'><\/a><\/p>\n<p>On the one hand, <a href=\"http:\/\/blogs.law.harvard.edu\/cmusings\/\">I&#8217;ve said that most users won&#8217;t care about FairUse4WM<\/a><br \/>\nbecause they already could easily get unencrypted<br \/>\ncopies. On the other hand, <a href=\"http:\/\/blogs.law.harvard.edu\/cmusings\/2006\/08\/28#a1893\">Janus DRM has discouraged music fans from subscribing<\/a> and hurt online music businesses.&nbsp;<br \/>\nIn what sense can both these statements be true?&nbsp; In short, music fans<br \/>\nwould flock to a true all-you-can-eat mp3 subscription service, but, don&#8217;t be surprised if FairUse4WM has little impact on user adoption of subscription services. <\/p>\n<p>Many users who currently rely on P2P<br \/>\nwould put down money for a slick Rhapsody-like service that didn&#8217;t<br \/>\nrestrict their uses, just like many online music users already flit<br \/>\nbetween iTunes and P2P depending on which happens to be more convenient<br \/>\nat a given moment.&nbsp; And, in the long run, an all-you-can-eat mp3<br \/>\nservice may be where we&#8217;re headed.<\/p>\n<p>But in the short run, I don&#8217;t<br \/>\nthink that&#8217;s how things will play out.&nbsp; Most music fans still don&#8217;t<br \/>\nwant anything that smells like a subscription &#8220;rental&#8221; service, and,<br \/>\nunless FairUse4WM gets integrated into Rhapsody in some form, it<br \/>\ndoesn&#8217;t make the experience seamless enough. The iTunes Music Store has<br \/>\ndominated the market not just because of the price point, but because<br \/>\nit and the iPod work with no fuss.&nbsp; In contrast,<br \/>\nRhapsody-to-FairUse4WM-to-iPod still requires some energy, and, more to<br \/>\nthe point, Rhapsody+P2P downloading will for many people be as or more<br \/>\nconvenient than Rhapsody+FairUse4WM.&nbsp; FairUse4WM may make some current<br \/>\nRhapsody customers happy, but it won&#8217;t attract too many new ones.&nbsp; <\/p>\n<p>Furthermore,<br \/>\nremember that this hack could be cut off, potentially by forced<br \/>\nupgrades or by the roll-out of new subscription services and devices<br \/>\ndown the road.&nbsp; That could prompt users to tune out the licensed<br \/>\nservices even more, but it will give certain industry folks the sense<br \/>\nthat this was a victory for DRM. After all, if the DRM can&#8217;t be broken<br \/>\nonce and then run everywhere forever, it &#8220;works,&#8221; right?<\/p>\n<p>Of course not &#8212; as I said, most users who want<br \/>\nto get around the DRM already can easily do so through<br \/>\nnon-circumvention means, and, as Engadget argued, the people who would<br \/>\ndownload the whole catalog and then cancel the subscription aren&#8217;t<br \/>\ngoing to be Rhapsody customers anyway. The DRM might get a few extra<br \/>\npennies out of a few people, but that&#8217;s far less than the money<br \/>\nRhapsody would attract with mp3s, and it certainly ain&#8217;t enough to<br \/>\nbuild an online music service business around.&nbsp; The service providers <a href=\"http:\/\/www.eff.org\/deeplinks\/archives\/004834.php\">like Yahoo<\/a> already understand this, but the record labels don&#8217;t or have other interests in mind, and middlemen like Microsoft are indifferent.<\/p>\n<p>So<br \/>\nmy worry &#8212; one that in part motivated my initial analysis &#8212; is that the<br \/>\nmusic industry and others will take all the wrong lessons away from this, and none<br \/>\nof the right ones.&nbsp; Stay tuned, and hope for the best. As both an <a href=\"http:\/\/www.eff.org\">Activist<\/a> and a Rhapsody user, I&#8217;m keeping my fingers crossed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the one hand, I&#8217;ve said that most users won&#8217;t care about FairUse4WM because they already could easily get unencrypted copies. On the other hand, Janus DRM has discouraged music fans from subscribing and hurt online music businesses.&nbsp; In what sense can both these statements be true?&nbsp; In short, music fans would flock to a [&hellip;]<\/p>\n","protected":false},"author":72,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[84],"tags":[],"class_list":["post-3687","post","type-post","status-publish","format-standard","hentry","category-general-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/posts\/3687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/users\/72"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/comments?post=3687"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/posts\/3687\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/media?parent=3687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/categories?post=3687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/tags?post=3687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}