{"id":3492,"date":"2004-03-10T23:59:50","date_gmt":"2004-03-11T03:59:50","guid":{"rendered":"http:\/\/blogs.law.harvard.edu\/cmusings\/2004\/03\/10\/remix-construction-sets-and-a-little"},"modified":"2004-03-10T23:59:50","modified_gmt":"2004-03-11T03:59:50","slug":"remix-construction-sets-and-a-little-story","status":"publish","type":"post","link":"https:\/\/archive.blogs.harvard.edu\/cmusings\/2004\/03\/10\/remix-construction-sets-and-a-little-story\/","title":{"rendered":"Remix Construction Sets, and a Little Story"},"content":{"rendered":"<p><a name='a629'><\/a><\/p>\n<p><P>Ernest&nbsp;wrote <A href=\"http:\/\/www.corante.com\/importance\/archives\/002342.html\">a great post<\/A> about how artists could release remix construction sets &#8211; &#8220;the bits&nbsp;and parts used to create the work,&#8221;&nbsp;that could enable people to remix it themselves.&nbsp; Notably, many <A href=\"http:\/\/www.magnatune.com\">Magnatune<\/A>&nbsp;artists&nbsp;<A href=\"http:\/\/www.magnatune.com\/info\/openmusic\">already do this<\/A>,&nbsp;with no additional charge for <A href=\"http:\/\/creativecommons.org\/licenses\/by-nc-sa\/1.0\/legalcode\">non-commercial&nbsp;uses.<\/A>&nbsp;<\/P><br \/>\n<P>Ernest&#8217;s post also gives me the opportunity to tell a little personal story.&nbsp; A couple months back, <A href=\"http:\/\/www.spacefold.com\/colin\/ps\/index.html\">my step-father<\/A>&nbsp;gave me a copy of his redone version of Yes&#8217; <A href=\"http:\/\/www.amazon.com\/exec\/obidos\/tg\/detail\/-\/B000002J20\/103-2836051-4504658?v=glance\">Tales&nbsp;from Topographic Oceans.<\/A>&nbsp; Many consider Yes in general pomp prog rock crap, but even among those&nbsp;who appreciate their music, Tales is <A href=\"http:\/\/www.geocities.com\/SunsetStrip\/Concert\/8459\/tales.html\">widely panned<\/A>.&nbsp;It&#8217;s one of those wacky concept pieces, something that&nbsp;might blow your mind&nbsp;but too often ends up totally overblown.&nbsp; With its four songs all intentionally recorded to fit on one side of an LP each (four 20+ min songs), much of it seems&nbsp;unnaturally stretched.&nbsp; But it also has many redeemable moments.&nbsp; So, my step-father carved out some of the excess, just enough to fit it on one CD and to make the album much more listenable.<\/P><br \/>\n<P>First, I think this is a neat example of what would be even easier using what&nbsp;Ernest&#8217;s talking about.&nbsp; Second, note that it couldn&#8217;t be done&nbsp;under even iTunes&#8217; relatively permissive DRM. (Oh, wait, you can&#8217;t find Tales in their catalog anyway, but that&#8217;s for another post).&nbsp; Third, to those who trumpet artistic integrity as demanding incredibly restrictive derivatives rights, I hope this makes the issue a little tougher.&nbsp; Here&#8217;s a fan of the artist &#8211; yes, he&#8217;s mucking with the &#8220;purity&#8221; of the album as it was made, but he&#8217;s also enjoying interacting with&nbsp;one of his fave bands.&nbsp; Is that an experience we really want to stifle?<\/P><br \/>\n<P>(P.S. &#8211; he also gave me a copy of the original album, so with <A href=\"http:\/\/www4.law.cornell.edu\/uscode\/17\/109.html\">first sale<\/A> and <A href=\"http:\/\/www4.law.cornell.edu\/uscode\/17\/107.html\">fair use<\/A>, this might even have been legal. Maybe.)<\/P><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ernest&nbsp;wrote a great post about how artists could release remix construction sets &#8211; &#8220;the bits&nbsp;and parts used to create the work,&#8221;&nbsp;that could enable people to remix it themselves.&nbsp; Notably, many Magnatune&nbsp;artists&nbsp;already do this,&nbsp;with no additional charge for non-commercial&nbsp;uses.&nbsp; Ernest&#8217;s post also gives me the opportunity to tell a little personal story.&nbsp; A couple months back, [&hellip;]<\/p>\n","protected":false},"author":72,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[84],"tags":[],"class_list":["post-3492","post","type-post","status-publish","format-standard","hentry","category-general-news"],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/posts\/3492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/users\/72"}],"replies":[{"embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/comments?post=3492"}],"version-history":[{"count":0,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/posts\/3492\/revisions"}],"wp:attachment":[{"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/media?parent=3492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/categories?post=3492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/archive.blogs.harvard.edu\/cmusings\/wp-json\/wp\/v2\/tags?post=3492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}