{"id":3665,"date":"2006-05-18T01:44:56","date_gmt":"2006-05-18T05:44:56","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/cmusings\/2006\/05\/18\/lalacom-and-embracing-sharing\/"},"modified":"2006-05-18T01:44:56","modified_gmt":"2006-05-18T05:44:56","slug":"lalacom-and-embracing-sharing","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/cmusings\/2006\/05\/18\/lalacom-and-embracing-sharing\/","title":{"rendered":"LaLa.com and Embracing Sharing"},"content":{"rendered":"<p><a name='a1749'><\/a><\/p>\n<p>The LA Times reports that <a href=\"http:\/\/www.latimes.com\/business\/la-fi-lala14may14,1,6331647.story?coll=la-mininav-business\">&#8220;Sharing [Is] Still Divisive,&#8221; <\/a>and this time the tool stirring the fires is LaLa.com, which allows individuals to trade their own CDs with each other.&nbsp; Someone recently wrote me to say LaLa.com is based on &#8220;facilitating piracy.&#8221;&nbsp; It&#8217;s sad that any time a novel sharing service comes out, the first instinct is to demonize it rather than find a way to embrace and monetize what music fans so obviously want.<\/p>\n<p>LaLa.com is just like eBay in two senses. First, LaLa.com enables a more efficient market by reducing transaction costs in ways not possible in the offline world.&nbsp; Second, people already had the ability to sell their CDs via eBay &#8212; LaLa just modifies the model.<\/p>\n<p>Don&#8217;t get me wrong &#8212; some are going to use LaLa.com in illegitimate ways, but many will use it for legitimate purposes. People who bought their CDs &#8212; and thus already paid licensors &#8212; <a href=\"http:\/\/www4.law.cornell.edu\/uscode\/17\/109.html\">have<br \/>\nthe right to give away their own property in this way.<\/a><\/p>\n<p>In today&#8217;s world, almost everything facilitates piracy to some extent.&nbsp; Computers<br \/>\nmake copies; the Internet distributes copies. There is P2P, there are<br \/>\ndarknets, there are sneakernets, there are campus lans, in 5 years<br \/>\npeople may be swapping HD-DVDs worth of music and in the next 15 years maybe<br \/>\na single keychain memory stick will hold the entire universe of recordings.<\/p>\n<p>Artists will get paid in this world, but they&#8217;ll get paid differently and, I would contend, more.&nbsp;<br \/>\nLala is certainly part of a larger structure that&#8217;s upsetting settled<br \/>\nbusiness models.&nbsp; That doesn&#8217;t mean that it is simply &#8220;facilitating<br \/>\npiracy.&#8221;&nbsp; To define it as such is unfair.<\/p>\n<p>Regardless, given the myriad other thoroughly convenient methods people<br \/>\ncan unlawfully acquire copyrighted content, excuse me for not worrying<br \/>\nabout Lala as a mortal threat.&nbsp; Downloaders (as opposd to uploaders) on<br \/>\nP2P have little vulnerability.&nbsp; Swapping CDs filled with mp3s is far easier and costs less than using LaLa.<\/p>\n<p>And for what it&#8217;s worth: <a href=\"http:\/\/www.lala.com\/frontend\/action\/aboutlala%20\">LaLa is giving 20% of its revenues to artists.<\/a>&nbsp;<br \/>\nThat&#8217;s a better deal than they ever got from used record stores.&nbsp; What&#8217;s more, LaLa is reportedly losing money on every CD trade.&nbsp; <br \/>It&#8217;s planning to use CD trading as a loss leader to sell CDs and online downloads &#8212; that&#8217;s right: LaLa only survives if it helps artists sell more records.<\/p>\n<p><a href=\"http:\/\/cyber.law.harvard.edu\/home\/2005-11\">What will it take to embrace sharing and the sales-driver it could be?<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The LA Times reports that &#8220;Sharing [Is] Still Divisive,&#8221; and this time the tool stirring the fires is LaLa.com, which allows individuals to trade their own CDs with each other.&nbsp; Someone recently wrote me to say LaLa.com is based on &#8220;facilitating piracy.&#8221;&nbsp; It&#8217;s sad that any time a novel sharing service comes out, the first [&hellip;]<\/p>\n","protected":false},"author":72,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[84],"tags":[],"class_list":["post-3665","post","type-post","status-publish","format-standard","hentry","category-general-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/posts\/3665","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/users\/72"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/comments?post=3665"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/posts\/3665\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/media?parent=3665"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/categories?post=3665"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/tags?post=3665"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}